1972, the height of the cold war era, Canada vs USSR. 8 games of hard fought Hockey that would go onto change how Hockey is seen and played the world over. This made for TV documentary follows the 'Summit Series', an international Hockey event that would not only engulf the nations involved, but the entire world.
Filmmakers Laura Mulvey and Mark Lewis use rare archival footage and interviews with artists, art historians, and museum directors to examine the fate of Soviet-era monuments during successive political regimes, from the Russian Revolution through the collapse of communism. Mulvey and Lewis highlight both the social relevance of these relics and the cyclical nature of history. Broadcast on Channel Four as part of the 'Global Image' series (1992-1994).
Armenian radio-engineer Arevik Sargsyan has struggled throughout her life to preserve ROT54, a giant telescope built by her uncle in the 1980s. But the collapse of the Soviet Union meant that ROT54 was left abandoned for 30 years. Now, Arevik is attempting to take control of the telescope and prove it still works.
A gripping journey through seven decades of sexual ignorance, oppression, and suffering, brought to life through the words and experiences of the first Soviet sexologist. Ukrainian survivors of the regime courageously recount the harsh realities they endured, from the pervasive suppression of sexual expression to the rampant exploitation and abuse that plagued Soviet society.
Drawing on the collections of major Russian institutions, contributions from contemporary artists, curators and performers and personal testimony from the descendants of those involved, the film brings the artists of the Russian Avant-Garde to life. It tells the stories of artists like Chagall, Kandinsky and Malevich - pioneers who flourished in response to the challenge of building a new art for a new world, only to be broken by implacable authority after 15 short years and silenced by Stalin's Socialist Realism.
Documentary about Charles Gagnon, Québécois politician, FLQ member and communist leader.
These are strange times indeed. While they continue to command so much attention in the mainstream media, the 'battles' between old and new modes of distribution, between the pirate and the institution of copyright, seem to many of us already lost and won. We know who the victors are. Why then say any more?
Thundering across the sky on elegant white wings, the Concorde was an instant legend. But behind the glamour of jet setting at Mach 2 were stunning scientific innovations and political intrigue. Fifteen years after Concorde's final flight, this documentary takes you inside the historic international race to develop the first supersonic airliner. Hear stories from those inside the choreographed effort to design and build Concorde in two countries at once - and the crew members who flew her.
Mothers and doctors speak out about the grim reality of life in the five years following the Chernobyl disaster. In children, doctors witnessed a massive increase of recurrent infections, baldness, as well as leukaemia and other cancers.
This documentary follows the election campaigns of a journalist, a local crime boss, a formerly exiled oligarch, and a local access TV host as they compete for a spot in the Moscow Central Constituency, in Russia's first free elections since 1917
From January 25 to May 27, 2011, the film tracks four months of the Egyptian revolution as seen through the director's eyes. January 25 is the beginning, but May 27 is not the end - because the revolution continues.
Tells the story of the tragic events in Ukraine in 1932-33, the genocidal Great Famine or the Holodomor, and one Welshman's attempts to tell the world what was happening.
Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
The long lasting Palestinian-Israeli conflict has created appaling phenomenons that have horrified the Israeli society. the "politically conscience-refusals" or those individual soldiers refusing to fight in the occupied territories, are one of those phenomenons. In opposition to them stand a thousand immigrants from the former Soviet Union, ex-military men from the Red Army, who yearn to be recruited into the IDF and fight for Israel, but who are denied the right to serve in the army. Through the stories of Oleg and Alex, immigrants and the battalion's charismatic commanders, the story of the Russkii Battalion is told. It is a story of contrasts between the hardships of the daily struggles they face as new immigrants against the pride and the sense of belonging they find in the battalion. The Russkii Battalion is a film about a militaristic social bubble, in a country that is in constant war.
This afterword to India Song (Duras' celebrated 1975 film) is organized in several parts. It begins with an interview to Marguerite Duras by Dominique Noguez, an expert in her work; the interview links the film to the two movies whom it's related to: The Ravishment of Lol V. Stein and The Vice-Consul. Several themes are tackled: childhood, autobiographical traces, relationships between differents characters and different films and more. India Song's main actors — Delphine Seyrig and Michael Lonsdale, who played Anne-Marie Stretter and the French vice-consul — join the conversation and talk about their roles and their craft. Marguerite Duras then evokes her memories of the shooting with the composer Carlos D'Alessio and her camera operato Bruno Nuytten. The conversations are punctuated by clips of the film.
The film is about the life and work of Grigory Ordzhonikidze Konstantinoviche, an important personality in both the Communist Party and the Soviet state. The film includes speeches by his bereaved friends who attended his funeral. In 1937, after the unexpected death of Sergo Ordzhonikidze, Vertov received an urgent order from the government to produce a film about the life of Ordzhonikidze. He was ordered to work together with Yakov Bliohom and the director of the film "Battleship Potemkin" distributed by Goskino (Soviet State Committee for Cinematography).
Between 1930 and 1945, Eastern Europe experienced mass violence on an unprecedented scale. Hitler and Stalin exploited the vast region for their respective expansionist plans. It is estimated that around 14 million civilians were murdered—primarily Jews, Poles, Balts, Belarusians, and Ukrainians.
A young Egyptian filmmaker recounts his interaction with a group of plainclothes policemen while grappling with issues of guilt and morality.
A chronicle of the civil uprising against the regime of Ukrainian president Viktor Yanukovych that took place in Kyiv in the winter of 2013/14. The film follows the progress of the revolution: from peaceful rallies, half a million strong in the Maidan square, to the bloody street battles between protesters and riot police.