The Convoys of Shame
Elmondták-e...?
Between 1947 and 1951, more than 80 000 Greek men, women and children were deported to the isle of Makronissos (Greece) in reeducation camps created to ‘fight the spread of Communism’. Among those exiles were a number of writers and poets, including Yannis Ritsos and Tassos Livaditis. Despite the deprivation and torture, they managed to write poems which describe the struggle for survival in this world of internment. These texts, some of them buried in the camps, were later found. «Like Lions of stone at the gateway of night» blends these poetic writings with the reeducation propaganda speeches constantly piped through the camps’ loudspeakers. Long tracking shots take us on a trance-like journey through the camp ruins, interrupted along the way by segments from photographic archives. A cinematic essay, which revives the memory of forgotten ruins and a battle lost.
The new film from Sergei Loznitsa (Maidan, The Event) is a stark yet rich and complex portrait of tourists visiting the grounds of former Nazi extermination camps, and a sometimes sardonic study of the relationship (or the clash) between contemporary culture and the sanctity of the site.
Originally made with a German soundtrack for screening in occupied Germany and Austria, this film was the first documentary to show what the Allies found when they liberated the Nazi extermination camps: the survivors, the conditions, and the evidence of mass murder. The film includes accounts of the economic aspects of the camps' operation, the interrogation of captured camp personnel, and the enforced visits of the inhabitants of neighboring towns, who, along with the rest of their compatriots, are blamed for complicity in the Nazi crimes - one of the few such condemnations in the Allied war records.
They endured the death camps. They hid in remote farms. They fought as partisans in Polish forests. But when the war ended, the struggles of the Holocaust survivors were only just beginning. Destination Unknown paints a uniquely intimate portrait of survival, revealing pain that has never faded but hasn't crushed the human spirit.
The director’s mother, Mirka Mora, avoided Auschwitz by one day. On his father’s side many perished in the Holocaust. These facts triggered three visits to Auschwitz by Mora from 2010 to 2014 in an effort to understand and remember.
What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)
Oscar winning postwar propaganda film in support of the United Nations Relief and Rehabilitation Administration. Strident but poignant, focusing on children. The film surveys the Nazi/Japanese atrocities, post-war devastation and the early relief efforts. This film was responsible for raising over $200,000,000, making it a top moneymaking film. Preserved by the Academy Film Archive in 2005.
How Germany was when its people entered the nightmare of World War II? Despair and fear lead a hungry population to follow the chilling call of just one man to world domination. A real-life horror story, an ominous tale of violence and deception, which takes place from 1919 to 1934. (Entirely made up of restored, colorized archival footage.)
Helga L-520
Artist and filmmaker Philippe Mora (Mad Dog Morgan; The Howling II; Swastika) is producing a graphic novel about his late father, Georges, widely known in Melbourne as a beloved contemporary art patron and owner of bohemian eateries Mirka Café, Café Balzac and the Tolarno Restaurant and Galleries. Less known, however, is Georges' astonishing history as part of the French resistance during World War II, his friendship with renowned mime Marcel Marceau (Philippe's godfather), and how together they saved thousands of Jewish lives with a fiendishly simple trick involving baguettes and mayonnaise.
Three Canadian Holocaust survivors, with unanswered questions from their past, journey back to hometowns, killing sites, and hiding places in search of clues in this new film. Maxwell wonders what happened to a baby he saved in a forest in 1943. Helen wants to know more about the fate of her brother. Rose wants to honour her mother and father by going to the places where they spent their final days. The survivors who appear in this film came of age during the Holocaust and carry the burden of knowing they are the last living link to it. This film delivers a powerful warning from history, inspiring stories of survival, and a last chance to solve lingering mysteries
When the lights dim and the stage is revealed, Meschke channels life through the strings of his puppets, triggering the spiritual connection between the creator and his alter-egos: the charismatic Don Quixote, the loving Penelope, the inquisitive Baptiste, or the mysterious Antigone. THE MAN WHO MADE ANGELS FLY is a poetic story about a master of his craft that has inspired audiences to reflect upon common issues of suffering and the mortal coil. Visionary and un-biographic, imaginary tribute to the puppeteer.
Six million Jews died during World War II, both in the extermination camps and murdered by the mobile commandos of the Einsatzgruppen and police battalions, whose members shot men, women and children, day after day, obediently, as if it were a normal job, a fact that is hardly known today. Who were these men and how could they commit such crimes?
For four years (1977-1981) Esaias Baitel documented a violent Parisian neo-Nazi gang. Having gained their trust, he was able to get close to them. Living among the gang members, he witnessed horrific events, and while hiding his real identity, he photographed a one-of-a-kind collection of gripping stills. Over thirty years have passed. Esaias Baitel has laid his camera down. He returns to the dark nights he spent in the City of Lights, the city where he lived a double life, going back and forth from the gang to the young family he had just started.
Documentary about three men who from 1942 tried to inform the world public about the "final solution of the Jewish question" through their various connections. The film, which focuses entirely on the faces of the eyewitnesses interviewed, reports on their efforts to bring knowledge of the Holocaust into the world and focuses on the memories of those affected.
Shoshana
"Austria - First Victim of National Socialism" - this is the core theme of the self-image of the country that first welcomed Hitler with waving flags and arms stretched to the sky: Nation, People and Race - Sieg Heil! Monuments, commemorative events and in between the helplessness of dull remembrance. What to do with the lie, where to put the pain, and why again? The war of narratives begins with the liberation of the concentration camps, with the piles of corpses - and it continues to this day. A final journey with those who were there. Which story do we tell ourselves, and which do we want to hear?
Emil Skamene has written more than 250 scientific publications, won dozens of distinguished awards, and was even on the verge of winning the Nobel Prize. He is the founder of the Institute for Clinical Research at McGill University in Montreal, a member of the Czech Learned Society, and a Knight of the National Order of Quebec. Not so long ago, he discovered that he was someone completely different – he had devoted his whole life to unlocking the secrets of genes, and yet he had been unaware of his own identity for decades. His life was a history that changed the whole of Europe and the world. His story is full of unbelievable and completely absurd situations that can only happen in real life.