The Antwerp Zoo covers a fair extent of ground, and was already in 1910 generally considered as an important one. A large number of views of birds and animals were taken and hand coloured. In those days, the monkey house was in for much attention. People found that the various comic incidents added a touch of whimsicality.
Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother -- a mixture of snapshots, Super-8, answering machine messages, video diaries, early short films, and more -- culled from 19 years of his life.
Wallace Carlson walks viewers through the production of an animated short at Bray Studios.
Böttchers film showcases three young workers who learn how to paint, draw, and make sculptures out of stone. The film generated a storm of mistrust, as there is no leading communist party, and the three individuals live blithely and independently of the official dictates. It became one of the first DEFA documentary productions that were not allowed to be shown.
Was lebst Du?
The Last of the Little Breweries, a student film documenting the history of the Spoetzel Brewery in Lavaca County, Texas, was produced and directed by University of Texas at Austin student Frank Binney (later a professor in the Radio-Television-Film Department) in 1976. Tracing Bavarian-born brewmaster Kosmos Spoetzel's journey through Egypt, Canada, and San Francisco before landing in Shiner, Texas, in 1915, it won an Achievement Award in documentary at the 4th Annual Student Film Awards (now known as the Student Academy Awards) in 1977.
This documentary on the "youth movement" of the late 1960s focuses on the hippie pot smoking/free love culture in the San Francisco Bay area.
A short Doc/Music Collage of the DIY shows at Taqueria El Picante. Featuring bands from all around DFW, Houston, Chicago, and Canada too. During editing, it became a story about Alli, Pat, and good ass music.
Rodeo is a tough way to make a living-that's what this video is all about. These are the hardest hit, toughest rides, most heart pounding moments of the 1986 Season of the world famous Mesquite Championship Rodeo.
Rodeo is a tough way to make a living-that's what this video is all about. These are the hardest hit, toughest rides, most heart pounding moments of the 1989 Season of the world famous Mesquite Championship Rodeo.
Rodeo is a tough way to make a living-that's what this video is all about. These are the hardest hit, toughest rides, most heart pounding moments of the 1992 Season of the world famous Mesquite Championship Rodeo.
Rodeo is a tough way to make a living-that's what this video is all about. These are the hardest hit, toughest rides, most heart pounding moments of the 1993 Season of the world famous Mesquite Championship Rodeo.
Rodeo is a tough way to make a living-that's what this video is all about. These are the hardest hit, toughest rides, most heart pounding moments of the 1996 Season of the world famous Mesquite Championship Rodeo.
Rodeo is a tough way to make a living-that's what this video is all about. These are the best, toughest, most heart stopping moments of the 1990 Season of the world famous Mesquite Championship Rodeo.
Latino's in Texas talk about what it is like to grow up Hispanic.
In a contemporary reimagining of the American West, three young women - a snake hunter, a New York artist, and a rodeo queen - challenge the idea of who is permitted to be a cowgirl.
Rodeo is a tough way to make a living-that's what this video is all about. These are the hardest hit, toughest rides, most heart pounding moments of the 1987 Season of the world famous Mesquite Championship Rodeo.
In a Texas military town, three teenage girls confront the dark corners of adolescence at the end of a fever dream summer.
Corral is a 1954 National Film Board of Canada documentary by Colin Low, partly shot in the Cochrane Ranch in what is now Cochrane, Alberta. In the film, a cowboy rounds up wild horses, lassoing one of the high-spirited animals in the corral, then going on a ride across the Rocky Mountain Foothills of Alberta.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.