Big Black - Pig Pile

Quintessential alternative rockers, Sonic Youth, celebrate free-form experimentalism while reinforcing their performance-art driven tradition in this Soundstage performance, recorded on May 7, 2003 at WTTW Grainger Studio in Chicago. The band, which settles just outside the realm of definition, delivers a part rock, part free-form noise, part avant-garde punk performance which features a new song "Sympathy for the Strawberry."

1993 recording of band Les Rallizes Dénudés performing at the Baus Theater.

A documentary about the Norwegian noise rock band Årabrot. About life, death, art and the music that wouldn't die.

The film compiles videos of Argentine cult band Reynols, it shows a diversity of live concerts and various activities over a period of more than 25 years. It's a part of the boxset "Minecxio emanations 1993-2018". The film includes: Saludo Vincher Vinchas (Miguel Mitlag); Colegio Cristoforo Colombo (A. Ruiz and unknown); No Music Festival, The Tonic, New York, 2001 (Mike Shiflet); Flesh Sound Bs. As. (Reynols selected archives); Somewhere near Kingston (Mike Shiflet); Papagayos en la luz (Reynols selected archives); O’Hara Mansion (Dir. Reynols); Fusa (Reynols selected archives); Lo Pawe Recy Plays Norway (Tom Løberg); Camio Flatdas (Reynols); Lor Nindio Pepelacho in Brussels (Christophe Piette).

Film about the band Hella's 2005 European tour.

Ground breaking music videos from some of the most influential bands of the 90s Punk/Grunge scene such as the Flaming Lips, Mudhoney, Bad Brains, Afghan Whigs, Foetus Inc, Soul Asylum, American Music Club, Babes in Toyland, Dinosaur Jr and more.

In 1983, now legendary post-punk icons Mission of Burma performed two highly regarded farewell shows at the Bradford Hotel in Boston. At the very peak of their power, the band was calling it quits due to guitarist Roger Miller's worsening tinnitus (ringing in the ears), no doubt brought on by their pummeling live performances. Those who were there recall a highly emotional evening: the band and audience were deeply connected through the enormity of what was about to be lost, which inspired Burma to rip through their sets with a passion that was both brutal and bittersweet.

The Jesus Lizard blast through an incendiary set on New Year's Eve 1997 at the legendary CBGB's in New York City's Lower East Side. High quality. but unofficial release.

Underground heavyweights The Jesus Lizard return to the stage and this DVD is from the first show of their reunion tour. The original band (David Yow, Duane Denison, David Wm. Sims, Mac McNeilly) was untouchable back in the 90s and prove to be the exception that proves the rule when it comes to punk reunion shows/tours. Always an insanely tight live band, this show proves they still got it when it counts. Singer David Yow is the demented James Brown to the rest of the band's Famous Flames. Blood, sweat, punches, hair pulling and more!

PBS produced documentary in two parts: the first is dedicated to saxophonist and composer John Zorn; the second is about Sonic Youth at the height of their powers in 1988.

Three memories that become one. An attempt to merge heterogeneous materials: a film sequence shot in Rome, a photo from the 1930s, a noisy soundtrack. Fragmented lines, exploding bass frequencies and flickering.

Documentary about the band Zumbi do Mato, known in the underground musical scene of Rio de Janeiro for the humorous and surreal songs, written in a style of flow of conscience and full of scathing allusions to popular culture.

The film details the early years of the legendary Siberian Punk/Rock group 'Гражданская Оборона' (Grazhdanskaya Oborona), and its frontman, Egor Letov.

An alien spaceship crashes on Earth due to the powerful musical energy emanating from Group Sounds band The Tigers. The Tigers have to protect an alien princess who escaped from the ship and became obsessed with their lead singer Julie. Can they save the day by performing their megahit songs like "Mona Lisa's Smile" and "Seaside Bound"?

In 1968 Harry Belafonte and Petula Clark sang together her song On the Path Of Glory for this special on NBC. Not such a remarkable event in itself, but Petula touched Harry's forearm during the duet and made TV history. It was the first time a white woman had touched a black man on US television. The sponsor insisted the touch be cut from the programme, the programme makers refused. In the decade’s “year of revolt”, Clark found herself at the centre of a media controversy involving race, censorship and endemic bigotry in a newly desegregated yet depressingly divided US.

The ultimate collection of song and dance performances from Gaynor's classic network television specials - unseen for three decades - MITZI GAYNOR: RAZZLE DAZZLE! THE SPECIAL YEARS is a new documentary that celebrates a landmark career through new interviews with Mitzi and many others that worked with her. A reflective and entertaining glimpse into the television variety show at its zenith, taking viewers on a nostalgic trip through Gaynor's TV years.

The program was the first so-called "Television Spectacular". Ford presented the show without commercial interruption. It is believed to be the first time that Edward R. Murrow appeared on NBC in a professional capacity. Also, in 1953, it was necessary for Ford to buy time on two networks to ensure maximum coverage of US TV households - at the time, neither CBS nor NBC reached 100% of them. The famed 1953 television special celebrating the Ford Motor Company's 50th anniversary brought together two of the greatest leading ladies Broadway has ever known. The highlight of the program is Merman and Martin’s 13-minute duet medley, where they sing the songs that made them famous, plus much more. On their own, Merman sings “Alexander’s Ragtime Band” and “Mademoiselle from Armetières” and Martin performs a brilliantly comic routine about changes in fashion over the first half of the 20th century.

Dead & Company: Autzen Stadium, Eugene, OR - 2018.06.30

A Hollywood actor visits a mythical country where he looks like the king and confuses the queen.

Warner Baxter plays the ambitious producer of a burlesque show who rises to the big time on Broadway. Alice Faye is the loyal burleycue singer who helps make Baxter a success. His head turned by sudden fame, Baxter falls under the spell of a society woman (Mona Barrie) who has theatrical aspirations of her own. She marries Baxter, then convinces him to produce a string of "artistic" plays rather than his extravagant musical revues. The plays are flops, and the woman haughtily divorces Baxter. Faithful Alice Faye, who'd gone to London when her ex-beau was married, returns to the penniless Baxter. She and her burlesque buddies team up to pull Baxter out of his rut and put him on top again.