In Uganda, AIDS-infected mothers have begun writing what they call Memory Books for their children. Aware of the illness, it is a way for the family to come to terms with the inevitable death that it faces. Hopelessness and desperation are confronted through the collaborative effort of remembering and recording, a process that inspires unexpected strength and even solace in the face of death.
Eighteen months in the life of 89 years old Viola Dees as she tries of persuade Los Angeles authorities that she can care for her grandson, 9-year-old Walter.
This final John Nesbitt's Passing Parade series short looks at a community, Mooseheart, in Illinois that orphaned children call home.
A talented group of orphaned children in Swaziland create a fictional heroine and send her on a dangerous quest.
In China more people are on death row than the rest of the world combined. The children of the convicts are often left alone, stigmatized and living in the streets. Grandma Zhang, as the kids call her, is a former prison guard who has founded an orphanage in Nanzhao.
In this powerful tale about the rise of Korea’s global adoption program, four adult adoptees return to their country of birth and reconnect with their roots, mapping the geographies of kinship that bind them to a homeland they never knew.
The life and times of the mexican pianist Julieta García Rello, as told by her granddaughter.
Les enfants de Vercheny
Growing up in Masbate Province in the Philippines, Jary is neglected and shunned since the moment of his birth for one reason-- his appearance. His older sister, Jessa protects Jary through his early years, then takes him in as a young teen, to raise him alongside her own two children in a fragile house on a hill. Jessa seeks out the medical care Jary has been denied since birth. And more, the support to begin his physical and emotional recovery. Every Day After is a 35-minute documentary film that provides a more nuanced look at the complexities of the healing process we don’t often see. And honors the invisible labor of a sister whose love and action make it possible for Jary to experience the everyday joys and struggles of growing up.
Since the fall of the Iron Curtain an estimated four million children have found themselves living on the streets in the former countries of the Soviet Union. In the streets of Moscow alone there are over 30,000 surviving in this manner at the present time. The makers of the documentary film concentrated on a community of homeless children living hand to mouth in the Moscow train station Leningradsky. Eight-year-old Sasha, eleven-year-old Kristina, thirteen-year-old Misha and ten-year-old Andrej all dream of living in a communal home. They spend winter nights trying to stay warm by huddling together on hot water pipes and most of their days are spent begging. Andrej has found himself here because of disagreements with his family. Kristina was driven into this way of life by the hatred of her stepmother and twelve-year-old Roma by the regular beatings he received from his constantly drunk father. "When it is worst, we try to make money for food by prostitution," admits ...
Second Chance tells a story of Ukrainian orphaned children and the Canadian volunteers who spend their summers working along side them. The film follows first time volunteer and filmmaker, Adriana Luhovy, as she learns about the children and becomes witness to their strengths and resilience. Converging in Yaremche in the Carpathian Mountains of Ukraine, over 500 orphaned children come together from all over the country. At first quiet and fearful, they learn to trust one another and their counsellors. By countering heartbreaking statistics - 60% of orphaned girls are trafficked within the first year of leaving the orphanage; 50% of boys end up in jail; 10% commit suicide - the volunteers are dedicated to making a difference in the lives of orphaned Ukrainian children.
La Babel des enfants perdus
The movie recalls children who suffered mental and physical harm both during the last century, particularly in religious orphanages, and during the time of early modernperiod witch-hunts. It shows that the mindsets and behavioural patterns of both time periods are more alike than one might think.
This moving documentary profiles a former Buddhist monk who runs a home for orphaned children in the Himalayas, and his relationship with its newest arrival, troubled five-year-old Tashi.
An account of a young Italian boy who was taken in by a Canadian military unit during World War II.
Tracing the footsteps of North Korean orphans who went to Poland during the Korean War, two women, one from the North and the other from the South, bond through the solidarity of wound and forge together a path toward healing.
Poignant postwar appeal for Britain’s Jewry to support orphaned Jewish children rescued from Europe.
A filmmaker's insight into the biggest gathering on earth -the Kumbh Mela.
I Am Because We Are is a 2008 documentary film directed by Nathan Rissman and written, narrated, and produced by Madonna through her production company Semtex Films. The film documents the concern over the millions of orphans in the African country of Malawi who have lost parents and siblings to HIV and AIDS, many of whom live on the streets. The film also shows the efforts with Madonna's charitable organisation Raising Malawi in helping with improving their lives and conditions.
A year in the life of children in the Province of Anhui in China, who have lost their parents to AIDS. Traditional obligations to family and village collide with terror of the disease.