The Black Crystal

Ripped from Super 8MM comes the lost surreal action film by Carl J. Sukenick. Terrorist agent known as the Black Scorpions have stolen NASA's gamma ray weapon. With its power Lord Scorpio plans to conquer the earth. The only survivor of these attacks is Carl J. Sugar-King of the DoD. He must train within his unconscious to fight or we may all perish to the hand of doom!

Made for straight 8's 2018 competition on one cartridge of super 8mm film with only in-camera edits and no post-production. Premiered on may 14th 2018 at straight 8's Cannes film festival screening.

During a recent remodel of The Yellow House crews discovered the remains of a little girl and a super 8 movie camera with the footage still inside. The footage has been released to the media by Summerland police with the hope that someone can solve this mystery. Police investigators confirm the film was shot by the missing couple. It is believed they were murdered by occult members. This is their footage.

A post-cyberpunk short film featuring Kei, a young programmer who attempts to resurrect their lost mother by coding an A.I. that can input childhood memories with the help of her diary.

A sunny day at the park becomes a duel to the death when two lemonade sellers turn to guerrilla warfare in a battle for customers.

A high school student has a mental breakdown and brings a gun to class. A standoff against the police ensues.

THE SINEMA OF NICK ZEDD is the first DVD collection of the filmmaker’s works, and includes 11 of his films as well as outtakes, interviews, and rare concert footage of Zedd’s music project, the noise band Zyklon-B. Contains: Police State, The Bogus Man, Ecstasy in Entropy, Why do you Exist, Whoregasm, War is Menstual Envy (exerpt), Tom Thumb in the Land of the Giants, the Wild World of Lydia Lunch, Go to Hell, Zedd’s Collaborations: Thrust in Me (with Richard Kern), Go to Hell, I of K9 with outtakes and screentests from Why do you Exist and Ecstasy in Entropy, Concert Footage and Interview with Zedd’s Industrial noise band Zyklon Beatles, and a trailer for War is Menstrual Envy.

Loosely based on an infamous 1984 Long Island murder case involving Satan-worshiping, teenage drug freaks (Knights of the Black Circle), David Wojnarowicz and Tommy Turner’s Where Evil Dwells is a low-budget D.I.Y. movie that walks the jagged lines between splatter flick, experimental film and transgressive art. The original footage was destroyed in a fire and the only footage that survived is this 28 minute preview that was put together for the Downtown New York Film Festival in 1985.

On a quiet afternoon an elderly woman prepares some afternoon tea for her and her husband. This short film was made on a single Super-8 cartridge, edited in camera, shot in sequence with only one take per shot. This was originally made for an Los Angeles film event called: "Attack of the 50 Foot Reels".

Heralded as one of the worst horror films ever! A very rare underground Super-8 splatterfest made in Britain in the late 80's all about zombies, carnage and mayhem!

A man reflects over his life during a burial.

A traumatized cheer captain races to stop a masked killer and the new tourist attraction aimed to exploit her tragedy from a year earlier.

A man is confronted by parallel versions of himself as he contemplates his life choices.

A kid finds a pair of magic boots that grant him special powers.

Mid '80s slasher with teens being picked off one by one by a masked killer.

O COCO

In this short slice of transgressive punk cinema, a woman achieves accidental revenge on her boyfriend after he cruelly kills and eats the fish-stick that she had magically brought to life. Despite this tragic event, not all is lost for Lolita, as she soon meets an unexpected new friend.

True-crime writer Ellison Oswald is in a slump; he hasn't had a best seller in more than 10 years and is becoming increasingly desperate for a hit. So, when he discovers the existence of a snuff film showing the deaths of a family, he vows to solve the mystery. He moves his own family into the victims' home and gets to work. However, when old film footage and other clues hint at the presence of a supernatural force, Ellison learns that living in the house may be fatal.

Underground filmmakers Sarah Reed and Sadie Shaw make their feature-length debut with this brooding horror flick. Frustrated by the apathy all around her, a discontented young woman named Rosie lashes out with increasing violence in order to provoke a reaction from the deadness in her world. Using surreal imagery, this visually compelling film also explores the themes of alienation, isolation and the destructive nature of relationships.

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