Rosario

Deformed since birth, a bitter man known only as The Phantom lives in the sewers underneath the Paris Opera House. He falls in love with the obscure chorus singer Christine, and privately tutors her while terrorizing the rest of the crew.

Director Werner Herzog, one of the most highly acclaimed German film makers, joins forces with the great Italian conductor Riccardo Chailly to effect a masterful rendition of this rarely-performed opera involving spectacular scenes of alternating light and dark, pageantry and intimacy. Staged and recorded at Teatro Comunale di Bologna in Bologna, Italy.

In a chaotic 19th-century Paris teeming with aristocrats, thieves, psychics, and courtesans, theater mime Baptiste is in love with the mysterious actress Garance. But Garance, in turn, is loved by three other men: pretentious actor Frederick, conniving thief Lacenaire, and Count Edouard of Montray.

A well-known sextet has been invited to a society gathering, and when one of them turns up missing, their manager asks Dodo to fill in. At the party, she meets four new men. She's smart enough to steer clear of two of them -- corrupt society leader Albert Sasson and powerful newspaper publisher Harrigan Blood. Instead she becomes passionately involved with Judge Massingale. The man who really steals her heart, however, is Garry Lindaberry, who seems to be a hopeless drunk.

From the moment she glimpses her idol at the stage door, Eve Harrington is determined to take the reins of power away from the great actress Margo Channing. Eve maneuvers her way into Margo's Broadway role, becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend, her playwright and his wife. Only the cynical drama critic sees through Eve, admiring her audacity and perfect pattern of deceit.

The brutes and the belles. The gadflies and the good ol' boys. The taboos and the profound truths. They're all part of a tennessee state of mind -- a realm of places, personalities and ideas. Williams is front and center for this exploration, reading from his works, placing them in the context of his life, and serving as guide in visits to his career-shaping refuge in New Orleans and his later-day writing quarters in Key West. Also, dramatizations by distinguished actors -- including Jessica Tandy, Broadway's original Blanche DuBois, in a recreation of her A Streetcar Named Desire triumph -- give flesh-and-bone immediacy to some of the writer's famed works. In his own words. In his own places. The resilient character and memorable characters of one of our greatest writers reside in Tennessee Williams' South.

A group of dancers congregate on the stage of a Broadway theatre to audition for a new musical production directed by Zach. After the initial eliminations, seventeen hopefuls remain, among them Cassie, who once had a tempestuous romantic relationship with Zach. She is desperate enough for work to humble herself and audition for him; whether he's willing to let professionalism overcome his personal feelings about their past remains to be seen.

Appa, a veteran theatre actor who has primarily worked in adaptations of Shakespeare's plays, falls upon hard times in his old age.

Woyzeck takes psychotropic drugs and punishes himself physically. He has no choice. It's his living. With what he earns selling his body and by working in a restaurant and in subway tunnels, he just about makes ends meet. Coming home to his wife Marie and his infant child, he’s an impotent wreck -- and definitely unable to afford the earrings he sees Marie wearing one day. She’s frustrated and the jewelry is a gift from the local pimp. Woyzeck wasn't supposed to find out. But he has. Plagued by voices, he loses his already weak grip on reality. He retreats into the tunnels with Marie and the baby. There Woyzeck is the master of life and death.

Telephone operator Peggy, puts on an act with Matt Wilde at a Bowery amateur night and is seen by Billy Laidlaw, who becomes convinced of her talents. Billy subsequently arranges for the Broadway debut of the act and falls in love with Peggy, who wholeheartedly returns his affection. When the World War breaks out, Billy remains unconcerned until his younger brother is killed in action. Billy then immediately enlists and is sent to France; Peggy joins the Red Cross to be with him, and Grace Laidlaw, Billy's wife, also goes to France, working with the Y. M. C. A. Billy is assigned to destroy an ammunition dump, and Peggy learns, after he has left on the mission, that he has been recalled.

Victor Derval is returning home after a performance when he is hailed by Lisa, a young Hungarian woman. Her motives are mysterious; is she simply a star-struck peasant girl, or an ambitious, manipulative aspiring star?

Niente è come sembra

James Lapine's tribute to a life in the theater based on Moss Hart's autobiography of the same name, starring Tony Shalhoub and Andrea Martin. The play, narrated by an older Moss Hart, traces his life from being poor in The Bronx to becoming famous and successful as a Broadway writer and director.

Moby Dick is an unfinished film by Orson Welles, filmed in 1971. It is not to be confused with the incomplete (and now lost) 1955 film Welles made of his meta-play Moby Dick—Rehearsed, or with Moby Dick (1956 film), in which Welles played a supporting role. The film consists of readings by Welles from the book Moby Dick, shot against a blue background with various optical illusions to give the impression of being at sea. It was made during a break in the filming of The Other Side of the Wind. There is some ambiguity about what Welles intended to do with the footage, and how he was going to compile it. It remained unedited in his lifetime.

During the quarantine, some dedicated students have decided to adapt an Eugen Ionesco play into a short film. They all filmed themselves at home. This version isn't looking for coherence. The only 3 characters of the play are portrayed by many actors which have all provided a different view over their essence and mannerism.

A true story of politics and art in the 1930s USA, centered around a leftist musical drama and attempts to stop its production.

Nina is a young, carefree actress who arrives in Paris searching for her big break. There, she finds drama both on- and offstage as she becomes involved with three men: a mild-mannered real-estate agent who offers her stability, a bad-boy actor who lives dangerously on the edge, and an intense theater director who casts her in a production of “Romeo and Juliet.” As opening night approaches, the emotional extremes of Nina’s love life fuel her art.

In July of 1864, in an incident at the Ikedaya Inn in Kyoto, thirty Shinsengumi suppressed a cell of twenty Choshu revolutionaries, possibly preventing the burning of Kyoto. The incident made the squad more famous and led to soldiers enlisting in the squad. The leader is Hijikata Toshizo, who is said to have been a spoiled brat in his childhood. One day, Toshizo discovers a woman thief with a stolen purse. In the purse, a note mentioning the name of Ito Kashitaro is found detailing illegal operations. Toshizo fears will become true. There is a rift in Shinsengumi.

Three actors in search of lost dignity.

Two childhood friends who have not seen each other for a long time decide to meet again. They talk and look for what could have caused their estrangement: words pronounced in a certain way, an intonation etc. Very quickly, an argument begins and turns into a settlement of accounts.