How Could I Not Love You?

Ivan lives with his mother in the daily routine. Without prior notice, Jacobo, the oldest son who was absent, comes back home; desperate for his own situation he decides to start a short trip with his younger brother, Ivan. All along the journey they will learn to understand each other, they will try to make up for lost time and rebuild their affective bonds.

To the beat of punk and pop, Valentina and Joana pursue their most intimate and deepest dreams. On the road to success, they will find obstacles that will test their friendship. The harshness and absurdity of their lives, fuses with the sweet and sour story of a world where the party seems to go on forever.

An extraordinary film about memory, and specifically the fading memory of an 86-year-old political activist who has fought tirelessly against historical amnesia and for justice in Argentina. The director’s grandmother, Laura Bonaparte, was one of the founders of the Mothers of the Plaza de Mayo, formed during the 1970s by women whose children and family members had been disappeared by the Videla military dictatorship. Laura herself lost three children and their partners, including the director’s parents. Today, after a lifetime battling that the disappeared never be forgotten, Laura faces her own struggle to remember.

A Mexican upper-class family suffers a great loss. After a while everyone seems to go on with their lives. But after 11 years, everyone will start to remember that tragedy and start the road to depression and self-pity, and possible self-destruction.

A train enters a soap factory. Inside it, hidden travellers, immigrants. One of them gets out of the train. In the factory she finds relief, help, solidarity.

After the death of a patriarch, a family must try to continue on with a disturbing, ritualistic tradition.

The attack on a popular singer known as Pachito -who becomes the favorite candidate to win the presidential election in an imaginary Latin American country- is the starting point of several stories, including: the alleged murderer, a police officer investigating the disappearance of the murdered body and an architect hired to design the mausoleum to the memory of the possible dictator.

In an unnamed Latin American country that closely resembles Mexico, the government fights a rural insurgency with torture, assault, rape, and murder. Soldiers descend on a town, cutting off the rebels from their cache of ammunition hidden in a field. A family of grandfather, son, and grandson are among the rebels in the hills. The grandfather, with his violin over his shoulder, tries to pass the checkpoint, ostensibly to tend his corn crop. The commanding officer lets him pass but insists on a daily music lesson.

The relationship between beautiful Emilia (Elizabeth Cervantes) and her imaginative young daughter, Alicia, is tested in this understated Mexican drama. Disoriented after moving to a new apartment and left to herself when her mother starts bringing men home, Alicia takes refuge in dreams that soon become nightmares, especially after she begins to fear that her mom has become possessed by the vampirish man next door. With a keen eye for the rhythms and struggles of contemporary Mexican family life, this film illuminates the secret worlds of lonely children while never straying from its true subject: the uncommon love between a single mother and her child.

The way three different generations of women view virginity and the mystery that a love story hides.

A family on the brink of a break up: dad is about to throw out mom because of her gambling addiction, the oldest boy's girlfriend is about to leave him because of his epilepsy and the youngest child thinks he has the perfect plan to bring the family back together again.

Leon has a crush on Ofelia, so he decides to steal money from his father and cross the country looking for Ofelia who traveled to Guadalajara. On his journey, Leon goes through many adventures and takes the final step from childhood into adolescence.

Immersive documentary which takes us n an intimate journey to the inner life of public baths through the voices of three characters: Felipe, the main clerk since 1984; Juana, a street sweeper in Mexico City's downtown; and Jose, a frequent client of more than forty years. Bath of Life becomes a confessionary for those who gather around the same place: the sauna.

In 1979 José Efraín Ríos Montt became a reborn Christian. He was offering a sermon when a group of soldiers burst into his Christian school, and asked him to lead a military coup in 1982. Francisco Chavez Raymundo and his sister were small children when Rios' political actions annihilated their community. In March, 2013 the lives of Francisco Chavez and Rios Montt converge in the same space. Rios is called upon to testify before Guatemalan justice and is confronted by a group of Mayan Ixiles, orphans and widows of the war, Francisco is one of them.

Director Hatuey Viveros' beautiful film unfolds as a fascinating exploration of contemporary life in Mexico, searching to understand today's world, while portraying a younger generation who lack an understanding of their past. And as we journey with Aina on her own discovery, it becomes clear that the process of her search is just as important as the results.

Years after the Salvadoran military destroyed the village of Cinquera in that country’s civil war, survivors have returned to rebuild their community. Soulful, beautifully rendered, this amazing debut is an evocative testament to place, memory and the power of life to rebound from tragedy.

The minute Lucia hears the news that her ex-boyfriend Felipe was admitted to a hospital, she rushed herself to meet him. As Felipe was found to be in a critical condition, Lucia makes up her mind to nurse him, but soon realizes the unresolved feelings she had for him.

Chano is deported back to Mexico after living most of his life as an ilegal immigrant in the USA. Now, away from his wife and kids, he lives alone and depressed in the country where he is supposed to belong. While rebuilding an old motorcycle with Don Memo, a retired motorcycle racer, with whom he is forced to work, he will discover where his real home is.

Andrés, a young man, devastated because of the death of his beloved Eva, makes a gamble with a ghost. If he wins, Eva will arise, if he doesn't he has to give the ghost one of his eyes.

Dishevelled private eye Nico Beamonte's latest case comes from God himself ... possibly. He wants Nico to find the mysterious Black Panther. But who, or what, is the Black Panther? And what has this got to do with a cryogenically frozen Mariachi singer and a 1950s flying saucer? Surrealism, Mexican-style - as if film noir had collided with props left over from a Ray Harryhausen film.