Be a Woman

A Yangtze Landscape utilizes a non-narrative style, setting off from the Yangtze's marine port Shanghai, filming all the way to the Yangtze River's source, Qinghai/Tibet - filming a total distance of thousands of kilometers. Experimental music and noise recorded live on scene are used in post-production, painstakingly paired with relatively independent visuals, creating a magically realistic atmosphere contrasted with people seeming to be 'decorative figures' right out of traditional Chinese landscape scrolls.

Don't forget to have poetry when making a living. This is romance. Even if you live in a sheepfold, you have a holy smile like a baby. This is romance. Listening to folk songs from the workers' hometown at the construction site in Shenzhen is touching. Once the song stops, you become eager for it. This singing series is also called "Sharing Hometown" and “Lingering Songs". You see, the eyes of the singing workers are shining, because we are all close to the Buddha.

Xu Xin’s film “Dao Lu” (China 2012) offers an exclusive “in camera” encounter with Zheng Yan, an 83 year-old veteran of the Chinese Red Army, who calmly relates how he has navigated his country’s turbulent history over three-quarters of a century.Born to a wealthy family in a foreign concession, Yan joined the Chinese Communist Party (CCP) in 1941 because he sincerely believed in the socialist project, and in its immediate capacity to free China from the Japanese yoke and eradicate deep-rooted corruption.

The Chinese Department of Sun Yat-sen University (Guangzhou) staged the Chinese debut of "The Vagina Monologues" in December 2003. Since then, this feminist play, which came from the US and has been committed to the elimination of gender-based violence, has incited a vagina hurricane that blew all over mainland China.

Only a few days before the Spring Festival of 2008, several truck drivers set off from Nantong, Jiangsu Province, to Guizhou province to deliver goods. But what they didn't expect was that they ran into a big snowstorm not long after their departure. What would these drivers do after they got caught up in a snowstorm and coudn't do nothing about it but wait? How would they react to this unexpected halt? And what would happen to this convoy?

I just watch the news of war in a distant country on my mobile. My fingers go back day by day to the day the war broke out and pose to see comments posted on the Facebook News Feed that I follow. Outside, I have friends who participated in anti-war rallies.

"Huangyangchuan, Gansu province, China. It's an arid mountain area with poor roads. Ma Bingcheng is well-respected local doctor, so many patients (most of them farmers) come to see him every day. In his small clinic, people chat with each other about their lives, local conditions, or the people they know. The clinic seems to open up like a microcosm, the information and experiences of different people intertwine, revealing the conditions of typical Chinese farmers, and the typical fates of both young and old--"

It is the director's second documentary of "my village" series since she got involved with the "Folk Memory Project". She returned to her hometown to shoot footage, recording the realities she encountered in her search for memories. Her biggest question is: after experiencing the disaster of the tragic famine fifty years ago, the villagers now are not short of food, and are living a better life than before, but is the spirit of this village still starving?

Zou Xueping continues to interview old people in her village, this time with the help of local children. They start collecting names and money to erect a memorial for the victims of the famine.

In China, most families have difficulties facing their lesbian, gay, bisexual and/or transgender (LGBT) children. They have to contend with common social beliefs that homosexuality is shameful, abnormal, a perverted condition caused by deviant family relationships. Many parents see their kids as their property, and fathers often assert their authority to ensure that no harm comes to the family reputation. The documentary 'Papa Rainbow' features six Chinese fathers who talk openly and freely about their experiences with their LGBT children. Speaking out against discrimination and stigma, they redefine what it means to protect a household. They fully embrace their kids for who they are, and become pioneer activists fighting for an equal and diverse society.

A documentary film showing the life of Niu Hongmiao, a 20-year-old country girl who is now a prostitute in Beijing. Around the time of wheat harvesting, she goes back home to Dingxing County, Hebei Province to visit her parents.

Zhang Ming went back to his hometown Wushan to record the last images before it being changed forever by the upcoming Three Gorges Dam.

For Chinese parents, finding out that their kid is gay usually presents a major tragedy, with the big majority utterly unable to accept the homosexuality of their son or daughter. However, during recent years a fresh rainbow wind has been blowing over the Chinese mainland: a pioneer generation of Chinese parents has been stepping up and speaking out on their love for their gay kids. This documentary features 6 mothers from all over China, who talk openly and freely about their experiences with their homosexual children. With their love, they are giving a whole new definition to Chinese-style family bonds.

A small rural township called Red White was seriously devastated by the May 12th Earthquake in China 2008. A 62-year-old Taoist survived even though his temple was largely torn by the disaster. This documentary tells the story of how the Taoist practices the widely believed Chinese traditional religion and the local people’s daily life during the township’s post-quake reconstruction.

A microcosm of China past and present flows through Xu Tong’s intimate docu “Shattered,” in which the maverick indie filmmaker continues to refine his techniques and concerns shown in his previous “Wheat Harvest” and “Fortune Teller.”

This film is a realistic record of a sixty-year-old couple living in a remote village (Gurenay) in the Badain Jaran Desert of Alashan, Inner Mongolia plant thousands of mu of ammodendron and euphratica to fight against expanding deserts.

In Yuncheng County, Shandong, there is a girl born in the 90s named Han Wenjing who was paraplegic in a car accident in her childhood. As Han Wenjing gets older and older, she is worried about her future life. Marriage has become the biggest concern of parents. Han Wenjing got acquainted with a soldier online, but finally broke up under his father's opposition. The younger sister-in-law also had a dispute between the two over her marriage. When Han Wenjing was depressed, her father proposed to carry her to Liangshan. First, fulfilling Han Wenjing's wish was also compensation for Han Wenjing. Later, Han Wenjing met a dumb while studying e-commerce sales. The dumb liked her very much. Both parents were satisfied when they met. However, Han Wenjing felt that she still couldn't accept the disabled and wanted to try to combine healthy people, even if it failed. Under the pressure of her parents and sister-in-law on Han Wenjing, Han Wenjing still insists on her choice

In the summer of 2007, Gan Xiaoer led an independent film projection team, using projectors and self-made screens, to tour villages in Henan province to show his feature film "Raised from dust" for 8 times, and recorded the process. The 81-minute version of Church Cinema records only one stop, the Qiliying Church, where "Raised from dust" was shot.

A silent film by Vietnamese director Truong Minh Quy in collaboration with Belgian director Nicolas Graux, was shot on the set of a film by Graux. We Sit in Silence at the Memorial Table is inspired by Educational Objectives, a poem written by Aleksey Garipov and translated to English by Nicolas Graux.

Follow the lives of the elderly survivors who were forced into sex slavery as “Comfort Women” by the Japanese during World War II. At the time of filming, only 22 of these women were still alive to tell their story. Through their own personal histories and perspectives, they tell a tale that should never be forgotten to generations unaware of the brutalization that occurred.