The Big Beat

Seeking a divorce from her absentee husband, Mimi Glossop travels to an English seaside resort. There she falls in love with dancer Guy Holden, whom she later mistakes for the corespondent her lawyer hired.

When the fleet puts in at San Francisco, sailor Bake Baker tries to rekindle the flame with his old dancing partner, Sherry Martin, while Bake's buddy Bilge Smith romances Sherry's sister, Connie. But it's not all smooth sailing—Bake has a habit of losing Sherry's jobs for her and, despite Connie's dreams, Bilge is not ready to settle down.

A dance band leader finds love and success in Brazil.

What if the road to a rock concert was just as exhilarating as the concert itself? Join two super fans, Brock and Roxy, as they race through a rock-and-roll themed desert to see their favorite band before the stadium fills up.

Two vaudeville performers fall in love, but find their relationship tested by the arrival of WWI.

A dark-themed and redesigned West End production of Rodgers & Hammerstein's seminal Broadway musical tells the story of farm girl Laurey and her courtship by two rival suitors, cowboy Curly and the sinister and frightening farmhand Jud.

Rafaelillo, a young upper-class Andalusian man and medical student in Madrid, has not told his parents the whole truth about the kind of life he leads in the capital. Once home, he will have to face the consequences of his many lies… (Film produced in Argentina by the Spanish company Filmófono, after the forced exile of most of its members since 1937.)

As a memorial to George Harrison on the first anniversary of his passing, The Concert for George was held at the Royal Albert Hall in London on 29 November 2002 . Organized by Harrison's widow, Olivia, and son, Dhani, and arranged under the musical direction of Eric Clapton and Jeff Lynne. A benefit for Harrison's Material World Charitable Foundation, the all-star concert took place on the day of the first anniversary of his death. Proceeds from the film also went to the Material World Charitable Foundation. The film was shot using discreet cameras from over twelve locations.

Alejandro Sanz - La musica no se toca (En vivo)

On a famed salsa club's closing night, a whitewashed American born teen must learn how to dance from his salsa singing uncle in order to impress the girl of his dreams before the club closes forever.

The metalcore icons perform a riotous headline set.

A raunchy Vampire Musical. The sexy-violent musical is full of hot dancing, drug addled nymphettes, existential zombies and gallons of blood. A Zappa Zombie trying to kill a Backstreet Boy Vampire...no really.

This musical reworking of Too Many Husbands (1940), features Grable as a top singer and dancer who's been widowed by WW II. She marries her late husband's songwriting partner, Gower Champion, but the new marriage is thrown for a loop when Lemmon, her first husband, turns up very much alive and eager to see Grable.

A Broadway choreographer gets drafted and coincidentally ends up in the same army base as his object of affection’s boyfriend.

An updated version of the 1980 musical, which centered on the students of the New York Academy of Performing Arts.

An animated musical that tells the story of a young Indian elephant from the jungles of Kerala with the impossible dream of becoming a Bollywood dancer.

A New York magazine sends its editors to South America to find beautiful girls.

Billy Bigelow has been dead for 15 years. Now outside the pearly gates, he long ago waived his right to go back to Earth for a day. He has heard that there is a problem with his family: namely with his wife Julie Bigelow, née Jordan, and his child he hasn't met. He would now like to head back to Earth to assist in rectifying the problem; but before he may go, he has to get permission from the gatekeeper by telling him his story. Adapted from the Rodgers and Hammerstein hit Broadway musical.

Joséphine Baker, Le Musical

Never Give a Sucker an Even Break is a 1941 film about a man who wants to sell a film story to Esoteric Studios. On the way he gets insulted by little boys, beaten up for ogling a woman, and abused by a waitress. W. C. Fields' last starring role in a feature-length film.