Santarellina

Dennis O'Hara is a poverty-stricken Irishman who believes that if he comes to America he will immediately land a job as a policeman. So he manages to scrape together the funds to get him to Manhattan, and leaves his sweetheart Katie O'Grady behind while he makes his fortune. Naturally he discovers that joining the force isn't as easy as he expected, and when he does finally get in, he winds up in trouble because of the graft collections of his boss.

When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.

Two boxers climb into barrels and proceed to pummel each other in this novelty film from the Lumières.

Limeville, the city of lime, fears it's legacy might be destroyed when the heirs of the land show up to claim the town and replace the lime with oranges. But there's only place for one fruit in this town...

A pesky fly and the determination to get it.

An art student inherits a sum of money and has his fellow students over to celebrate. Chaos ensues.

A friend of KoKo's animator draws a haunted house, and KoKo and his dog Fitz go inside. There, they encounter frightening hallways where every door leads to a new spook.

Max and his friend, who came to visit him in Paris both fall in love with his new maid. The girl is very friendly, and while one plays the piano, she dances with the other - and they are so happy that even the decor dances at the rhythm.

Dog Rover, from Rescued by Rover fame, chases a kidnapper's car and while he is in a pub, drives it safely home and thus saves the baby.

Amalia is a 1914 Argentine silent film directed by Enrique García Velloso and written by Eugenio Py. It was based on the novel by José Mármol. The film starred Dora Huergo and Lola Marcó del Pont. It is the first full length film ever produced in Argentine cinema history.

About a young pretty bride, who cannot choose between all the grooms that circles around her...

The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.

Max has a toothache, and it's up to The Clown and a bespectacled rabbit to pull out the aching tooth.

The daughter of a wealthy man secretly marries a man below her station— one whom her father violently disapproves of. The father, in an excess of parental concern, separates the lovers by sending his daughter away so that she might forget her lover, unaware of their married state. During this time, she gives birth to a daughter. After some months, the young mother returns to her family manor and presents her father with his new granddaughter, which causes a most unfortunate scene. Unbeknownst to the young woman, her enraged father falsely accuses his son-in-law of theft and has him incarcerated in order to separate the lovers in an irrational attempt to force his daughter to forget this "unworthy" young man.

A very good as a faithful husband, whose wife is looking for proof that more than his eyes have been roving. She hires a private detective to provide it.

In this one, Max has run low on ink, so Ko-Ko finishes drawing himself and then heads over to the camera room, where he creates his own characters, a mechanical dancing Dresden doll with whom he falls in love and a couple of automaton musicians. He gets rid of the musicians, but, alas, the projectionist gets oil onto Ko-Ko's soon-to-be bride, melting her.

The opening scene is in a tailor's shop, showing the four assistants more or less in love with their employer's daughter. After some time, the tailor says he will give his daughter to the one who shows himself to be the cleverest. Some very amusing incidents follow. The various feats accomplished during the contest are clever examples of trick photography. (Moving Picture World)

Onésime needs to take care of an infant and does everything he can to avoid that responsibility.

For some time now, Sosthène, clerk at the Grand Laundromat of Papillon-sous-Bois, has been in love with Alphonsine, the girl who brings the laundry. One evening, he decides to win the heart of his beloved, who until now has been cruel and deaf to his fiery declarations, and if necessary, he'll kidnap her. Hidden at the edge of the woods, when Alphonsine goes by, Sosthène rolls through the grass until he lands at the beauty's feet, proclaiming his love in a deranged voice: "Be mine, or die!", "You idiot!". Blood rushes to Sosthène's head. His breath becomes so ragged that it can be heard a mile away, catching the attention of the famous detective Zigoto who was walking Bouboule, his no less famous police dog.

A monkey comes home and uses a magic wand to make himself dinner. No sooner as he falls asleep, a hungry burglar enters his house. This short film was made by Segundo de Chomón in 1923 in his private studio with the help of his wife and son, outside of any studio structure, and has never had a regular distribution.