Every Face Has a Name

Between 1947 and 1951, more than 80 000 Greek men, women and children were deported to the isle of Makronissos (Greece) in reeducation camps created to ‘fight the spread of Communism’. Among those exiles were a number of writers and poets, including Yannis Ritsos and Tassos Livaditis. Despite the deprivation and torture, they managed to write poems which describe the struggle for survival in this world of internment. These texts, some of them buried in the camps, were later found. «Like Lions of stone at the gateway of night» blends these poetic writings with the reeducation propaganda speeches constantly piped through the camps’ loudspeakers. Long tracking shots take us on a trance-like journey through the camp ruins, interrupted along the way by segments from photographic archives. A cinematic essay, which revives the memory of forgotten ruins and a battle lost.

70 years after a body is found floating in a Sydney river, middle aged Jewish doctor Jack learns his father, a Holocaust survivor, is responsible for the unsolved murder of an alleged Nazi and sets out on a quest to find the truth.

At the height of the cold war a struggle broke out between Governments from all over the world as to which position to take about the system of apartheid in South Africa. Leading the fight was Olof Palmes' Swedish Government, which covertly funneled over US$ 1 billion to the resistance movement. This money was given without the knowledge of either the Parliament or the Swedish populace. At the center of the net in South Africa was a Swedish diplomat called Birgitta Karlström Dorph. Meanwhile at the UN the Swedes with their Scandinavian counterparts attempted to win the argument for economic sanctions. This led to bitter arguments which saw Palme leading the fight against the Reagan and Thatcher administrations.

Grüße aus Dachau

En enkel till Manila

Green lights dance across a star-filled sky, and snowflakes sparkle on the trees. It is little wonder Lapland is famous as a realm of elves and flying reindeer, the magical home of Santa Claus. This northernmost region of mainland Europe, however, is a real place, with real animals such as reindeer, Great Gray owls, wolverines, eagles, wolves, musk oxen and Brown bears who live out their lives in the tundra and forest.

Germans colonized the land of Namibia, in southern Africa, during a brief period of time, from 1840 to the end of the World War I. The story of the so-called German South West Africa (1884-1915) is hideous; a hidden and silenced account of looting and genocide.

Every winter in a cemetery near Stockholm, activists gather to keep the memory of Fadime Sahindal alive. A Kurdish immigrant to Sweden who was murdered by her father in 2002, Fadime has become an international symbol of the debate over cultural traditions that accept the use of violence to control women's behaviour. In Crimes Without Honour, four extraordinary activists risk everything to publicly challenge these traditions and tell their own stories of physical and emotional violence. While they practice different faiths, hail from different parts of the world and have immigrated to different countries, all make it crystal clear that the justification for these crimes is an entrenched family power structure of male supremacy—one that crosses borders, cultures and religions. Raymonde Provencher has crafted a vital addition to a growing body of films about crimes related to patriarchal traditions of family honour.

Partway through the building of the Öresund Bridge this documentary looks at the process for what has been built so far and looks into the future at what opportunities the bridge might bring.

On the 29th September 1945, the incomplete rough cut of a brilliant documentary about concentration camps was viewed at the MOI in London. For five months, Sidney Bernstein had led a small team – which included Stewart McAllister, Richard Crossman and Alfred Hitchcock – to complete the film from hours of shocking footage. Unfortunately, this ambitious Allied project to create a feature-length visual report that would damn the Nazi regime and shame the German people into acceptance of Allied occupation had missed its moment. Even in its incomplete form (available since 1984) the film was immensely powerful, generating an awed hush among audiences. But now, complete to six reels, this faithfully restored and definitive version produced by IWM, is being compared with Alain Resnais’ Night and Fog (1955).

This short film takes the viewer to several towns and historical sites of rural Sweden.

In March 1943, twenty-year-old Ovadia Baruch was deported together with his family from Greece to Auschwitz-Birkenau. Upon arrival, his extended family was sent to the gas chambers. Ovadia struggled to survive until his liberation from the Mauthausen concentration camp in May 1945. While in Auschwitz, Ovadia met Aliza Tzarfati, a young Jewish woman from his hometown, and the two developed a loving relationship despite inhuman conditions. This film depicts their remarkable, touching story of love and survival in Auschwitz, a miraculous meeting after the Holocaust and the home they built together in Israel. This film is part of the "Witnesses and Education" project, a joint production of the International School for Holocaust Studies and the Multimedia Center of the Hebrew University of Jerusalem. In this series, survivors recount their life stores - before, during and after the Holocaust. Each title is filmed on location, where the events originally transpired.

This chilling, vitally important documentary was produced to mark the 40th anniversary of the liberation of Auschwitz Concentration Camp. The film contains unedited, previously unavailable film footage of Auschwitz shot by the Soviet military forces between January 27 and February 28, 1945 and includes an interview with Alexander Voronsov, the cameraman who shot the footage. The horrifying images include: survivors; camp visit by Soviet investigation commission; criminal experiments; forced laborers; evacuation of ill and weak prisoners with the aid of Russian and Polish volunteers; aerial photos of the IG Farben Works in Monowitz; and pictures of local people cleaning up the camp under Soviet supervision. - Written by National Center for Jewish Film

An often humorous documentary about the building of the Öresund bridge, connecting Copenhagen in Denmark to Malmö in Sweden. We meet the people who work on production of the bridge, as well as opponents to the idea of such a bridge.

For the 75th anniversary of the liberation of Auschwitz, CNN’s Wolf Blitzer looks back through the eyes of those who were imprisoned there.

As a 10-year-old “Mengele Twin,” Eva Kor suffered some of the worst of the Holocaust. At 50, she launched the biggest manhunt in history. Now in her 80s, she circles the globe to promote the lesson her journey has taught: Healing through forgiveness.

The indelible testimonial of David Shentow, Canadian WWII immigrant and Holocaust survivor lies at the heart of a remarkable journey that begins in 1942 on Le Chemin des Juifs, a forgotten road in Northern France. David's eloquence and vivid recounting of events will indelibly mark the heart and conscience of every viewer.

A documentary about one of the most famous classic boxing match with the legendary swedish boxer Jens Ingemar "Ingo" Johansson going to New York to face the then current champion, Floyd Patterson.

A pig farm in Lety, South Bohemia would make an ideal monument to collaboration and indifference, says writer and journalist Markus Pape. Most of those appearing in this documentary filmed in Slovakia, the Czech Republic, Poland, France, Germany and Croatia have personal experience of the indifference to the genocide of the Roma. Many of them experienced the Holocaust as children, and their distorted memories have earned them distrust and ridicule. Continuing racism and anti-Roma sentiment is illustrated among other matters by how contemporary society looks after the locations where the murders occurred. However, this documentary film essay focuses mainly on the survivors, who share with viewers their indelible traumas, their "hole in the head".

A fairy tale about communism, social-democracy, and capitalism. (The sequel to Wandering Marxwards)