Ya nos saquearon (1980-1984)

In this remarkable journey, Planet Food travels the world to see how control of the spice trails, over the last five millennia, has made great cities and destroyed ancient civilizations. Our guides travel from the Molucca Islands of Indonesia, the original home of cloves and nutmeg, to the Indian province of Kerala, with its native pepper and cardamom. Additional stops include Venice, Beirut, Cairo and other significant places in the spice trade that created and toppled empires.

The Story of an Encounter is a documentary that captures the unexpected encounter between México and Cirque du Soleil creators in the mist of the creation of LUZIA, Cirque du Soleil next big top show. It is a cultural and intimate story of the meeting of creative minds seen through personal interactions and relationship building of the show creators. Filmed in Mexico City, Tijuana, Oaxaca and Montréal, this series features: Daniele Finzi Pasca (Co-author and Director of LUZIA), Patricia Ruel (Direction of Creation), Simon Carpentier (Composer), Eugenio Caballero (Set and Props Designer) as well as Majo Cornejo and Rodrigo de la Mora (Musicians).

The story of a group of actresses who, in the Spain of the seventies, and in the midst of the democratic Transition, decided to appear nude in the films of that time of radical political change, defying the rigid and deeply rooted social rules.

The enigma of the personality cult is revealed in the grand spectacle of Stalin’s funeral. The film is based on unique archive footage, shot in the USSR on March 5 - 9, 1953, when the country mourned and buried Joseph Stalin.

"1985: Heroes among Ruins" is a reflection of disaster. It is about the human solidarity, the search and rescue and the importance of civil protection, but above all, the triumph of the people over devastation during the earthquake of September 19, 1985 in Mexico City and the one ocurred in September 19, 2017.

Inspired by an exclusive interview and performance footage of Chavela Vargas shot in 1991 and guided by her unique voice, the film weaves an arresting portrait of a woman who dared to dress, speak, sing, and dream her unique life into being.

Luis Rivera, the best Mexican high jumper of the history, seeks to inspire a generation by qualifying for the Olympic Games as he finishes his doctorate studies. Injuries threaten his dream while his younger brothers follow in his path and example.

As police and DEA agents battle sophisticated cartels, rural, economically-disadvantaged users and dealers–whose addiction to ICE and lack of job opportunities have landed them in an endless cycle of poverty and incarceration–are caught in the middle.

Accompany Osvaldo, "El Mariana", on an intimate six-month journey as he prepares for his fight at La Velada del Año 4, at the Santiago Bernabéu stadium in Madrid. Through his training, we not only see him face physical and emotional challenges, but also discover new facets of himself, where his public and personal lives become deeply intertwined.

Why has letterpress printing survived? Irreplaceable knowledge of the historic craft is in danger of being lost as its caretakers age. Fascinating personalities intermix with wood, metal, and type as young printers save a traditional process in Pressing On, a 4K feature-length documentary exploring the remarkable community keeping letterpress alive.

A quotation from Aristophanes, "The desire and pursuit of the whole is called love," precedes views of a man and a woman's bodies, often in extreme close up. Off-screen, a voice recites fragments of oracular literature and purple prose. We see an eye, an ear, a mouth, a tongue, bits of hair, a hand, the tips of fingers, toes. Occasionally, the frame includes a larger scape of a body: a chest, a back, a breast. Usually the camera is stationery; sometimes, it moves across a body, remaining in close up. They hold hands for one moment. The bodies are without clothes; no genitalia are visible.

For more than 100 years, the Statue of Liberty has been a symbol of hope and refuge for generations of immigrants. In this lyrical, compelling and provocative portrait of the statue, Ken Burns explores both the history of America’s premier symbol and the meaning of liberty itself. Featuring rare archival photographs, paintings and drawings, readings from actual diaries, letters and newspapers of the day, the fascinating story of this universally admired monument is told. In interviews with Americans from all walks of life, including former New York governor Mario Cuomo, the late congresswoman Barbara Jordan and the late writers James Baldwin and Jerzy Kosinski, The Statue of Liberty examines the nature of liberty and the significance of the statue to American life. Nominated for both the Academy Award ® and the Emmy Award ®, The Statue of Liberty received the prestigious CINE Golden Eagle, the Christopher Award and the Blue Ribbon at the American Film Festival.

A documentary chronicling the highs and lows of the first century of the National Hockey League, featuring interviews with noteworthy players, coaches and experts.

During his career, Mr. Ladd has been an agent, studio head, and Academy Award-winning producer. In our film, he shares an intimate oral history of the trials, tribulations, heartbreak, and joy of bringing some of the most iconic and memorable motion pictures to the screen. Mr. Ladd has been associated with films that have garnered over 150 Academy Award nominations and 50 wins. He has green lit or produced such iconic motion pictures as Star Wars, Alien, The Right Stuff, Young Frankenstein Gone Baby Gone, and the Academy Award-winning best pictures, Chariots Of Fire and Braveheart.

It's 1974. Muhammad Ali is 32 and thought by many to be past his prime. George Foreman is ten years younger and the heavyweight champion of the world. Promoter Don King wants to make a name for himself and offers both fighters five million dollars apiece to fight one another, and when they accept, King has only to come up with the money. He finds a willing backer in Mobutu Sese Suko, the dictator of Zaire, and the "Rumble in the Jungle" is set, including a musical festival featuring some of America's top black performers, like James Brown and B.B. King.

Jesus 'Chuy' Aceves and a dozen living members of his extended family suffer from the very rare condition of congenital hypertrichosis, meaning they were born with excessive hair on their faces and bodies. Due to their appearance, they suffer from discrimination in all areas of their lives: the children are made fun of at school and abandoned by their 'non-hairy' parents, and the adults cannot find work unless they choose to exhibit themselves as freaks in circuses. This moving and visually arresting documentary is a portrait of Chuy and his family members. It examines their day-to-day lives and their struggle to find love, acceptance and employment.

Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

In the 1980s, Andrew McCarthy was part of a young generation of actors who were set to take over Hollywood after a string of successful teen movies. However, when the New York magazine cover story in 1985 dubs them the Brat Pack, stars in the making suddenly find themselves losing control over the trajectory of their careers. Now, almost forty years later, McCarthy looks to reconnect with peers and co-stars so that together they can reflect on their respective legacies.

A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.