Raiders!: The Story of the Greatest Fan Film Ever Made

Documentary about the life and career of a comic genius, Peter Sellers.

Follows the behind-the-scenes work of Studio Ghibli, focusing on the notable figures Hayao Miyazaki, Isao Takahata, and Toshio Suzuki.

A look at the global culture and appeal of the LEGO building-block toys.

In this highly anticipated sequel to his groundbreaking, ADVERTISING AND THE END OF THE WORLD, media scholar Sut Jhally explores the devastating personal and environmental fallout from advertising, commercial culture, and rampant American consumerism. Ranging from the emergence of the modern advertising industry in the early 20th century to the full-scale commercialization of the culture today, Jhally identifies one consistent message running throughout all of advertising: the idea that corporate brands and consumer goods are the keys to human happiness. He then shows how this powerful narrative, backed by billions of dollars a year and propagated by the best creative minds, has blinded us to the catastrophic costs of ever-accelerating rates of consumption.

A short documentary about the Making Of Hitchcock's "Shadow of a Doubt" (1943).

Musicians inspired by the Moon. Since the Apollo landings, the Moon has entered popular consciousness like never before. A journey through pop music's lunar obsession.

Ann Miller hosts this documentary short on the making of the MGM-Cole Porter hot musical "Kiss Me Kate".

We hear from Coppola, Spielberg, director of photography Gordon Willis, consulting restoration cinematographer Allen Daviau, film archivist Robert A. Harris, Paramount Post Production executive VP Martin Cohen, MPI senior technical advisor Daniel Rosen, MPI scanning technician Chris Gillaspie, senior digital artist Steven A. Sanchez, digital artist Valerie V. McMahon, and MPI technical director and senior colorist Jan Yarbrough as they offer interesting facts about the original cinematography, details on the restoration of the three films.

A digest record of the 1952 Greek "Star Hellas" beauty contest.

Wallace Carlson walks viewers through the production of an animated short at Bray Studios.

Following the artist from the bustling streets of New York to her rain-soaked hometown of Bergen, the film includes interviews with AURORA's closest friends, as well as uniquely stripped-back performances of tracks including “Warrior” and “Murder Song (5, 4, 3, 2, 1).” Whether she’s reminiscing on her childhood with her sisters, dancing through the city streets in her headphones, or discussing the secret life of apples, there’s a spellbinding quality to everything the artist does.

Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.

How the Islamic State has created a powerful propaganda factory that manipulates and twists at its convenience the subjects and icons of the Western popular culture in order to lure into darkness certain young people and recruit them to achieve a dreadful purpose, an industry of fear that overcomes the infamous Nazi machinery and the methods used by both sides during the Cold War.

This film is at once a self-portrait and an homage to Jean-Marie Straub, Farocki's role model and former teacher at the Film Academy.

Honing his craft as an indie filmmaker in Germany in the early 90s, Uwe Boll never could have imagined the life that lay before him. From working with Oscar-winning actors and making films with US$60million budgets to having actors publicly disparage him and online petitions demanding he stop making films, Boll continued to work; he has a filmography of 32 features, a career that has led to his new life as a successful high-end restauranteur. Already a cult legend, he will be remembered forever in the film world; for some, as a modern-day Ed Wood, who made films so bad, they're good, while for others, a prolific filmmaker who came from a small town in Germany and never compromised his integrity while forging his own unique Hollywood trajectory.

Acclaimed director Francis Ford Coppola, with the help of a passionate team of film students with a shared dream for the artistic potential of live digital cinema, work towards realising the director's 'Distant Visions' live-cinema experiment.

The surprising and entertaining life of renowned film critic and social commentator Roger Ebert (1942-2013): his early days as a freewheeling bachelor and Pulitzer Prize winner, his famously contentious partnership with Gene Siskel, his life-altering marriage, and his brave and transcendent battle with cancer.

In his time of greatest splendor, the singer Miguel 'Bambino' Vargas Jiménez (1940-99) was the last frontier of flamenco, an immense musical genre that he developed and brought closer to large audiences: an artist of artists, the idol of the roadside bars, whose inimitable style, scenic magnetism and heartbreaking personality made of his figure a myth, a king without a kingdom, a giant of the popular music of the 20th century.

This documentary short subject details the making of the 1957 MGM musical, "Silk Stockings". Hosted by its star Cyd Charisse, the film gives behind-the-scenes glimpses of how this film was made with interviews by musical director Andre Previn and supporting actress Janis Paige.

A film pioneer, Binka Zhelyazkova was at the forefront of political cinema under Bulgaria's Communist dictatorship. Though she remained faithful to the communist ideals she became an avid critic of the regime and brought upon herself the wrath of its censorship. As a result four of her nine films were shelved and released to the public only after the fall of the regime in 1989, and Binka Zhelyazkova became known as the bad girl of Bulgarian cinema. A provocative portrait that reveals the pressures and complexities that arise when art is made under totalitarianism.