Plate-forme mobile et train électrique

By land, by air, and by sea, viewers can now experience the struggle that millions of creatures endure in the name of migration as wildlife photographers show just how deeply survival instincts have become ingrained into to the animals of planet Earth. From the monarch butterflies that swarm the highlands of Mexico to the birds who navigate by the stars and the millions of red crabs who make the perilous land journey across Christmas Island, this release offers a look at animal instinct in it's purest form.

A nervous, careless recording of a trip through India and Nepal at the beginning of the 1970s. Fleeting impressions of faces, landscapes, temples, people and things. Images that, having been captured in a ephemeral medium, proceed to fade away (although without aging), alongside the river of time.

Images of the Church of the Sagrada Familia by Antoni Gaudí confronted with brief flashes of housing projects and industrial areas. The furious display of a effervescent imagination is opposed to a grey functionality.

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

A day in the life of a train station.

A languid, beautifully shot collection of landscapes, edited into a whimsical and touching film.

An exploration of Rodez Cathedral and its stained glass windows: praying figures and scientific imagery. A study on color, repetition and flickering consisting of 292 photographs.

Women getting onto a rickshaw.

A very graceful dance with voluminous draperies, by Annabelle Moore, well-known on the metropolitan stage.

Reel 1, an oil field is located, drilled, brought in, and pumped. Shows the Garber Field in Oklahoma. Reel 2 shows how pipe is laid and cleaned. One section crosses the Red River. Includes views of an oil camp and of a casinghead gasoline extraction plant. Reel 3, oil is distilled at a refinery. Reel 4, wax is removed from oil, processed, and prepared for distribution. Oil products are carried in tank cars, trucks, barges, and ships.

In a sunny open air setting with a background of high, deep foliage trees, and a white-walled storeyed house, an acrobat with light shirt and trousers and white plimsolls is doing acrobats in a trapeze in the center of the area. Behind it, a pair of men in similar dress seem to be carrying barbells from one place to the other, rather then exercising with them.

Lumière's documents life in Palestine.

Elaborate floats and costumes parading the streets of Nice.

A steamboat coming to port.

Teasing tigers with meat.

The parade occupies only a small portion of the screen, the crowds are a seething mass that do really move and the Independence Bell is nowhere to be seen.

Lumière Brothers film automobiles driving at the Champs-Elysées.

A view of the entrance to the Stockholmsutställlningen, the World Exhibition in Stockholm.

A variation on the popular Butterfly Dance, released in hand-colored and stenciled versions. The film has the catalogue number 2011 and was likely shot in 1897 but not screened in France until the 10th of December 1899.

One minute film of Buffalo Bill's famous show.