The Changeling

The Minions need to raise $20 to purchase an as seen on TV banana blender. So they take up lawn mowing at an old folks home, with hilarious antics!

A rare spoof. With the success of the 1925 film, The Lost World, it is common that when something is popular and successful, it is bound to be a subject for parodies and cash-in attempts. One of them was The Lost Whirl. This film featured stop-motion animation by Joseph L. Roop, who worked on the original classic, The Lost World.

Len Lye scraped together enough funding and borrowed equipment to produce a two-minute short featuring his self-made monkey, singing and dancing to 'Peanut Vendor', a 1931 jazz hit for Red Nichols. The two foot high monkey had bolted, moveable joints and some 50 interchangeable mouths to convey the singing. To get the movements right, Lye filmed his new wife, Jane, a prize-winning rumba dancer.

Animation featuring dancing black and white shadows.

In the 40's, after the Spanish Civil War, many republicans defeated by the nationalist forces of Franco found refuge on the bordering mountains in the north of Portugal. Some saw them as brigands, others gave them shelter and helped them on the sly to police forces of Salazar. They were... the Outlaws.

Some 120 million years ago, a king named Satan fell to hell and instigated a rebellion against gods, all kinds of confusion and evil effects began to occur on earth. El Cantare, the highest existence of Earth, allowed a part of his spirit to descend on Earth to put an end to the realm of Hell. El Cantare's consciousness descended to the continent of Mu, to Atlantis, to ancient Incan Empire, to Greece, and to India as Gautama Siddhartha and awakened people with the power of enlightenment.

La Maison en Petits Cubes tells the story of a grandfather's memories as he adds more blocks to his house to stem the flooding waters.

This joyful short animation features a dancing hen that transforms into an egg. The film was made without a camera by Norman McLaren, who drew directly onto 35 mm movie stock with ordinary pen and ink. Colour was added optically.

In an old library, two armies of chess pieces are about to start a war.

Regal is an eagle who is afraid to fly. A little bird offers to help him, but Regal does not believe he can. Will the eagle finally learn to fly?

A little pig dreams of being able to fly, but, try as he might, he fails to get up into the air. All the other pigs are heartily amused by his hapless efforts and so, the little pig has no choice but to go out into the big wide world in search of someone who can teach him how to fly.

An aging piano player looks back on his life.

Short stop-motion animation by Tomoyasu Murata. A remake of an old movie called "tomorrow".

Pig, in the countryside, gets slaughtered by two butchers. After he wakes up in his room, in his bed, he realizes that it was just a dream. On his way to work, Pig notices the butcher from his dream, who starts haunting him.

A man interviews people. Michael Dudok de Wit graduated from the West Surrey College of Art with this film.

A quiet stroll through the imaginary world of Iblard, originally depicted in the paintings by Naohisa Inoue, influenced by Impressionism and Surrealism.

Experimental film by Patrick Bokanowski.

At the end of the eighth day the Creator has taken refuge in a dark dungeon . Obsessed with transcending he manipulates life to the extreme and tries to engender the perfect being that will immortalize him

A daily gif created over 100 days.

It is well known that the disposition of the images drawn by Escher are neither for animation nor for pre-animation; actually, quite the opposite. His images appear to be the carrying out of metamorphic dissolves. A bird gives way to the recognition of a house, which turns into fish, which turns into birds, and so on. Not a single flapping of wings takes place; everything is reiterated and fixed, becoming immersed in and re-emerging from a static continuum. All of Escher is an homage to one of the major animating forces of the cinema: the cross-dissolve. Precisely there, I found cinematic attitudes: in the house which turns into fish and in everything that transforms into something else. I gradually managed to figure out various types of non-existent sequences and then finally found myself dissolved, crossing over metamorphically. —P.G.