The Last Dream of Anatoly Vasilievich

In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.

The project studies the relationship between observer and landscape in the contemplative experience. A sensory approach to landscape from introspective perception. We start with the external factors of space and time in the environment to go deeper in the temporal and spatial consciousness experiences.

The project studies the relationship between observer and landscape in the contemplative experience. A sensory approach to landscape from introspective perception. We start with the external factors of space and time in the environment to go deeper in the temporal and spatial consciousness experiences.

The image in these works is modified applying paint and vaseline on a filter that sits between the landscape and the target, so we got a subjectivation of the look and the effect of distortion of reality.

Study of the relationship between observer and landscape in the contemplative experience. The view building the landscape from the necessary distance. The delimitation of its borders against the total continuum of nature. The observer immersed in the path of his gaze across the landscape. Resting the gaze in the details that make the globallity. The view selecting the space included as a landscape.

Behind the scenes documentary on the making of the film.

In a Post-Apocaliptic world, Franco wakes up in the middle of a field to survive a perverse game alongside lots of other teenagers with no explanation whatsoever.

A display of flower bouquets, rotating to show the Kinemacolour process.

Tehran Is the Capital of Iran (1966-79) documents life in a deprived district in the south of Tehran. The images of destitution in Tehran's poor areas is accompanied by a variety of spoken accounts: the official viewpoint on the district's living conditions, what the inhabitants have to say, and occasional extracts read out of school manuals. The key element in Shirdel's film is the counterpoint effect he creates with image and sound. His impressively powerful portrayal of social unease helps reinforce the impact of his astonishing documentary images and social themes.

During a Sunday night shift at SNASA (Secret NASA), an astronaut, whose ship is stranded on the Moon, calls the three scientists working that night - Buddy, Lizzie and Shaun - asking for help. As their negligence and foolishness takes ahold of their professionalism, the three scientists are left dealing with the fatal outcome of their actions.

Presents the history of the domestic cat, tracing the animal as a house pet and as a symbol of mystery and worship from ancient Egypt to the present day. Offers hints on the care and treatment of cats in homes of today.

This short film served as an invitation to the World's Fair that was held in Montreal in 1967. It was largely considered to be the most successful World's Fair of the 20th century with over 50 million visitors. The film presents impressions of the event and of Montreal at its liveliest and most exciting moment in history.

Many cities or countries have a distinct malaise. They are places that could be Portugal, so sunk in a painful longing of the past, and where each tension of the present is only the tip of an iceberg that is explained in successive retreats that can go straight until origin of the species, at least. This feeling common to many latitudes is often presented as a diagnosis, a denial of a painful present as opposed to the desire to return to a glorious past.

An attempt to erect a virtual memorial for the victims of the Bosnian war, using archive material, videos and statements from survivors in a 3D animation.

Eade is a fourteen year old girl who has spent her entire life on the spaceship Cradle. Eade and her dad are on the return journey to Earth when an explosion cripples the craft and seriously injures her father. As the clock counts down to self-destruction Cradle’s computer, System, assumes control of the ship and refuses to perform the life saving medical procedure that her father desperately needs. Whilst trying to outwit System to save her dad, Eade discovers the shocking truth of her existence and must face her uncertain future armed with the knowledge that her life in space is not as it seems.

An european artist writes about his experience in portraying life in Brazil during the colonial period. Aporteiro – concierge and security guard in one – watches the surveillance cameras in a residential building, while reflecting on his profession and the relationship with his employers. Between the exotic idyll of front yards and deterrent technology, his task is to establish security and normality. Brazil’s troubled past and complicated present come together in this highly charged film.

LA PELÍCULA DE MENTIRA

In November 2017, a devastating earthquake hit western Iran. It took only 13 seconds to lose everything. This is a fleeting observation of the days after the disaster.

A mysterious remote falls from the sky.

Hungarian refugees in Austrian camps after the failed revolution in Budapest.