The Skid Kid

In 1979 Ohio, several youngsters are making a zombie movie with a Super-8 camera. In the midst of filming, the friends witness a horrifying train derailment and are lucky to escape with their lives. They soon discover that the catastrophe was no accident, as a series of unexplained events and disappearances soon follows. Deputy Jackson Lamb, the father of one of the kids, searches for the terrifying truth behind the crash.

A sunny day at the park becomes a duel to the death when two lemonade sellers turn to guerrilla warfare in a battle for customers.

A young man incidentally acquires a mysterious and much sought-after crystal which is, apparently, a source of immensely awesome power...and a potentiality for danger in evil hands.

Thurston Moore, Kim Gordon, and Lou Reed roam the streets of Los Angeles searching for James Woods.

A high school student has a mental breakdown and brings a gun to class. A standoff against the police ensues.

While waiting to go to the planet Mars, a father tells his family about the invention of 'The Jaunt' - a method of teleportation - and what happens when a family like them go on it. Based on a short story by Stephen King. Transfer from Super 8 film.

A post-cyberpunk short film featuring Kei, a young programmer who attempts to resurrect their lost mother by coding an A.I. that can input childhood memories with the help of her diary.

Utilizing super 8mm and an economical shooting method of quick, short shots building idiosyncratic rhythms via rapid editing techniques, time, nature, and even the body folds in on itself. Everybody Dies (2020) is a poetic journey into the desert. It’s a reflection on the nature of death as something not to be feared, but embraced as a part of a personal and universal human experience. Super 8mm.

The silent film is about a depressive lady of the last century who travels through time to a beach of current times, but ends up coming across a completely polluted environment.

Constipação

Ripped from Super 8MM comes the lost surreal action film by Carl J. Sukenick. Terrorist agent known as the Black Scorpions have stolen NASA's gamma ray weapon. With its power Lord Scorpio plans to conquer the earth. The only survivor of these attacks is Carl J. Sugar-King of the DoD. He must train within his unconscious to fight or we may all perish to the hand of doom!

A super 8 film. A woman in search of precious items left behind by someone special. Una mujer en busca de objetos preciosos dejados por alguien especial.

Set in 1973 Spain, a struggling encyclopedia salesman and his wife take advantage of an offer to make adult films. The act turns him into an aspring legit filmmaker and her into an international sex symbol.

Concert footage of The White Stripes recorded in January of 2004, featuring tracks from the band's four studio albums as well as live favorites like the Dolly Parton cover "Jolene"

Lost Boundaries is comprised of footage shot by Julien on location, in England in the summer of 1985, during the making of the Sankofa film and video collective's first experimental feature film The Passion of Remembrance (1986), which he co-directed with Maureen Blackwood, another member of the collective. In recapturing those moment Lost Boundaries both deconstructs and foregrounds the means of 16mm film production while weaving together a fragile community of Black artists and actors who came to prominence at a time when debates in film theory - such as those of the Screen film journal and of "third cinema" discourses where cinema was intertwined within (Brechtian) filmmaking practices - were at the forefront of forging a new politics of artistic representation. A Black avant-garde.

In 1948, French singer Charles Aznavour (1924-2018) receives a Paillard Bolex, his first camera. Until 1982, he will shoot hours of footage, his filmed diary. Wherever he goes, he carries his camera with him. He films his life and lives as he films: places, moments, friends, loves, misfortunes.

SONG 5: A childbirth song (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).

This is Poe and Král's first effort, shot on small-gauge stock, before their more well-known endeavor The Blank Generation (1976) came to be. A "DIY" portrait of the New York music scene, the film is a patchwork of footage of numerous rock acts performing live, at venues like Madison Square Garden, Radio City Music Hall, the dive bars of Greenwich Village and, of course, CBGB.

A traumatized cheer captain races to stop a masked killer and the new tourist attraction aimed to exploit her tragedy from a year earlier.

The director Andrés Kaiser combines hundreds of amateur films and photographs from the treasure trove of images belonging to his migrant grandparents creating a cinematic firework of analogies.