Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older.
In the teeming black markets of postwar Japan, Shozo Hirono and his buddies find themselves in a new war between factious and ambitious yakuza.
A depressed rock star, maimed in an accident, is encouraged by his manager to start a new worldwide trend.
In 2007 the legendary American duo White Stripes toured Canada. Besides playing the usual venues they challenged themselves and played in buses, cafés and for Indian tribal elders. Music video director Emmett Malloy followed the band and managed to capture both the special tour, extraordinary concert versions of the band's minimalist, raw, blues-inspired rock songs and the special relationship between the extroverted Jack White and the introspective Meg White - a formerly married couple who for a long time claimed to be siblings. The film makes striking use of the band's concert colors: red, white and black.
On the edge of the 30th anniversary of punk rock, Punk's Not Dead takes you into the sweaty underground clubs, backyard parties, recording studios, shopping malls and stadiums where punk rock music and culture continue to thrive.
In this documentary film, the final day in the short life of the guitar god Jimi Hendrix is reconstructed using theories swirling around a CIA hit list, Mafia debt, and police surveillance.
Komatsu Takioka is boss of a Yakuza group rival to Masakichi Kijima boss of the Kikuya group which supports the town vendors unlike Takioka, who will stop at nothing to undermine the vendors and take over the territory. Masakichi will do all he can to protect and support the people. Ryutaro Kijima is senior son to Masakichi, though disowned, he keeps interest in the family from a distance. He will be there for his father and his hot tempered younger brother Katsuo, if they should need his loyal help.
This is the sixth film in the Brutal Tales of Chivalry series
The ninth and final film in the Contemporary Tales of Chivalry series.
An intimate look at the Woodstock Music & Art Festival held in Bethel, NY in 1969, from preparation through cleanup, with historic access to insiders, blistering concert footage, and portraits of the concertgoers; negative and positive aspects are shown, from drug use by performers to naked fans sliding in the mud, from the collapse of the fences by the unexpected hordes to the surreal arrival of National Guard helicopters with food and medical assistance for the impromptu city of 500,000.
The Amamiya Brothers, Masaki and Hiroto, keep looking for their older brother Takeru who disappeared one year ago. The three Amamiya brothers lost their parents when they were young. Since then, they relied only on each other. On the anniversary of their parents' death, Masaki and Hiroto expect Takeru to appear. Instead, they meet a person who has a clue on Takeru's whereabouts.
A woman and her daughter are each forced to contend with an increasing pressure to marry, particularly from three men who knew her late husband.
The elderly Shukishi and his wife, Tomi, take the long journey from their small seaside village to visit their adult children in Tokyo. Their elder son, Koichi, a doctor, and their daughter, Shige, a hairdresser, don't have much time to spend with their aged parents, and so it falls to Noriko, the widow of their younger son who was killed in the war, to keep her in-laws company.
Over 25 years and 10 studio albums—using powerful sonic force mixed with subtlety and grace—Mogwai have defined their own musical genre and built a cult following. The film takes us on a journey from their very beginnings, in the mid 1990s, to creating their tenth studio album in their hometown of Glasgow in 2020. While at first seemingly impossible to make, they ultimately made history with it.
Noriko is perfectly happy living at home with her widowed father, Shukichi, and has no plans to marry -- that is, until her aunt Masa convinces Shukichi that unless he marries off his 27-year-old daughter soon, she will likely remain alone for the rest of her life. When Noriko resists Masa's matchmaking, Shukichi is forced to deceive his daughter and sacrifice his own happiness to do what he believes is right.
A Yokohama shoe executive faces a wrenching choice when kidnappers mistakenly seize his chauffeur’s son but demand the ransom anyway.
Filmed in Melbourne during the first several months of the COVID-19 pandemic, Sleeping Monster explores the prosaic beauty of King Gizzard & the Lizard Wizard’s studio routine. Featuring demos from the album "Changes", plus the track "Change" recorded live in the studio on film.
After serving time for manslaughter, young Vince Everett becomes a teenage rock star.
Over a decade in the making, Swagger of Thieves follows rock band Head Like a Hole from the top of the charts to the bottom of a needle. Staring down their age, two pals and the main guts of HLAH, frontman Nigel Booga Beazley and 'co- conspirator' Nigel Regan strut the hard road out of hell, fighting to reconnect and return their band to past glory, amidst disgruntled band mates, a changed music industry, and disappointed wives. Struggling to place past addictions and sabotaged dreams behind them in their continuing quest for rock music relevance, the ever-collapsing binary stars of any Head Like a Hole lineup, are certain (not) to polish their legacy here. Swagger of Thieves captures what it means to be in a band with a reputation. Unrelentingly raw, wild and honest, to the point of being one of the most insightful music documentaries ever made. Essential viewing. New Zealand International Film Festival (NZIFF), Melbourne International Documentary Film Festival (MIDFF)
After her mother runs away from home, Tomoko is raised to be a geisha. One day Tomoko meets her mother in a red-light district in Tokyo and her life deeply gets in trouble.