Arabesques on the Pirosmani Theme

In the short documentary GERD HANSEN, 55 Jochen Hick talks about an aging gay masseur and the times before AIDS. The film was premiered at the International Short Film Festival Oberhausen in 1987 and received the Prize of the German Film Critics.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

From leaving Egypt 10 years ago, to almost dying a month ago in a car accident. This film is about the journey in between and the massive role the internet played in the life of prominent Youtuber and Yes Theory co-founder Ammar Kandil.

Have you ever woken in the night unable to move, certain that you are not alone? This is an experimental documentary examining what happens when dreams leak into waking life. It is about what is real, what is not, and if it even matters.

The importance of timing in athletics

Las cosas simples

On February 21, 1945, the Royal Canadian Air Force Halifax bomber NP711 with a crew of seven men took off from the Linton-on-Ouse air base in England for a bombing raid over Worms, Germany. The bomber never made it to its target. The Halifax was struck by anti-aircraft fire and crashed into a mountainside near Leistadt, Germany. All crew members were killed. The crash was so horrific that the wreckage was strewn over 1,000 meters. Seventy-seven years later the wreckage was recovered and the site was deemed a gravesite for the perished crew. This documentary film examines the last days of the seven-member crew and the recovery of the wreckage of Halifax NP711.

In the decades after Bacon's Rebellion, an African man and an English woman - husband and wife - sing of their fate, their future as law by law, edict by edict, their family, their marriage, their love made illegal.

Documentary short film about the Antwerp harbour.

A documentary exploring the effect of PCP on both the user and society, with particular focus on a Los Angeles salesperson named Jack's recreational usage of the drug.

This documentary is an informal portrait of the great modern composer Igor Stravinsky. Proudly American, though still very much an Old World figure with a long and alert memory for people and events in music, literature and art, Stravinsky is depicted here conducting the CBC Symphony Orchestra in a recording of his Symphony of Psalms.

People constantly appear walking through passageways in the films of Japanese filmmaker Yasujirō Ozu (1903-63). His art resides in the in-between spaces of modern life, in the transitory: alleys are no longer dark and threatening traps where suspense is born, but simple places of passage.

The cinema of Koreeda Hirokazu is defined by moments of everyday life. Whatever potential there is for heightened drama – the suicide of a husband, a cult massacre, abandoned children – it is diffused by the familiar rhythms of everydayness. This attention to the everyday must be understood within the context of death, which plays a significant role in all of Koreeda’s films. It is death that deepens our sense of life and makes even the most mundane moment seem profound.

Experimental short made by Olivier Assayas for Fondation of Contemporary Art and starring Maggie Cheung.

The theme of death is heavily interwoven in Smolder’s surreal salute to Belgian painter Antoine Wiertz, a Hieronymus Bosch-type artist whose work centered on humans in various stages in torment, as depicted in expansive canvases with gore galore. Smolders has basically taken a standard documentary and chopped it up, using quotes from the long-dead artist, and periodic statements by a historian (Smolders) filling in a few bits of Wiertz’ life.

Behind the scenes taken from the original Absolution Special Edition CD + DVD.

2015 featurette documentary behind the experience of Nightmare and grindhouse cinema.

First it's paint bombs, followed hard by riots. Tweets proclaim what is to be done. Resistance is everywhere. Something has to give. Two young activists meet amid turbulent events. They dance. The city belongs to them.