Tudo Por Amor ao Cinema

A group of misfits inhabit the abandoned set of a Western TV show.

The one-night-only celebration honoring the life and legacy of the famed producer features intimate conversations, special performances and surprise reunions that pay homage to the man behind some of television’s greatest stories in celebration of his 100th birthday.

Short directed by Agnès Varda in 1986 on the occasion of the 50th anniversary of the French Cinematheque.

A glimpse at how genre film-focused home video companies have taken the charge in preserving, restoring, and releasing so many works which otherwise might have been lost to time.

40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes.

Tells the history and importance of The National Film Registry, a roll call of American cinema treasures that reflects the diversity of film, and indeed the American experience itself.

Documentary about the Buster Keaton short Hard Luck (1921).

A discussion on restoring title cards to English from foreign source prints.

Ben Model discusses scoring music for silent movies.

Documentary on Day Dreams (1922), a Buster Keaton silent comedy.

Why are we still able, today, to view images that were captured over 125 years ago? As we enter the digital age, audiovisual heritage seems to be a sure and obvious fact. However, much of cinema and our filmed history has been lost forever. Archivists, technicians and filmmakers from different parts of the world explain what audiovisual preservation is and why it is necessary. The documentary is a tribute to all these professionals and their important work.

During the 1920's, Augusto San Miguel (1905-1937) directed, produced and starred in the first feature films made in Ecuador. Unfortunately, San Miguel's films -like many episodes of his life- disappeared in time. The only remains are the movie ads on old newspapers and a mysterious legend, by which San Miguel was buried with his films.

This documentary about the culture of intense cinephilia in New York City reveals the impassioned world of five obsessed movie buffs. These human encyclopedias of cinema see two to five films a day, and from 600 to 2,000 films per year. This is the story of their lives, their memories, their unbending habits and the films they love.

A ceremony celebrated in the courtyard of the Invalides, in the presence of the President of the Republic Emmanuel Macron, members of the Government, the actor's family and many personalities from entertainment and sport.

On the first hot day of summer, an old farmer goes fishing just as he has done for many years on the West Branch of the Delaware River. A young boy, his frequent fishing companion, eagerly takes him to see the first giant bulldozers, which are to begin construction on the Cannonsville Reservoir. In order to provide more water for the cities, the vast project will flood the valley. The old man goes to the general store and walks the length of the valley to talk about his concerns, but most people do not support him. The young people of the valley celebrate at a barn dance. The old man resists eviction with his unloaded flintlock. The next day, he watches as the houses and farms are burned to clear the way. His friend, the fiddler, picks him up and takes him and his few belongings away.

Jason Voorhees is interviewed about his daily life.

Annie Girardot, à cœur ouvert

A poetic and dreamy visit of the French Cinémathèque's collection of devices.

Six elderly retired women, two from Buenos Aires, Argentina; two from Montevideo, Uruguay; and two from Madrid, Spain, have something in common, despite their different interests and lives: they go to the movies almost every day.

Among the pieces featured in Fragments are the final reel of John Ford's The Village Blacksmith (1922) and a glimpse at Emil Jannings in The Way of All Flesh (1927), the only Oscar®-winning performance in a lost film. Fragments also features clips from such lost films as Cleopatra (1917), starring Theda Bara; The Miracle Man (1919), with Lon Chaney; He Comes Up Smiling (1918), starring Douglas Fairbanks; an early lost sound film, Gold Diggers of Broadway (1929), filmed in early Technicolor, and the only color footage of silent star Clara Bow, Red Hair (1928). The program is rounded out with interviews of film preservationists involved in identifying and restoring these films. Also featured is a new interview with Diana Serra Cary, best known as "Baby Peggy", one of the major American child stars of the silent era, who discusses one of the featured fragments, Darling of New York (1923).