The Decline

A rice farmer's grudge against a child who belittles rice.

Marianne tells Paul that she is leaving him for Mathieu. Then, Mathieu's wife comes to see Paul and ask to help her to take revenge of the infidels. For that, she says they have to simulate to be in love to each other. Paul agrees to play the game ...

The Secret Call is adapted from The Woman, a play by William C. DeMille (brother of Cecil B.) Peggy Shannon plays Wanda Kelly, the daughter of a disgraced politician. Reduced to working as a switchboard operator, Wanda is privy to the many secrets and indiscretions of the clients of a big-city hotel. She also finds romance in the form of handsome Tom Blake (Richard Arlen). The huge cast of characters comes in handy for the film's multitude of subplots, none of which ever get their wires crossed. Peggy Shannon acquits herself nicely in her first major role, but by the end of the decade her career was in decline.

While Native American Wolf is being pursued by the FBI for having taken the law into his own hands, when his mother was raped and killed on their reservation he crosses paths with Cash, a down and out musician who is coping with the end of his marriage. An unlikely friendship develops, as they ride together towards the Teton mountain range, where Wolf will spread his mothers ashes.

The police bomb squad and SWAT teams face off against an embittered serial bomber out to get revenge for his daughter against the gangster who caused her death.

Seo-joon, loses everything to voice phishing and infiltrates a organization in China to meet Kwak Pro, the designer behind this phishing system.

A brother avenges his brothers murder by posing as an escaped felon

By fabricating her biography, Luo Su, a young Chinese white-collar worker from a low-income family, hopes to wed Mr. Win, an alluring bachelor. But when her mother's shocking TV interview exposes her deceit, she loses everything and ends her own life. Left in limbo, she is mystically given one last opportunity to alter her fate within 72 hours - albeit within the body of a man.

When a short-tempered mobster and his gang of thugs try to shake down a neighborhood bar, they're soon confronted with the wrath of its owner - a mysterious southern mother with a dangerous past.

William Tell just wants to play cards. His spartan existence on the casino trail is shattered when he is approached by Cirk, a vulnerable and angry young man seeking help to execute his plan for revenge on a military colonel. Tell sees a chance at redemption through his relationship with Cirk.

Sevgi is a singer who works in a bar. Her boss Vural fancies her. Sevgi meets Selim and they fall in love. Selim is unaware of her job at the bar. Vural sends his men to Selim's father to tell him about Sevgi's job, thus prevents her marriage with Selim. Selim doesn't believe in all this. Vural shoots Selim out of jealousy, yet due to lack of evidence he gets released. Sevgi and Vural marry but she takes Selim's revenge in shooting Vural, having no reason to live anymore she shoots herself as well.

Occupied by family problems, a 13 year old Vojto takes every responsibility around the house. One day while on a train to school, he sees this girl, Kajka, and falls madly in love with her. Despite his busy life, he decides to win her heart by any means possible.

Ira translates as “Anger,” but the titular emotion isn’t often conveyed by the unnamed man and woman at the center of this subdued Italian drama set on the grim fringes of society. Instead, they spend their nights working—he in the market, she on the streets—or wandering restlessly and relentlessly around their dark, decaying city. Writer/director Mauro Russo Rouge follows his characters as they drive down roads lit by the yellow glow of streetlights, push through the crowds at a pink-hued nightclub, pick up supplies in a glaringly bright supermarket, and meander down sidewalks with drinks in hand. They rarely emerge into the sunlight; most of the action takes place in claustrophobic indoor spaces or in the cold, gray light of dusk or dawn. So, too, do their expressions remain withdrawn—even when their nascent relationship triggers a decisive act of violence.

A school physician whose son is being bullied at school finds that he must conduct a routine medical examination of one of his son's chief tormentors.

A divorced father takes matters into his own hands when his daughter is brutally raped and murdered.

In the cruel world of junior high, Edwin suffers in a state of anxiety and alienation alongside his only friend, Flake. Misunderstood by their families and demoralized at school daily, their fury simmers quietly until an idea for vengeance offers them a terrifying release.

Dead memories are reborn into grisly new realities as the villagers of small lakefront community hide their monstrous past forcing the local Sheriff to confront the powers that be as well as her own inner demons.

Katherine Whately, a tough, young Chicago cop, comes home to her small town to settle her teenage rape. She is welcomed by her brother but shunned by her father. Josh, the town doctor, is her only ally in her quest for the truth. Together Katherine and Josh find the bloody trail of a serial murderer and shatter the lie that is two decades old.

Inspired by 'The Count of Monte Cristo', Padayottam was the first Indian movie to be shot in 70mm format. Prince Udayan (Nazir) is the successor to the Kolathiri kingdom. He is betrayed by his cousin Devan (Madhu) which forces him to go into exile. Years later Udayan returns to Kolathiri to take his revenge.

When Hamlet returns for his father’s funeral, he is stunned to discover his uncle Claudius is marrying his newly widowed mother. Visited by his father’s ghost, Hamlet learns his brutal murder was at the hands of Claudius and spirals into a quest for vengeance that exposes the rot at the heart of the family’s empire and threatens his own sanity.