At the Top

Dae-il is a student majoring in film, and about to filming his graduate film. His professor, however, does not like his screenplay. And his producer Young-jin picks on that, saying the film is unrealistic and exaggerated. The main actress So-eun also keeps arguing that she cannot feel empathy with her character. Does he can complete this film?

Joe Gideon is at the top of the heap, one of the most successful directors and choreographers in musical theater. But he can feel his world slowly collapsing around him - his obsession with work has almost destroyed his personal life, and only his bottles of pills keep him going.

Filmmaker Kailee McGee’s world turns sideways with a late-stage breast cancer diagnosis. She’s in the middle of treatment but just beginning to reevaluate reality, love, and identity while being sick. Kailee loses track of where her cancer journey ends and her life begins. As the voice inside her head toggles between existential crisis and self-actualization, Kailee resorts to the only way she knows how to heal: figure out a way to watch a version of her journey unfold on a screen.

A movie crew invades a small town whose residents are all too ready to give up their values for showbiz glitz.

Famous Russian screen actors play themselves in this drama about the lives of actors. Thirteen minutes of the film survive.

A small-time thug who collects debts for the local triad is torn between his criminal aspirations and his devotion to family.

The residents of Malegaon look to Bollywood cinema for a much-needed escape from daily drudgery. Amateur filmmaker Nasir Shaikh gets inspired to make a film for the people of Malegaon, by the people of Malegaon. He bands together his ragtag group of friends to bring his vision to life, thereby bringing a fresh lease of life into the town.

The film is a series of vignettes from Taiji Tonoyama's life and film clips, interspersed with a dialogue to camera by Nobuko Otowa, addressing the camera as if she is addressing Tonoyama himself, recollecting events in his life. The film focuses on Tonoyama's alcohol dependence and his various sexual relationships, as well as his film work with Shindo.

A man and a woman who run into each other on a film set were actually lovers in the past. As they play the roles of a couple in the movie, they think about the relationship they once had.

When a Hollywood star mysteriously disappears in the middle of filming, the studio sends their fixer to get him back.

Embarrassed about his identity and culture, a meek Indian high-schooler decides to attend an American university to pursue his passion for film. But in doing so, he causes a rift in his fundamentalist family.

Follows a big star who brings a film crew to her remote hometown for a shoot, and while the production is afflicted by disagreements between the crew, a bored local restaurant owner finds excitement to be the stand-in for the star.

Haru, a bookstore clerk, talks to Yukiko pretending to ask for directions. Haru has detected deep sorrow on Yukiko's face. Meanwhile, Haru has been spending days following Tsuyoshi discretely and checking his expressions.

Loner Mark Lewis works at a film studio during the day and, at night, takes racy photographs of women. Also he's making a documentary on fear, which involves recording the reactions of victims as he murders them. He befriends Helen, the daughter of the family living in the apartment below his, and he tells her vaguely about the movie he is making.

An original semi-autobiographical coming-of-age drama very loosely inspired by Max Hechtman's adolescence and college experience as a young filmmaker.

Malcolm and Haze are together. They can’t stand each other. They have a school year to go, as classmates.

Dani and Michael, two down-on-their-luck filmmakers, decide to craft and film their own independent movie despite their tumultuous lives begging them to give up their passions.

It's 1957, and James Whale's heyday as the director of "Frankenstein," "Bride of Frankenstein" and "The Invisible Man" is long behind him. Retired and a semi-recluse, he lives his days accompanied only by images from his past. When his dour housekeeper, Hannah, hires a handsome young gardener, the flamboyant director and simple yard man develop an unlikely friendship, which will change them forever.

While attending a retrospect of his work, a filmmaker recalls his life and his loves: the inspirations for his films.

A film student at Ryerson University struggles to complete her thesis project.