Down the gangway, photographers leave the deck of a riverboat in large numbers.
Die Blitzzugjagd
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
A non-binary folk watches the handover of the first non-binary ID in the history of Chile. As they try to do the paperwork, they will face the bureaucracy of the legal proceeding.
Several fragments of one day in Leningrad in the autumn of 1989, refracted in the imagination of the artist.
Follow Kelvin Peña across America as he explores the country's natural wonders, meeting interesting individuals and various wildlife along the way.
The film begins with the First World War and ends in 1945. Without exception, recordings from this period were used, which came from weekly news reports from different countries. Previously unpublished scenes about the private life of Adolf Hitler and Eva Braun were also shown for the first time. The film was originally built into a frame story. The Off Commentary begins with the words: "This film [...] is a document of delusion that on the way to power tore an entire people and a whole world into disaster. This film portrays the suffering of a generation that only ended five to twelve. " The film premiered in Cologne on November 20, 1953, but was immediately banned by Federal Interior Minister Gerhard Schröder in agreement with the interior ministers of the federal states of the Federal Republic of Germany.
Documentary of the Rustavi Metal Works, in the country of Georgia.
A documentary about The AAA Girls (comprised of Alaska Thunderf*ck 5000, Courtney Act, and Willam), from the writing of their album "Access All Areas" to their tour across the US.
The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.
Plague: From the Latin word “plaga” meaning 'blow', 'wound'. Meaning: Massive, sudden appearance of living beings of the same species that cause serious damage to animal or plant populations. Abundance of something harmful.
A dog trains for the battlefield and becomes a crucial part of the United States military. This 1945 short documentary film was nominated for an Oscar for Best Live Action Short, One-Reel.
The newsreel series Jornal Português (1938-1951) was produced for the Secretariat of National Propaganda (SPN/SNI) by the "Portuguese Newsreel Society" (SPAC), under the technical supervision of António Lopes Ribeiro. It was conceived and employed as part of the propaganda machinery of Salazar's regime. Screened in cinema theatres prior to the main feature film, each issue of Jornal had approximately ten minutes in length and covered a variety of official government acts, national political news, major sports events and other assorted social and cultural affairs. Jornal Português is not only an indispensable document for the history of Estado Novo's propaganda, but also an unparalleled audiovisual archive of 1940s Portugal.
A cinematic portrait of the homeless population who live permanently in the underground tunnels of New York City.
A heartwarming exploration of a community art project by photographer Tawfik Elgazzar providing free portraits for locals and passers-by in Sydney, Australia's Inner West. The film explores the nature of individuality, cultural diversity and the positive joy for the photographer of seeing his subjects smile.
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
Mounting of the film by Dmitry Frolov on the basis of documentary frames of performances of Russian ballet dancers and lifeless margins of the Russian outback. Symbolizes the slowly naked and dying Russian world.
Spring comes every year and brings us hope for recovery and development. But time is inexorable and fleeting. Not for everyone will come next spring ...
This film portrays activity in Grand Central Market in Los Angeles, California. Highlighted are vendors that represent the melting pot that is America, selling their wares to people of all ages and all walks of life. The film was directed by William Hale. Notably, the film also showcases some early work of famous cinematographer, Haskell Wexler.
Filmmakers Alan and Susan Raymond spent three months in 1976 riding along with patrol officers in the 44th Precinct of the South Bronx, which had the highest crime rate in New York City at that time.