Cradle of a Nation

Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.

Take a revealing tour along a coast of contrasts, from the folksy freshness of Whitby to the coaly Tyne, queen of all rivers.

Pure tranquillity in rural Somerset, a world away from the war raging on the continent.

Unraveling one of the biggest environmental scandals of our time, a group of citizens in West Virginia take on a powerful corporation after they discover it has knowingly been dumping a toxic chemical — now found in the blood of 99.7% of Americans — into the local drinking water supply.

Kara Robinson Chamberlain recounts in vivid detail being taken at gun point from a friend’s front yard. Forced into in a cramped, dark storage container in her captor’s car, Kara instantly knew her life was in grave danger. In a moment she describes as a divine intervention, the 15-year-old realized she had to be her own victor and take her life back; she had to escape.

An exploration of Rodez Cathedral and its stained glass windows: praying figures and scientific imagery. A study on color, repetition and flickering consisting of 292 photographs.

A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.

In December 2007, 7and7is, an Indie rock band from Edmonton, Alberta, Canada became the first foreign rock band to tour Cuba.

Inspired by Chris Marker's Sans Soleil, a girl decides to make her own rendition of Marker's mesmerising voyage through Japan, only for it to turn awry when she encounters another girl - a recurring stranger - haunting her path.

Documentary about the photo session for the photobook "Castella", filmed in Portugal.

First film of Burnham Beeches, the famous beauty spot and ultimate film location.

A Norwegian exploitation travel documentary in color from 1952.

An experimental coming-of-age odyssey through someone's troubled mind, going from country to country, landscape to landscape, growing up in the process. A documentary, travelogue, vlog, dream and self-portrait. A reflection on life, death and history.

This Traveltalk look at New Orleans starts at the recently modernized port and harbor facilities, with ships unloading various cargo and loading cotton. We then ride along Canal Street and visit the Tulane University campus. After a look at the variety of the residential architecture, we end our visit at the city's new airport.

This documentary visits cities and towns and captures stunning landscapes along Europe's majestic Danube at Christmastime. Locations covered include Passau, Germany; Salzburg, Oberndorf, the Wachau Valley, and Vienna in Austria; Bratislava, Slovakia; and Budapest, Hungary. Along the way the viewer learns relevant history.

Spalding Gray sits behind a desk throughout the entire film and recounts his exploits and chance encounters while playing a minor role in the film 'The Killing Fields'. At the same time, he gives a background to the events occurring in Cambodia at the time the film was set.

A visit to Chicago, featuring the city's architecture and well-known landmarks.

A 19-year-old high school graduate travels through Australia as a backpacker and accompanies his adventure with a camera.

Pilot JP Schulze and filmmaker Louis Cole set off to circumnavigate the world in a single-engine, 1974 Cessna T210L airplane named Balloo. They had 90 days to complete the journey, and as they traveled they met people from many different cultures and asked them - is what divides us greater than what brings us together?

In 1962 Joris Ivens was invited to Chile for teaching and filmmaking. Together with students he made …A Valparaíso, one of his most poetic films. Contrasting the prestigious history of the seaport with the present the film sketches a portrait of the city, built on 42 hills, with its wealth and poverty, its daily life on the streets, the stairs, the rack railways and in the bars. Although the port has lost its importance, the rich past is still present in the impoverished city. The film echoes this ambiguous situation in its dialectical poetic style, interweaving the daily life reality (of 1963) with the history of the city and changing from black and white to colour, finally leaving us with hopeful perspective for the children who are playing on the stairs and hills of this beautiful town.