Mother-of-two Judy Malinowski, then 31, was doused in gasoline and set on fire by her crazed boyfriend – and one of the first ever to testify from beyond the grave, at the trial for her own murder. A story that lives at the intersection of true crime and #MeToo, THE FIRE THAT TOOK HER goes deep inside a landmark case to ask a timely question: How much must women suffer in order to be believed?
The raft man Manuel Jacaré was swallowed by the sea when Orson Welles was filming It's All True in 1942. The fact evokes memories of the dictatorship of the Estado Novo, of World War II, of Ceará fishermen's struggle for labor rights and housing in their traditional space - target of real estate speculation.
Documentary about the battle between Orson Welles and William Randolph Hearst over Welles' Citizen Kane (1941). Features interviews with Welles' and Hearst's co-workers also acts as a relatively complete biograph of Hearst's career.
An intimate, collaborative documentary told through the dual perspectives of Adam, a transgender teen, and his mother, visual artist Amy Jenkins, that offers an authentic and tender counterpoint to the hostility facing trans youth today. Adam’s journey balances the milestones of gender transition with the rhythms of adolescence. As Adam asserts his identity and steps out into the world, his parents grapple with the challenges of raising a teen while learning to let go. Through a visually poetic approach, the film transforms a deeply personal archive, collected over two decades, into a powerful, joyful testament to the beauty and difficulty of reckoning with profound change.
An eight-minute amateur wildlife video that depicts a confrontation between a herd of Cape buffalo, a small group of young lions from a pride, and one crocodile.
Número 98, casa
Searching for the root of generational trauma, the director takes a camera into his estranged grandfather’s funeral.
As the dissociated convenience of the Internet and globalized corporate culture continue to shut down brick-and-mortar video stores, what will happen to the longstanding, local hangouts with their rugged individuals known as clerks and the communities who love them? Videosyncracy follows three very different video rental stores as they negotiate their survival in three distinct Los Angeles neighborhoods: Old Bank DVD in the Downtown arts district, Vidiots in sunny seaside Santa Monica, and Eddie Brandt’s Saturday Matinee in bustling North Hollywood. Their stories chronicle not only the birth and twilight of a particular kind of corner store, but also decades of personal lives intertwined with those of their communities, the new challenges and facilities of a rapidly changing world, and an enduring love of the movies, a slice of Americana on the brink of disappearance yet defiant to the end.
The extraordinary life of Orson Welles (1915-85), an enigma of Hollywood, an irreducible independent creator: a musical prodigy, an excellent painter, a master of theater and radio, a modern Shakespeare, a magician who was always searching for a new trick to surprise his audience, a romantic and legendary figure who lived only for cinema.
When Melody was a young child, 20+ years away from coming out as transgender, she developed an obsession with movies. One of her biggest hobbies was acting out her favorite VHS tapes, FBI warnings and trailers included, in front of her parents' camcorder. Mom and dad realized this was an easy way to keep their child busy. Thus, the camera became a sort of babysitter, resulting in dozens of tapes featuring Melody performing in front of the (usually stationary) camera.
A documentary about the making of the live-action Super Mario Bros. movie.
In 1988, Keener's grandfather Charles took his video camcorder to Collinsville Trade Day to document the popular outdoor market for posterity. Twenty-six years later, Keener found the tape buried in a box in his living room closet. He took the liberty to edit this footage and the resulting film is a very personal collaboration with his grandfather about a small town’s culture.
90's era home videos of a Mexican father starting a new life in the United States
In late eighties, in Ceausescu's Romania, a black market VHS bootlegger and a courageous female translator brought the magic of Western films to the Romanian people and sowed the seeds of a revolution.
Liav (24) decides to look back at the girl he once was. Seeking to understand the painful decision to stop his gender transition process while it was in full swing and return to being a man, he embarks on an intimate journey to reconnect with his previous, younger self. He pieces together the figure of Lia - a vibrant young woman who experienced a spiritual metamorphosis, but also a severe trauma that led her to abandon her identity. Between past and present, between Lia and Liav, questions of identity, masculinity and femininity surface, attempting to understand what remains when turning back the clock - and what cannot be reclaimed.
Hold mig fast. Før jeg forsvinder
The film consists of video tapes made by the filmmaker’s father documenting daily scenes of family life, family celebrations, and holidays over the course of fifteen years. The tapes are a mixture of the personal and the political – the father was politically engaged in the revolutionary movement that brought Hugo Chávez to power. The family’s life becomes a backdrop for political and economic developments in Venezuela and their impact on the lives of ordinary citizens.
Soy
Filmmakers and collectors lift the curtain on their manic media obsession that is not only a huge part of their lives, but the lifeblood of their existence!
2024