Broadway Rose

In 1927 Hollywood, a silent film production company and cast make a difficult transition to sound.

From the moment she glimpses her idol at the stage door, Eve Harrington is determined to take the reins of power away from the great actress Margo Channing. Eve maneuvers her way into Margo's Broadway role, becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend, her playwright and his wife. Only the cynical drama critic sees through Eve, admiring her audacity and perfect pattern of deceit.

A penniless former princess weds an equally cash-strapped baron, so they support themselves by becoming houseguests at the homes of wealthy American socialites.

A teenage girl living in Baltimore in the early 1960s dreams of appearing on a popular TV dance show.

A group of dancers congregate on the stage of a Broadway theatre to audition for a new musical production directed by Zach. After the initial eliminations, seventeen hopefuls remain, among them Cassie, who once had a tempestuous romantic relationship with Zach. She is desperate enough for work to humble herself and audition for him; whether he's willing to let professionalism overcome his personal feelings about their past remains to be seen.

It's five years later and Tony Manero's Saturday Night Fever is still burning. Now he's strutting toward his biggest challenger yet - making it as a dancer on the Broadway stage.

A producer puts on what may be his last Broadway show, and at the last moment a chorus girl has to replace the star.

Stuffy amateur director Eddie Dolan decides to mount a show for the well-connected patrons of a posh country club. Eddie and his girlfriend, actress Ann Stallings, hope the production will launch their legitimate Broadway careers. But complications arise when Maxine Whitaker, daughter of a wealthy rival club owner, becomes romantically interested in charming Eddie.

An aggressive agent turns a hotel porter into an overnight sensation.

Joe Gideon is at the top of the heap, one of the most successful directors and choreographers in musical theater. But he can feel his world slowly collapsing around him - his obsession with work has almost destroyed his personal life, and only his bottles of pills keep him going.

In this Tony Award-winning musical by Stephen Sondheim, several fairy tale characters learn the hard way that the 'Happily Ever After' they sought isn't necessarily so happy after all.

A pair of slick Broadway producers con a wealthy cowboy into backing their show.

A Broadway choreographer gets drafted and coincidentally ends up in the same army base as his object of affection’s boyfriend.

Jenny Marsh, recently released from prison for killing a man, finds herself under the watchful eye of her parole officer, Griff Marat, who helps her secure a job caring for his ailing mother.

A Broadway artiste turns a faded film star's comeback vehicle into an artsy flop.

Newlywed carnival performers decide to try their luck in New York, but their marriage begins to crumble when their careers take separate paths.

In his last film assignment, portly Walter Connolly fills the title role (in more ways than one) in The Great Victor Herbert. Very little of Herbert's life story is incorporated in the screenplay (a closing title actually apologizes for the film's paucity of cold hard facts); instead, the writers allow the famed composer's works to speak for themselves. In the tradition of one of his own operettas, Herbert spends most of his time patching up the shaky marriage between tenor John Ramsey (Allan Jones) and Louise Hall (Mary Martin). Many of Herbert's most famous compositions are well in evidence, including "Ah! Sweet Mystery of Life", "March of the Toys" and "Kiss Me Again", the latter performed con brio by teenaged coloratura Susanna Foster. Evidently, the producers were able to secure the film rights for the Herbert songs, but not for the stage productions in which they appeared, which may explain such bizarre interpolations as having a song from Naughty Marietta.

Lavish biography of Flo Ziegfeld, the producer who became Broadway's biggest starmaker.

Swellegant and elegant. Delux and delovely. Cole Porter was the most sophisticated name in 20th-century songwriting. And to play him on screen, Hollywood chose debonair icon Cary Grant. Grant stars for the first time in color in this fanciful biopic. Alexis Smith plays Linda, whose serendipitous meetings with Porter lead to a meeting at the alter. More than 20 of his songs grace this tail of triumph and tragedy, with Grant lending is amiable voice to "You're the Top", "Night and Day" and more. Monty Woolley, a Yale contemporary of Porter, portrays himself. And Jane Wyman, Mary Martin, Eve Arden and others provide vocals and verve. Lights down. Curtain up. Showtune standards embraced by generations are yours to enjoy in "Night and Day."

Small-time businessman Charles Engle is threatened with exposure for embezzling $3,000 for his free-spending wife. Deciding on suicide, he scribbles a note, stuffs it in his pocket and goes for one last night on the town. He is pulled into a poker game by conman Bill O'Brien and singer Nina Barone, but when they discover the dropped note, they resolve to turn the tables, get Engle his $3,000 and save his life.