Cuando la sombra de la duda se cruza en el camino (1935-1939)

The story of Tasmanian-born actor Errol Flynn whose short & flamboyant life, full of scandals, adventures, loves and excess was largely played out in front of the camera - either making movies or filling the newsreels and gossip magazines. Tragically he was dead from the effects of drugs and alcohol by the time he was only 50 & the myths live on. But there is another side of Flynn that is less well known - his ambitions to be a serious writer and newspaper correspondent, his documentary films and his interest in the Spanish Civil War and Castro's Cuba

Tenkrát

Otakar Vávra walks through Prague in front of the camera and with the camera, and remembers those who in the 1930s determined the pulse of the cultural and political life of that time.

Using historically-accurate, battle-filled re-enactments and interviews with expert historians and noted authors, this two-part documentary series brings to vivid life the captivating true stories behind Britain's bloody civil wars.

September 1st, 1939. Nazi Germany invades Poland. The campaign is fast, cruel and ruthless. In these circumstances, how is it that ordinary German soldiers suddenly became vicious killers, terrorizing the local population? Did everyone turn into something worse than wild animals? The true story of the first World War II offensive that marks in the history of infamy the beginning of a carnage and a historical tragedy.

El Pantera is a documentary film that chronicles the rise of Mexican UFC star Yair Rodriguez as he strives to become the first ever Mexican born UFC champion.

An excellent comprehensive look at all the music that came out of Cincinnati, Ohio. Cincinnati "Rock Legends" "James Brown" "King Records" "Pure Prairie League" "Lemon Pipers" "Syd Nathan" WEBN "Bootsy Collins" "Lonnie Mack" "The Who concert 1979" "Rick Derringer"

Kathy's family left on a Saturday morning in 1965. The rumble of bulldozers echoed through the neighborhood, and her block was empty. Federally-funded urban renewal had arrived in Charlottesville, scattering dozens of families like Kathy's. The once-vibrant African American community, built by formerly enslaved men and women who had secured a long-denied piece of the American dream, disappeared.

How the Monuments Came Down is a timely and searing look at the history of white supremacy and Black resistance in Richmond. The feature-length film-brought to life by history-makers, descendants, scholars, and activists-reveals how monuments to Confederate leaders stood for more than a century, and why they fell.

"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Follows the waves of literary, political, and cultural history as charted by the The New York Review of Books, America’s leading journal of ideas for over 50 years. Provocative, idiosyncratic and incendiary, the film weaves rarely seen archival material, contributor interviews, excerpts from writings by such icons as James Baldwin, Gore Vidal, and Joan Didion along with original verité footage filmed in the Review’s West Village offices.

Shot on the Great Barrier Reef in Australia and in the Bahamas, Ocean Wonderland brings to you the amazing beauty of the many varieties of coral and the immense diversity of the marine life thriving there.

A short documentary about the making of "The Great Dictator."

Haunted by uncanny similarities between Nazi stage techniques and the showmanship employed by modern entertainers, a filmmaker investigates the dangers of audience manipulation and leader worship.

By land, by air, and by sea, viewers can now experience the struggle that millions of creatures endure in the name of migration as wildlife photographers show just how deeply survival instincts have become ingrained into to the animals of planet Earth. From the monarch butterflies that swarm the highlands of Mexico to the birds who navigate by the stars and the millions of red crabs who make the perilous land journey across Christmas Island, this release offers a look at animal instinct in it's purest form.

Arne Sucksdorff’s short documentary observes gulls raiding nests and stealing eggs with ruthless persistence. Though presented as pure nature study, the film was widely read as an allegory of Nazism—a symbolic parable of predation and violence during wartime. Sucksdorff himself denied such intent, but remarked that “a film that is not open to interpretation is a dead film.”

The film Crustaceans treats itself like an impressionist picture or a Japanese Haiku. Crustaceans is a matter of reflection on an instance in life with the social-economical crisis as a landscape. The heartbreak in times of crisis. The film was filmed as demonstrations in the streets against crisis and social welfare cuts took place. For two years, it filmed street demonstrations and incorporated actors in the social landscape. The result, is a film in which the collective and the intimate come together. Both the characters and the people in the street, like identical crustaceans, take to the street to express their shame and rage for what is happening and try to find a solution. A time of anxiety, uncertainty and protest that conforms the landscape in which the characters, such as crustaceans hide their wounds under their hard shell is seen.