Dressed as a Girl

Two Bangladeshi girls born and raised in London have weddings arranged for them against their will by their family. Shahanara, the rebel of the family, banished from the family in her teens for being "too Western", has to swap her pink hot pants for a sari as she goes off to the airport to meet her new Bangladeshi husband. Her sister Hushnara is the opposite of Shahanara; a devout Muslim who agrees to marry so she doesn't upset her parents.

For over 170 years, Crystal Palace Park has been home to monsters. When sculptor Benjamin Waterhouse Hawkins unveiled the Crystal Palace Dinosaurs to the public in 1854, they were the first ever life-sized depictions of extinct animals. Whilst hugely inaccurate according to our modern understanding, they now represent an important milestone in the history of science. They're also one of South London's most beloved and charming attractions. Over the years, the sculptures have fallen into disrepair thanks to a lack of funding, perennial vandalism and the forces of nature. But a passionate group of local residents have banded together to keep the statues standing. With the help of a world-famous rockstar, can they stop our dinosaurs from going extinct?

After an unlikely casting onto a reality television show, 47-year old suburban telemarketer Ed Popil leaves his job to pursue a full-time entertainment industry career as his drag queen alter ego, 1960’s era housewife Mrs. Kasha Davis.

Dance for All

1961 documentary about the history and seedy reality of the sex industry in London's Soho.

A documentary that records the lives of a group of former (and some still active) Portuguese transvestites. They are: Zizi Mayer, Fanny Star, Guida Scarllaty, Deborah Krystal and Wanda Morelli. They are João Callati, Fernando Paulo, Carlos Ferreira, Fernando Santos and Fernando Soares. All these artists deserve to have their lives told because they are bigger than anything they give on stage. They are important symbols of Portuguese cultural memory and their lives and careers illustrate different moments and mentalities in our country. They are lives that have endured hardships and overcome them in forbidding times and where persecution and punishment reigned supreme. No documentary has ever been made about their lives and it is urgent that these stories are not lost. They also tell the story of our political and cultural country.

Comprising new and archival footage, this film observes rituals performed by the South Asian, African, and Caribbean diaspora in Britain, demonstrating an appreciation of land, community values, and the universe we share with other species and planets.

The summer of the Jubilee in 1977 was mentally dominated by another national anthem - "God Save the Queen" by The Sex Pistols. That same summer was also the summer of punk. Janet Street Porter Reviews The Year Of Punk, Featuring Early Classic Footage Of The Sex Pistols, The Clash, Siouxsie And Others.

A documentary team follows a group of drag queens and their lives.

The film follows a group of growers who embrace the restorative power that the soil holds. Skin of the Earth is a story about the relationship between humans, the land, and belonging.

This documentary-style short follows two impoverished teens performing on the streets of London in the days leading up to the London Blitz of 1940.

A tropical fish shop in the East End of London, the last of what used to be many. Tiny, watery dramas inside fish tanks accompany the thoughts of local fish-keepers, while father and son Big Tel and Little Tel work to keep the shop alive.

A short documentary immersing you in the intimacy and harsh reality of young LGBTQ+ artists, working in Los Angeles in the midst of the glamorous neighborhood of West Hollywood.

Rude Boy is a semi-documentary, part character study, part 'rockumentary', featuring a British punk band, The Clash. The script includes the story of a fictional fan juxtposed with actual public events of the day, including political demonstrations and Clash concerts.

Take a musical odyssey through five weird and wonderful decades with brothers Ron & Russell Mael, celebrating the inspiring legacy of Sparks: your favorite band’s favorite band.

London 1976: Between economic crises and the Silver Jubilee, something is brewing in the squats and basement clubs of West London: Punk. A promise, a new beginning. Punk meant self-empowerment, especially for the women in the scene. For the first time, women picked up guitar, bass and drums, formed bands and wrote their own songs.

Every day in Sutton, scientists from The Institute of Cancer Research at The London Cancer Hub try to discover what will defeat cancer. In the summer of 2022, communities in Sutton came together to celebrate their incredible research through the creation of a short community film celebrating this science. The resulting film showcases choreographed dance sequences as creative yet recognisable interpretations of scientific concepts.

Memories of Mortlake is an antique shop in West London owned by Elke from Germany. In her tiny shop there are no spaces left uncovered, every shelf and surface is piled up with wonderful old treasures. But she's only able to keep going because she owns the freehold to her building, a luxury most junk stores can only dream of. She's a passionate maker of things too so has an astonishing collection of old buttons, lace, ribbon, beads and fabric. She talks about the demise of sewing skills among the young, how no one appreciates the workmanship in all the hand made stuff and the death of the retail shops during the pandemic in London.

The life of a Southern drag queen isn't all wine and roses - just ask Wilmington, NC's own Tara Nicole. Stereotypes of Southern hospitality and redneck homophobia meet in this very revealing exploration of a smalltown farm boy who's grown up to become a drag queen known as the "Bitch Goddess of the Port City." Through fabulous drag performances and interviews with family, friends, and fellow Southern drag queens like The Lady Bunny, Dixie Queen reveals gay life and culture in the South.

“It ain’t easy…being green” is the favorite expression of Stormé DeLarverie, a woman whose life flouted prescriptions of gender and race. During the 1950s and '60s she toured the black theater circuit as a mistress of ceremonies and the sole male impersonator of the legendary Jewel Box Revue, America’s first integrated female impersonation show and forerunner of La Cage aux Folles.