Sixteen-year-old Lucia wants to get rid of two things more than anything: her lice & her virginity.
During the chaotic final weeks of the Vietnam War, the North Vietnamese Army closes in on Saigon as the panicked South Vietnamese people desperately attempt to escape. On the ground, American soldiers and diplomats confront a moral quandary: whether to obey White House orders to evacuate only U.S. citizens.
Over seven decades, actor and activist George Takei journeyed from a World War II internment camp to the helm of the Starship Enterprise, and then to the daily news feeds of five million Facebook fans. Join George and his husband, Brad, on a wacky and profound trek for life, liberty, and love.
Bank manager Frank and writer Patrizia meet by coincidence again and again at the airport. They commute between Dusseldorf and Paris, but behind their travels are two fateful stories. Frank wants to complete the business of his life, Patrizia visits her lover, who is in a coma since a car accident. For both life comes out of joint and they each suffer heavy losses. What connects them is the search for hold, a listener, the need to be needed and the hope that there is a beginning in each end.
A lifetime of loneliness ends when Elise meets a kindred spirit, finally finding understanding and friendship in an unexpected encounter.
The fragile Lia suffers from a deep depression. Her relationship with her boyfriend Viktor is getting worse and worse and in the last desperate attempt to cure herself, Lia goes to visit her old aunt Agata in her creepy 18th century villa.
Sister Loyola is one of the liveliest nonagenarians you could ever meet. As the main gardener at the Home of Compassion in Island Bay, Wellington, her daily tasks include heavy lifting alongside vigorous spade and wheelbarrow work, which she sometimes performs on crutches. Loyola and the other Sisters of Compassion follow the vision of Mother Aubert to ‘meet the needs of the oppressed and powerless in their communities’.
A woman falls in love with a married, Belgian man. She finds out that he's married too late... although it's the second thing he says. The rest of the film is about the struggle of the man between his two loves, and of the woman not able to finish the hopeless and dangerous relationship. The title "tot ziens" (au revoir, a farewell greeting that implicates that one will see eachother again), is the ironic description of the film, which is about going away for good and then coming back again, because something is always stronger than your ratio.
Loving, music-filled tribute to Chris Strachwitz, guiding force behind legendary roots music label Arhoolie Records. With Ry Cooder, Clifton Chenier, Richard Thompson, Flaco Jiménez and a new generation of roots musicians.
A group of men and women have been brought together after World War II, when Italy regained its national and territorial unity. They make up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life, and look to protect themselves from violence, misery and fear. Amid the ruins of this post-war period, these men and women build a new rapport between themselves, between sexes, between generations, between social and geographical origins, between political camps.
A film between fiction and reality, highlighting questions about group dynamics and established hierarchies. A group of people meet for their high school reunion 20 years later. One of them talks about her being bullied and outcast and soon the former classmates fall back to the roles they used to have back in school. But this is just half of the film.
Hours before her scheduled marriage, young bride-to-be Shirin murders a man. The crime is completely unexpected and goes against everything we know of her. We learn that Shirin has had two unsuccessful marriage attempts, and is deeply psychologically troubled. But as the dark secrets in her past are slowly revealed, exposing a childhood of neglect, abuse, and the tragic history of two previous failed marriages, the characters must face their own battles with justice, retribution, and morality.
Sara, Lucía, Sofía and Claudia are sisters, 4 modern women with very different personalities, who come together at their mother's funeral, after which they discover the man they've all called "dad" throughout their lives is not really their father. They embark on a quest to discover who their real fathers are, discovering more about themselves, their mother, and their lives.
Before Christmas, the angels have the mission to make happier 70% of the people. The story is based on angel Uriel and two new angels helping him.
Freely adapted from Gabriel García Márquez's Chronicle of a Death Foretold, the film follows the investigation of a local teacher's murder in a small and desperately poor rural village, the story of the crime gradually pieced together from the fragmented memories of witnesses forced to testify at an inquest. Sharing with her Fifth Generation colleagues Chen Kaige and Tian Zhuangzhuang a remarkable eye for the barren landscapes of northern China and a fascination with small-town life — especially those enduring superstitions that Communism failed to erase — director Li Shaohong also introduces several formal innovations, particularly in storytelling structure, that remain unprecedented in Chinese cinema.
An expressionist biography of Edith Stein, who converted from the Jewish faith to the Catholic one and became a Carmelite sister. She would die in a German concentration camp.
12-year-old Bailey lives with her single dad Bug and brother Hunter in a squat in North Kent. Bug doesn’t have much time for his kids, and Bailey, who is approaching puberty, seeks attention and adventure elsewhere.
Joseph and Brenda have done what many only dream of and retired to the South of France to live out the rest of their days as if they were permanently on holiday. But retirement is not what Joseph imagined, and when he meets a young, attractive woman, Suzanne, everything he thought he knew about himself and his world is turned upside down.
Director Maureen Blackwood harnesses the distinctive style of the Sankofa Film Collective to sketch the Abrew family tree. The achievements of the unique showbiz family are celebrated using rich archive material, including footage of family members in supporting film roles alongside Paul Robeson and intimate fireside-style testimony. The existence of Black British communities before Windrush is foregrounded, with insights into the Abrews' imprint on British culture beginning in 19th century Scotland.
A park bench plays stage to the meeting between two people - Emma and Ben. Here we see them in present day and we learn that they once spent three years very much in love.