Message of Greetings: Prix suisse / My Thanks / Dead or Alive

Covering over 100 years of cinema, this is a journey of discovering and exploring the magic of cinema from a personal perspective. Looking at the changes and developments of cinema Thomas explains how film has deeply affected his life as a person and a filmmaker.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

A memory of Marilyn Monroe (1926-1962), woman, actress, goddess, myth, in the words of the Spanish director and scriptwriter José Luis Garci, who returns to his childhood and recovers a lost paradise.

When Francois Truffaut approached Alfred Hitchcock in 1962 with the idea of having a long conversation with him about his work and publishing this in book form, he didn't imagine that more than four years would pass before Le Cinéma selon Hitchcock finally appeared in 1966. Not only in France but all over the world, Truffaut's Hitchcock interview developed over the years into a standard bible of film literature. In 1983, three years after Hitchcock's death, Truffaut decided to expand his by now legendary book to include a concluding chapter and have it published as the "Edition définitive". This film describes the genesis of the "Hitchbook" and throws light on the strange friendship between two completely different men. The centrepieces are the extracts from the original sound recordings of the interview with the voices of Alfred Hitchcock, Francois Truffaut, and Helen Scott – recordings which have never been heard in public before.

A tribute to the late, great French director Francois Truffaut, this documentary was undoubtedly named after his last movie, Vivement Dimanche!, released in 1983. Included in this overview of Truffaut's contribution to filmmaking are clips from 14 of his movies arranged according to the themes he favored. These include childhood, literature, the cinema itself, romance, marriage, and death.

Le Club: Claude Jade

A BFI collection of 7 short films from the USA, England and Italy scored for Piano, Guitar and String Quartet.

Released two years after James Dean's death, this documentary chronicles his short life and career via black-and-white still photographs, interviews with the aunt and uncle who raised him, his paternal grandparents, a New York City cabdriver friend, the owner of his favorite Los Angeles restaurant, outtakes from East of Eden, footage of the opening night of Giant, and Dean's ironic PSA for safe driving.

Heute Programmwechsel

Emelka-Palast

A comic, biting and revelatory documentary following a small group of prankster activists as they gain worldwide notoriety for impersonating the World Trade Organization (WTO) on television and at business conferences around the world.

With a movie camera mounted in the passenger seat of his car, Andy Anderson drove around filming his local neighbourhood of Fort Worth, Texas. The procession of sunny lawns and quiet houses has a day-dreamy innocence, however on the soundtrack, a narrator recites from the police records of over 600 crimes committed in the area. Domestic violence, petty theft, drug related assault; the list of vicious and hapless actions unfolds randomly, "a woman said her husband punched her in the face when he asked her for ten dollars and she didn't have the money. theft; two lawnmowers.." In a powerful counterpoint of sound and image Drive By Shooting creates a two hour-long surveillance film that misses all the action, yet evokes a sense of vulnerability on the streets and violence behind closed doors.

Four lives that could not be more different and a single passion that unites them: the unconditional love for their cinemas, somewhere at the end of the world. Comrades in Dreams brings together six cinema makers from North Korea, America, India and Africa and follows their efforts to make their audiences dream every night.

Stammer School follows a cast of struggling stammerers as they enrol in a course that aims to help them finally find their voices. Stammer School features Musharaf Asghar – affectionately known as Mushy – from Educating Yorkshire. He found a place in the hearts of the nation as millions tuned in to watch him learn methods to overcome his crippling stammer and achieve the C grade he needed in his English GCSE. Although Mushy’s stammer has improved, he is often left speechless still. With the help of an intensive programme, led by other stutterers, Stammer School will follow Mushy and others as they attempt to overcome this huge stumbling block in their lives.

A peep behind the scenes of the golden era of Hollywood to discover exactly how and why Katharine Hepburn became one of the most famous actresses in the glamorous world of cinema.

An account of the life and work of legendary Japanese actor Toshirō Mifune (1920-97), the most prominent actor of the Golden Age of Japanese cinema.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

He was an anarchist and provocateur. Underground filmmaker and a cheeky fuck. Several of today's veterans in the Norwegian film industry started their career with him. Yet there are few today who know Bredo Greve. In Bredo Greve - filmrebell you will get to know the filmmaker's marvelous film history. Greve was always ready for a good fight, and he used film to pinpoint problems in society that are still scarily relevant.

In one of the world's largest and oldest refugee camps, Dadaab, the inhabitans survive by watching films and dreaming. The refugees cannot leave the camp, but they let their minds escape the harsh reality: by going to the simple cinema hall run by Abdikafi Mohamed, the film's protagonist.

Piirainen's documentary on the last years of Peter von Bagh.