A God-fearing bluesman takes to a wild young woman who, as a victim of childhood sexual abuse, is looking everywhere for love, but never quite finding it.
A Gypsy band takes lots of stuff but always in a good cause. Led by Jane Withers, they pick up a socialite who has amnesia. She works as a fortune teller and raises enough money for an operation to regain her memory.
Puta y amada is a comedy that narrates the constant ruptures and reconciliations of Marcos, a film director who is going through a creative crisis, and Adrián, a pop music composer. Both Marcos and his two friends, Zaida and Julia (with whom he shares his love for cinema), embark on a series of superficial relationships, which will make them move from simple selfishness to the revelation and awareness of the loved one, in this moral tale about the end of youth and the desidealization of the world.
In Grenoble's Gypsy community, a young kick-boxing champion learns about manhood from his gay elder brother.
Narcisus and Psyche is based on a novel by Sandor Weores which was adapted by Vilmos Csaplar and director Gabor Body for a feature-length film. Borrowing the character of Psyche from mythology and placing her in Europe in the 19th century, the authors give her a "modern" life. She is an attractive young woman - and remains so throughout the film, in spite of one hardship after another. Psyche is libidinous, and her prurient interests shock her staid contemporaries.
A man is looking for a singer he had heard on cassette. He finds much more.
Gregory, an aging guitarist, re-discovers his passion in music and finds the courage to play again.
In an Edo-period retelling of "City Lights", Iyami, a poor beggar, befriends a flower-selling young girl. Through the ups and downs of their friendship, Iyami strives to find a way to make her see again.
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Pete is no stranger to success, delivering hit series as a musician in a rock group. When he parts ways with his band and produces his first solo LP, he learns for the first time what a flop means. He did not expect this. He is insecure and desperate, while Lena, his wife, accepts this low blow as a challenge. Jealously, Pete observes that Lena is becoming more and more independent and self-confident in her surroundings. At home there are arguments until everyone packs his bags. Alone with his longing and tenderness for Lena, Pete composes the "Bolero" on his white grand piano that calls her back.
Two musicians witness a mob hit and struggle to find a way out of the city before they are found by the gangsters. Their only opportunity is to join an all-girl band as they leave on a tour. To make their getaway they must first disguise themselves as women, then keep their identities secret and deal with the problems this brings - such as an attractive bandmate and a very determined suitor.
Matko is a small time hustler, living by the Danube with his 17-year-old son Zare. After a failed business deal he owes money to the much more successful gangster Dadan. Dadan has a sister, Afrodita, that he desperately wants to see get married so they strike a deal: Zare is to marry her.
After learning that his grandfather is alive and living in Seoul, a North Korean musician must leave his fiancee behind and accompany his family to South Korea.
Everyday Is Like Sunday is a comedy/drama aiming the lens at post-collegiate characters stuck between their imminently-ending youth and impending adulthood. The film follows Mark, Jason, and Flora, as they realistically attempt to pull themselves out of economic and emotional doldrums.
Unscrupulous boxing promoters, violent bookmakers, a Russian gangster, incompetent amateur robbers and supposedly Jewish jewelers fight to track down a priceless stolen diamond.
After a fictitious marriage with a Russian emigrant, Cellisten Louka, a Czech man, must suddenly take responsibility for her son. However, it’s not long before the communication barrier is broken between the two new family members.
A young musician and dreamy, called "Ernesto", is forced to live in Madrid to die his father, in the house of executor of the testament, "don Julio Villamil", who is married to actress Teresa Labisbal, of which "Ernesto Acedo" was enamored platonic. Although the conduct of the young is flawless, a third person causes slander which oblige "don Julio" to fight in mourning to death.
A privileged, black college student with a fiance falls in love with a white musician she meets on her 21st birthday.
Rascha, the wild daughter of Costa, the Gypsy bear tamer, swears revenge on Jorga, her father's enemy, when he cuts off her braids (a sign of disgrace among the Gypsies).
In the carefree days before World War I, introverted Austrian author Jules strikes up a friendship with the exuberant Frenchman Jim and both men fall for the impulsive and beautiful Catherine.