Stan and Ollie play bumbling circus performers who inadvertently drive the circus into bankruptcy. The circus can't pay them their wages so they are given a gorilla and a flea circus as payment. Bedlam ensues.
Ollie is in the hospital with a broken leg. When Stan comes to visit him, total chaos ensues.
Stan and Ollie are chimney sweeps working at the home of mad scientist Professor Noodle.
The film begins with an Earth space craft stumbling upon a movie floating in the vast nothingness. The film turns out to be from planet Zog and when people see it, they are shocked and angered by the Zogs (or is it 'Zogians' or 'Zogites'?). It seems that they have their genitals where our heads are and vice-versa. To make things really weird, they eat and drink with their genitals and defecate with their faces.
A young man walks into a meticulously clean and sterile bathroom and proceeds to shave away hair, then skin, in an increasingly bloody and graphic bathroom scene.
Street musicians Stan and Ollie have no success earning money in the dead of winter in a bad neighborhood. Their instruments are destroyed in an argument with a woman, but their luck seems to turn when Stan finds a wallet.
After a car accident, Ben wakes up in hospital. Not knowing where he is or what is going on, he starts exploring the corridors...only to find that the staff don't have his health in mind! The hapless patient must pull himself together and do everything he can to escape. It's an action/horror/comedy — ending with the wheelchair chase from hell!
In a Medieval castle, a marauder tries to kidnap the twin infant sons of the lord. He makes off with only one, whom he drops about a mile away. A pig rescues this baby, so one brother grows up high on the hog, the other down with the swine; one is lazy, his lost brother is industrious. Years later, when a neighboring prince declares war, the brother in the castle is too soft to fight. Through happenstance, the twins are united just before the final battle. Will the upper-class brother let his humble sibling lead the troops to certain defeat and death? Preserved by the Academy Film Archive.
Bunny, an elderly rabbit who uses a walker, is in her kitchen one night baking a cake. A photograph from her wedding day is on her wall. A pesky and persistent moth bangs about the kitchen. She shoos it outside, turns off the porch light, and returns to her baking. The moth finds its way back into the kitchen, she bats it with a wooden spoon, and it falls into the mix. She stirs it up, pours the batter into a pan, and pops it into the oven. But the moth isn't done: it has a different mission, turning the oven into a portal, and inviting Bunny on a voyage of reunion.
Stan and Ollie are on their way to Atlantic City with their wives, when Ollie gets a phone call from a lodge buddy telling him that a stag party is taking place that night in their honor. Ollie pretends to be sick and sends the wives on ahead, promising that he and Stan will meet them in the morning. The pair dress in their lodge gear, but their wives return having missed their train. With no obvious escape route, Stan and Ollie take to a bed in fear and in response to Stan's plea of "What'll I do?", Ollie replies "Be big!".
Stan and Ollie play door-to-door Christmas tree salesmen in California. They end up getting into an escalating feud with grumpy would-be customer James Finlayson, with his home and their car being destroyed in the melee.
An aging King invites disaster, when he abdicates to his corrupt, toadying daughters, and rejects his loving and honest one.
A couple has a fight over a game of Scrabble unaware that a full-scale nuclear war has started.
Attempts to showcase how the creation of art directly correlates to the perception we have of ourselves and the life around us as shown through the eyes of a struggling family.
Dislocation in time, time signatures, time as a philosophical concept, and slavery to time are some of the themes touched upon in this 9-minute experimental film, which was written, directed, and produced by Jim Henson. Screened for the first time at the Museum of Modern Art in May of 1965, "Time Piece" enjoyed an eighteen-month run at one Manhattan movie theater and was nominated for an Academy Award for Outstanding Short Subject.
A parody of 1950s corporate/industrial films, commissioned by Universal Pictures executives after the studio's purchase by Seagrams, and featuring cameos by many stars and directors.
A disturbingly organic-looking figure speaks to us of life, politics and death as the symbol of the common man toils away. Written and narrated by William S. Burroughs.
While changing clothes in a getaway car, escaped convicts Stan and Ollie mistakenly put on each other's pants. They spend the rest of the film trying to exchange pants in various unlikely settings.
Two young women, Zasu and Thelma, complain that all of their dates take them to Coney Island. The next day a car goes by and they are splashed with mud. The driver stops and offers to buy them some new clothes. They accept the offer and later agree to go on a date.
Two families embark on a pleasant Sunday picnic but manage to run into a variety of issues with their temperamental automobile. Each incident requires repeated exits and reboardings by Laurel, Hardy, their wives and grouchy, gout-ridden Uncle Edgar.