An exploration of the past and future of the steel industry in America.
Beijo de Borboleta
Pinscreen animation makes use of a screen filled with movable pins, which can be moved in or out by pressing an object onto the screen. The screen is lit from the side so that the pins cast shadows.
Two women in a living room: smoking, playing cards, listening to the radio. As often in Dwoskin’s films, the use of masks, make-up and costumes allows the characters to playfully transform themselves. Shot in colour film, C-film exuberates swinging London energy. In the second part of the film, the women appear to be watching the rushes of the film on an editing table. ”We are making a movie” we hear them say. As Dwoskin points out, “C-film asks how much is acting acted”, an ongoing question in Dwoskin’s cinema. Produced by Alan Power, with Esther Anderson & Sally Geeson.
Based on the popular phone service, "How To Make a Sandwich" is a short film directed by Drake Sanderson that depicts the rise of media star, Peter Willard, and his acclaimed sandwich-making skills. From breads to meats to condiments, follow Peter as he teaches you how to make the perfect sandwich!
An experimental short film, shot during the COVID-19 pandemic, made by one person. Using recorded scenes and archival footage, the short presents an unorthodox narrative to explore the themes of self-identification, identity, gender expression and androgyny.
Short documentary about the making of Twin Peaks: The Return.
Short documentary about Twin Peaks: The Return.
Good Morning in Singapore.
The director meets Amir and Ramzi in a café in a small Tunisian town. They don't want to be seen there. They have to find a discreet place to talk. Like many other gay couples in Tunisia, Amir and Ramzi are living a nightmare since the Tunisian Revolution. With them, the director will discover the daily life of the Tunisian homosexual couples, even in the discrete parties organized in hotels of the country.
Chennu committed his first crime when he was 15 years old: being a street kid. And he entered hell: Pademba Road. The adult prison in Freetown. In hell, Mr. Sillah is in charge, and there is no hope. Chennu got out after four years. Now he wants to go back.
Kurt Vonnegut, Jr., discusses his development as a writer, including references to some of his major novels, his themes and their meaning, his relationship to other writers, problems in sustaining his special vision of American life, and his future. Accompanied by photographs that chronicle the author’s life and selections from home movies taken during his youth.
These film clips tell the story of the human experience of living with HIV/AIDS. People with HIV/AIDS, their husbands and wives, their families, their doctors and health workers talk about how HIV/AIDS has affected their lives. These are the personal video stories from Cameroon and Zimbabwe in which people speak out about their hopes and fears, their struggle against pain and abandonment and their fight for greater awareness and understanding. The film challenges stereotypes and calls for a concerted effort to face up to the epidemic.
Tommy Davis asks dentist Dr. Hendricks about his older brother Jim, a star halfback who failed his Annapolis dental examination. The doctor offers good advice, the kind one should share with his friends. Tommy invites his whole gang to hear Dr. Hendricks explain the importance of dental health and how dental disease can be controlled. Dr. Hendricks tells a fascinating story. He talks about mouth hygiene, dental care and the role foods play in protecting dental health. Tommy and his friends learn the facts, and the care of their teeth and health takes on a new, highly important light. As for Jim, he profits, too. The story ends on the note that dental health is essential in health generally, appearance and personality.
Pepín Bello, el hombre que nunca hizo nada
Made for the NSPCC by the noted film director John Krish, They Took Us To The Sea follows a group of children taken by Inspectors of the NSPCC on an outing from Birmingham to Weston-Super Mare.
Black Tape explores the theme of domination. In an entangled tango, the victim and victimizer dance, occupying the frame and space between brushstrokes.
The Pilchuck Glass School outside Seattle has been going for 43 years. Started by Dale Chihuly, when glass in America was at its infancy. This school is responsible for making the US Studio Glass movement what it is today. It's an international institution now, bringing students from all over the world. It started in 1971, during the peace movements, Flower Power and war in Vietnam This documentary tells the story of it's beginnings, and how it's now made the Pacific NW, the largest glass art center in the world.
A short documentary that captures the longest total solar eclipse of the 21st century, The Yellow Bank takes you on a contemplative boat ride across the Huangpu River in Shanghai, China. Filmmaker J.P. Sniadecki, who lived and worked in Shanghai nine years earlier, uses the eclipse as a catalyst to explore the way weather, light, and sound affect the urban architectural environment during this extremely rare phenomenon.
Women from Turkey and Mecklenburg are working together side-by-side at a fish-processing factory in Lübeck. As they work, they share stories about their lives, including their sorrows, griefs, hopes, and dreams, while expressing their longing for home and feelings of being lost in a foreign place.