Behind the chaos and creativity of the making of 2003's THE MANSON FAMILY directed by Jim Van Bebber. This feature-length documentary was included on the film's unrated DVD and Blu-ray releases from Severin Films.
A beautiful and vital film that tells the story of a young woman's fight with death.
A documentary of uncompromising, outlaw, cult underground filmmaker Jim Van Bebber, covering his life from 2010-2015 while he tries to make a comeback and make a new exploitation film after years of struggling to work.
In the silent film era, movies were never really silent. In the background of films that made figures like Charlie Chaplin and Buster Keaton into cultural icons, were the musical giants whose compositions defined the very films that captivated a generation of movie-goers. Arthur Kleiner converses with the still-living legends from that bygone golden age of cinema.
In this documentary about low-budget filmmaking in upstate New York, you'll learn how affordable digital-video technology has changed the lives of the artists behind action flicks, monster movies, nonfiction stories, and comedies. "Every Pixel Tells a Story" introduces viewers to a wide range of independent filmmakers, all of whom prove that with a little ingenuity, access to the right technology, and plenty of tenacity, filmmakers can still practice their craft 3,000 miles from Hollywood. In fact, "Every Pixel Tells a Story" is an example of what can be accomplished on digital video. Producer-director Peter Hanson shot and edited the movie in a matter of weeks using a camcorder, a computer editing system, and a $30 microphone from Radio Shack, all while spending a fraction of what the documentary would have cost had it been shot on film.
Ostensibly a portrait of a place where the artist had resided until recently, the new film by Robert Beavers conjures not only the memory but also the physical presence of those who have previously stayed there. Adhering to a solitary intimacy while simultaneously acting as an ode to human endeavour and shared impulses toward fulfillment through art, Listening to the Space in my Room is a moving testament to existence (whose traces are found in literature, music, filmmaking, gardening) and our endless search for meaning and authenticity. The film's precise yet enigmatic sound-image construction carries a rare emotional weight.
It’s a story that made headlines: “Festival Film Banned!” In the late 1960s, the majority of films screened in Australia were censored in some way or another. DELETE the lovemaking. CUT the ‘Open Mouth Kissing’. REMOVE the fondling of the breast sequence. Deemed too ‘inappropriate’ and ‘morally corrupting’ for Australian eyes, these scenes were hacked from feature films and locked away in government archives. When young Sydney Film Festival director David Stratton attempted to program a Swedish film that the censors believed contained ACTUAL sex, a scandal erupted. In a mash-up of never-before-seen banned clippings, SMUT HOUNDS tells the story of how seventy-seven seconds of celluloid scandalised a government and transformed Australian cinema.
Documentary on the Thriller, Noir, Fantasy, Science Fiction genders in the Greek cinema for the last 50 years. It is a collage of authentic scenes and trailers of 50 films as presented by 4 girls, bearing the name of the gender they represent. 50 years (1959-2009), 50 films, 45 directors, script writers, authors, critics, producers.
A documentary about the comedy director and producer Judd Apatow.
In 1981, iconic Turkish film director escapes jail to France, his last work re-creating with other exiles the prison lives they left behind.
NOTFILM is a feature-length experimental essay on FILM -- its author Samuel Beckett, its star Buster Keaton, its production and its philosophical implications -- utilizing additional outtakes, never before heard audio recordings of the production meetings, and other rare archival elements.
Initially, Ambivalent Future was intended as a film about the production of Kiyoshi Kurosawa's "Bright Future". But director Fujii has taken the "behind the scenes"-concept to unprecedented heights with this unique documentary offering a close look into the world of Kiyoshi Kurosawa, the auteur. Scenes from the surprisingly low key and relaxed production of "Bright Future" are of course sprinkled liberally throughout the documentary, but between these we are treated to interesting and revealing interviews with actors, producers and Kurosawa's many other collaborators. And perhaps the most surprising thing of all is how much of Kurosawa there is, talking candidly about his working methods and the philosophy behind it all.
In the film we find some scrap of slow motion they see a Monica Vitti trying to cry, a meeting between Antonioni and Grifi, a film shot in the concentration camp of Auschwitz with a survivor who recounts those awful moments, a glimpse of Palestine today, Grifi's reflections on the prison.
Two great filmmakers discuss the evolution of film, 70mm and Tarantino's "The Hateful Eight".
A filmmaker and rapper duo revive Michel Gondry’s “Be Kind Rewind” protocols - a set of filmmaking “rules” with which groups of strangers can conceive, shoot, and screen a film in just two and a half hours. Against the grim backdrop of the stringent Shanghai lockdown, the event soon turns into a sanctuary for individuals to forge collective dreams.
Lloyd Kaufman and the Troma Team struggle against incompetence, conflict and "the man" in order to complete their latest piece of art, Terror Firmer. The documentarians hold nothing back in the fight for truly independent cinema.
A behind-the-scenes look at the eleven-year process it took to make The Painted Bird. The narratives of director Václav Marhoul and actor Petr Kotlár weave their way through the various stages of the film's creation, offering their subjective views from the beginning to the last flap of a year-and-a-half long shoot.
Interview-based documentary looking back on the making and reception of Nobuhiko Ōbayashi's 1977 film House.
Four Belgian-Moroccan filmmakers in their thirties produce their latest film. Since adolescence they have managed to produce over thirty low-budget movies in which they often have played the main characters. Their movies are not only the sum of their fears and desires, but also a way of projecting an image of themselves towards their own community and the outside world. When one of them decides to radically change his life, their friendship and the future of their common cinema goals are threatened.
Barry Barclay was a New Zealand/Aotearoa director of documentaries and feature films. He is regarded as one of the world's first, and very influential, Indigenous film makers. The film The Camera on The Shore is a feature length introduction to Barry, and to his film making.