Ophelia's Flowers

color, silent, 8mm film

Follow a day of the life of Big Buck Bunny when he meets three bullying rodents: Frank, Rinky, and Gamera. The rodents amuse themselves by harassing helpless creatures by throwing fruits, nuts and rocks at them. After the deaths of two of Bunny's favorite butterflies, and an offensive attack on Bunny himself, Bunny sets aside his gentle nature and orchestrates a complex plan for revenge.

An epic experimental film by Donald Fox. Prints circulated widely in the 1970s, with and without soundtrack.

It’s New Year’s Eve and while the Brussels’ city streets are teeming with drunken revelers, the paths of two solitary souls will cross. Max, a poor sod, is drowning his existential confusion in alcohol. Julie, a young woman, finds it impossible to reconcile herself with the bitter realities of her life. But on this festive night, they’ll try to put aside their personal mess and painful pasts. Unfortunately, that past remains hot on their heels. Max’s urgent money needs drove him to commit a robbery with a trio of idiots. Juliette missed a meeting with a bottle of sleeping pills and feels the urge to try again if she can’t find anything worth living. The clock is ticking away to midnight. Whatever happens, there will be fireworks!

Alfalfa and the gang build their own "speedboat" powered by ducks, and challenge Waldo to a race for the hand of Darla.

Elle is an experimental dance film shot in a semi industrial landscape in Brooklyn reflecting on every day movements of falling and getting up.

Set in a modern-day London of economic and political uncertainty, the story follows the intersecting themes of familial honor, moral duty and dynastic corruption.

A neighborhood bully convinces Porky to take a puff from his cigar, causing Porky to hallucinate a smoke-man named Nick O. Teen, along with a musical number done by cigars, cigarettes and pipes in the likeness of the 3 Stooges, etc.

Norman McLaren made Scherzo early after his arrival in North America in 1939, but the film was subsequently lost. In 1984 the original materials were found and the hand-drawn images and sound were reconstituted. Picture and sound dance triple-quick in this animated version of a musical scherzo. A film without words.

A live action black-and-white prolog tells the story of how Walt Disney came to Hollywood with $300, was rejected by all the major studios, but went on to tremendous success, many awards, and a thriving studio. Titles then ask what this means to the Standard Oil Salesman, and a parade of Disney characters gives us the answer, featuring Mickey as drum major, Minnie carrying a banner, and the 7 Dwarfs carrying the letters "STANDARD" (Dopey gets stuck with the last two): Apparently the various ads for Standard will be featuring Disney characters in the coming year.

In December, 1941, using music by Stravinsky, this film provides a reaction to the Japanese attack on Pearl Harbor. An egg is smashed by a hammer; red color with white and then blue dominates the frame. Blue paint runs; small bulbs float. The dark colors spread. White, red, blue, and black dominate the frame. Then comes fire. The bulbs burn and break. A broken bulb's filaments are exposed.

6th Grade gets a new substitute teacher. She wants to train the class for an international competition in Paris. But something isn't right. How is she able read kids' minds? Why is she so mean? And how does she manage to convince everyone's parents she is so great when the whole class knows she is really an alien?

Mighty Mouse encounters a Time Machine while trying to save pure-hearted Pearl Pureheart from the unwanted advances and clutches of the evil oily-villain, Oil Can Harry. After brief stops in 1620 and 1890, and ancient Egypt, Mighty Mouse finds himself in the prehistoric age of the dinosaurs. He mops up on Harry and the dinosaurs, proving he can take care of anyone, anyplace, anywhere at any time.

In 1955 in Italy, race car driver Jed Cavalcanti suffers a mishap during the Molte Miglia rally and finds himself in a small town with a few familial surprises.

Binta, a little girl from Senegal, tells us about the everyday life in her village, the importance of education for the girls, and about her father's great idea to make the world a better place.

A young Church elder struggles with his faith when the married woman he has been seeing breaks off their relationship.

A day in the life of a train station.

Terminal City records the demolition of the Devonshire Hotel in Vancouver; through extreme show motion (200 frames per second) and symmetrical diagonal framing, Gallagher underscores the passage from order to chaos within the event. The sparseness of this centering and he patience required of the viewer heightens the literally explosive climaxes of the film, and transforms the everyday violence of the events into moments of convulsive beauty. – Jim Shedden, Michael Zryd, The Independent Eye

A meditation on transience composed through juxtaposition of sun-bathed exteriors of Split and dark interiors, landscapes of the city and close-ups of human faces, movements and stillness, the material and the spiritual.

A docudrama about art and creativity; based on modern art gallery in Tehran and its founder Jazeh Tabatabai.