Aurélie Dupont, l'espace d'un instant

Santiago Mitre co-directs his first movement following The Student together with choreographer Onofri Barbato. Although it would have been more accurate to say “his first film-story-adventure-movie-great movie following The Student”, the word movement fits perfectly in Los posibles, the most overwhelmingly kinetic work Argentine cinema has delivered in many, many years. The film deals with the adaptation of a dance show directed by Onofri together with a group of teenagers who came to Casa La Salle, a center of social integration located in González Catán, trying to find some refuge from hardship. Already entitled Los posibles, the piece opened in the La Plata Tacec and was later staged in the AB Hall of the San Martín Cultural Center. Now, it dazzles audiences out of a film screen, with extraordinary muscles and a huge heart: Los posibles is a rhapsody of roughen bodies and torn emotions. Precise and exciting, it’s our own delayed, necessary, and incandescent West Side Story.

For two hundred years, the Shakers have been America's most successful utopian society. While seeking harmony, order and perfection in every aspect of their lives, they built minimalistic furniture and buildings that influenced modern design. The Shakers wrote songs of exquisite beauty and danced to the point of ecstasy during their religious meetings. Inspired by this music and dance, choreographer Tero Saarinen created Borrowed Light, a dance piece about communal life and individual sacrifice. Shot in Finland and the United States, featuring interviews and excerpts from Borrowed Light, this documentary explore the cultural legacy of this religious group devoted to creating heaven on earth.

Inspired by the wind in the grass, the song of birds, the tapestry of the forest, two bodies of water and natural erosion, two dancers and a filmmaker explore the beauty of the Memramcook valley.

Filmmaker Maia Wechsler follows choreographer Stephen Petronio as he prepares dancers to restage the 1968 production of "RainForest."

Dance for All

A valuable testimony that approaches the essence of Nijinsky who did not leave a video. Boris Kochno, who was at the center of Russian ballet, vividly tells how Nijinsky, who had fallen ill, witnessed his newly choreographed self-made work. Nijinsky's successor machine is a rare record of transferring Nijinsky's appearance in the popular work "Afternoon of a Faun" to two great dancers, Grigorowich and Wasiriev, who carry Bolshoi ballet on their backs.

Award-winning choreographer Alexander Ekman dives into the subject of creativity by meeting scientists, professors, artists, film directors and choreographers, with the goal of trying to understand every aspect of the phenomenon.

Why do we do incredibly difficult things that have no practical application? Is there a parallel between geographic and artistic exploration? Fram is a documentary and travel film about two friends journeying to the end of the earth, in order to make a dance film in the arctic wilderness of Svalbard. En route, they explore the history of our ideas of the Arctic, along with the grand questions of life, art and our place in the world. Sharing their love of discovering new geographic and artistic frontiers, choreographer-dancer-filmmakers and outdoor enthusiasts Thomas Freundlich and Valtteri Raekallio take the viewer on an engaging journey to a place where few have been and even fewer have danced.

Every weekend for six years, Jessica takes a bus from NYC, where she lives and works as a set decorator, to Boston, her hometown, where she cares for her dad, Aloysius, who is 87 and has advanced Alzheimer's disease.

Savo from Kikinda (Serbia) and his brother recall how they called communal service few years back to empty the septic tank in their backyard. As careless servicemen weren't coming for days, Savo staged his death by drowning in the hole. Communal service sent three trucks while Savo was looking at them from the attic. A story of a small man who fought the system and won, only to become a huge YouTube hero afterwards.

In the same vein as Meri's other documentations, this one takes advantage of the glasnost policy to discuss the social and ecologic impact of the Russian oil industry on the natives and the lands they inhabit.

Facundo Arteaga is a malambo dancer, who has already passed the barrier of thirties. His life is divided between work in the countryside and the care of his children. In spite of physical strain and lack of time, Facundo will try to compete again to try to get the title of national champion of malambo. According to tradition, whoever wins the championship can never compete again.

From the rains of Japan, through threats of arrest for 'public indecency' in Canada, and a birthday tribute to her father in Detroit, this documentary follows Madonna on her 1990 'Blond Ambition' concert tour. Filmed in black and white, with the concert pieces in glittering MTV color, it is an intimate look at the work of the icon, from a prayer circle before each performance to bed games with the dance troupe afterwards.

Back To Africa

This observational documentary was realized by filmmakers at the State University of Paraná. It follows the Federal University of Paraná’s Téssera Dance Company in black-and-white images as the group’s members prepare the dance piece “Black Dog”, a work about confronting depression, in June of 2017. The film’s story, structured in chapters, presents archetypal characters overcoming individual crises for the sake of collective expression. “The pack must walk together”, says the company’s stern but compassionate leader, within the context of a pedagogical work about the importance of a show going on.

Tchai is the word used by Ju/'hoansi to describe getting together to dance and sing; n/um can be translated as medicine, or supernatural potency. In the 1950's, when this film was shot, Ju/'hoansi gathered for "medicine dances" often, usually at night, and sometimes such dances lasted until dawn.

Early Balkan footage.

A multimedia performance including film, live narration and dance, How Can You Stay in the House All Day and Not Go Anywhere? explores loss and transcendence experienced in human partnerships. Reflecting on his relationship with 102-year-old former sharecropper, carpenter and gardener Walter Carter as well as Andrei Tarkovsky’s science fiction classic, Solaris, Lemon and 6 dancers create a performance which arcs from turbulent physicality to restorative grace.

A vogue dancer performs at a Voodoo Carnival Ball, an important dance contest where he will have to prove himself to be accepted by the local ballroom community. Based upon the biographical story of Elvin Elejandro Martinez.

Ballroom dancers Veloz and Yolanda perform the various dance fads of the first half of the twentieth century.