Message of Greetings: Prix suisse / My Thanks / Dead or Alive

Documentary film interviews leading Latinos on race, identity, and achievement.

An examination of why the James Bond films have proved so popular including a discussion between the four actors who have played Bond, an interview with Cubby Broccoli and contributions from the directors, production designers, special effects and stuntmen.

Jonathan Ross delves into the world of James Bond and meets with new and former cast members who reveal humorous stories and anecdotes in a series of interviews. All the 5 Bonds at the time are featured, though only Lazenby (reflecting in the usual frank, self criticizing manner), Moore and Brosnan granted an interview. Connery and Dalton are featured through some unused footage from LWT's 30 years of James Bond program. The ever faithful Desmond Llewelyn turns up in character as well as some other less related peeps like Christopher Lee, Paul McCartney and the ultimate playboy: Hugh Hefner -- who all give an interesting perspective on the worlds most famous spy.

Capturar (Las 1001 novias)

Documentary overview of Peter Lorre's ascension to fame as a master purveyor of silky but disquieting peril.

A short documentary exploring the ongoing relevance and power of 'Salò o le 120 giornate di Sodoma'.

A comic, biting and revelatory documentary following a small group of prankster activists as they gain worldwide notoriety for impersonating the World Trade Organization (WTO) on television and at business conferences around the world.

Using the unfinished film, ANGELITA Y MIGUEL ÁNGEL, by Andrés Caicedo and Carlos Mayolo, as a structuring device, friends of prolific film critic and writer Andrés Caicedo, an unforgettable figure of the group of Cali in the 1970s who left an incredible amount of texts, reflect upon his life, his work, and his suicide at the age of 25, testify to his influence in the cultural life of Colombia, and remember his strong and touching personality.

A tribute to the late, great French director Francois Truffaut, this documentary was undoubtedly named after his last movie, Vivement Dimanche!, released in 1983. Included in this overview of Truffaut's contribution to filmmaking are clips from 14 of his movies arranged according to the themes he favored. These include childhood, literature, the cinema itself, romance, marriage, and death.

Le Club : Claude Jade

Guten Tag, RDA !

A journey through abandoned cinemas of Sardinia interspersed with memories of three senior projectionists, a profession now suppressed by technology.

Record of the life and work of Luiz Thomaz Reis, a cameraman who accompanied Rondon's expeditions through the interior of Brazil since 1915. He documented, in photographs, the revolutionary movements of the 1920s, especially that of Catanduva. In the montage, iconographic material, old films and filming made at the National Museum of Cinema were used, where some of his cameras are located.

A French documentary on how Covid-19 affected Hollywood and the cinema industry in the United States.

When Francois Truffaut approached Alfred Hitchcock in 1962 with the idea of having a long conversation with him about his work and publishing this in book form, he didn't imagine that more than four years would pass before Le Cinéma selon Hitchcock finally appeared in 1966. Not only in France but all over the world, Truffaut's Hitchcock interview developed over the years into a standard bible of film literature. In 1983, three years after Hitchcock's death, Truffaut decided to expand his by now legendary book to include a concluding chapter and have it published as the "Edition définitive". This film describes the genesis of the "Hitchbook" and throws light on the strange friendship between two completely different men. The centrepieces are the extracts from the original sound recordings of the interview with the voices of Alfred Hitchcock, Francois Truffaut, and Helen Scott – recordings which have never been heard in public before.

This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.

Having undergone a laser eye surgery, Søren struggles with complications that causes his eyesight to worsen. In an attempt to better understand his new reality, Søren starts to film the world around him.

A poetic documentary about the lost film culture in the small villages on the Croatian islands during the SFR of Yugoslavia.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

A breathtaking investigation into blockbusters, a film genre that enjoys worldwide success yet keeps its secret weapon well hidden backstage in Hollywood. The blockbuster appeals to a very wide audience, from 7 to 77 years and from Paris to Beijing. These films, which have boosted the film industry, started out with "Jaws" and "Star Wars" and are still prospering with Avatar or Alice in Wonderland. To succeed, the films must meet a few precise criteria, one of them being their cost - at 100 million dollars minimum. But in Hollywood, the films' ingredients are a well-kept secret; perhaps for fear of discovering that the studios' house rules are not as rosy as in certain fruitful happy endings? The pressure and the stakes are colossal. This fascinating documentary reviews the numerous professions affiliated with the blockbuster, via interviews with producers of the major studios (Walt Disney Studio, 20th Century Fox...)...