Themroc, a bachelor house painter living at home with his mother, leads a sad and colorless life. One day, after a run-in with his boss, he rebels. He wrecks his apartment, rejects every facet of bourgeois life, and begins acting like an urban, modern-day Neanderthal.
Sex and the City with men in diving suits. Relationship troubles that take place in the restaurant and living room with male characters dressed in diving suits, complete with glasses and flippers.
Brought back to life by an unorthodox scientist, a young woman runs off with a lawyer on a whirlwind adventure across the continents. Free from the prejudices of her times, she grows steadfast in her purpose to stand for equality and liberation.
The tour for "Zorg dat je erbij komt" was completely sold out. For three shows at the Meervaart, more than 150,000 people wanted tickets in just one weekend!
Registration of the fifth theatre program by the Dutch comedy duo (Niels) Van der Laan & (Jeroen) Woe.
Five thirty-something men in as many separate segments struggle to grapple with the relentless absurdity of their respective existences.
All his shows have been sold out, night after night. The best of his shows has been compiled in one live show, "The Best of Najib Amhali".
Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point).
Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point). Since 2000, Maassens shows are shown on Dutch national television, making him more and more a household name.
Lenette van Dongen: Nikè
Javier Guzman: Oudejaarsconference 2016: Zonde(r) Voornemens 365 voor 12
Army psychiatrist Colonel Kane is posted to a secluded gothic castle housing a military asylum. With a reserved calm, he indulges the inmates' delusions, allowing them free rein to express their fantasies.
Registration of the sixt theatre program by the Dutch comedian Theo Maassen.
Registration of the first theatre show by the Dutch comedian Sanne Wallis de Vries.
We like to convince ourselves of things. Trivialities that bring some order to the chaos of our thoughts, things that make life a little more exciting. But what if these thoughts turn against us? What if we convince ourselves of things that aren't necessary? What if we become paranoid about that one unanswered text message, uncertain about the future of our clothing, and afraid that our hero status is unsustainable? It is these illusions that comedian Thomas Smith wants to expose and puncture. And he is looking for a useful answer to the question of life: what to do when you receive good news while you have a headache?
A race car driver tries to transport an illegal beer shipment from Texas to Atlanta in under 28 hours, picking up a reluctant bride-to-be on the way.
In this comedy show (the only full show by Jeroen van Merwijk that has been captured on screen) the Dutch musical comedian talks and sings about Mozart, America, the invention of new words and death.
Dolf Jansen & Louise Korthals: Oudejaarsconference 2017: Omdat we het waard zijn
Registration of the fourth solo program by the Dutch comedian Hans Sibbel, in which the comedian takes a look at the evolution.
Rayen Panday: Fenomeen