Wallace Carlson walks viewers through the production of an animated short at Bray Studios.
Le meilleur de soi
Carla Haddad Mardini was born with bombs blasting at the worst period of the Lebanese Civil War. She embarked on a career in the humanitarian field where she experienced a meteoric rise, quickly holding leadership positions, first at the ICRC and now at UNICEF in New York. One of her greatest successes is to have overcome the challenges of combining harmonious family life with an intense professional career.
Eu Maior (Higher Self) is a Brazilian feature-length documentary presenting a fresh look at self-knowledge and the pursuit of happiness. The filmmakers interviewed thirty individuals with distinct backgrounds, including spiritual leaders, intellectuals, artists and professional athletes. Their touching personal stories, combined with the film's beautiful images and music, are certain to appeal to any audience's intelligence and artistic sensibility. - Anonymous
A bold documentary in a measured style about the modern-day quest for meaning and personal growth.
Alaska... Here, in this vast and spectacularly beautiful land teeming with abundant wildlife, discover the "Spirit of the Wild." Experience it in the explosive calving of glaciers, the celestial fires of the Aurora Borealis. Witness it in the thundering stampede of caribou, the beauty of the polar bear and the stealthful, deadly hunt of the wolf pack.
Explore the mysterious Amazon through the amazing IMAX experience. Amazon celebrates the beauty, vitality and wonder of the rapidly disappearing rain forest.
The Academy Award® nominee Cosmic Voyage combines live action with state-of-the-art computer-generated imagery to pinpoint where humans fit in our ever-expanding universe. Highlighting this journey is a "cosmic zoom" based on the powers of 10, extending from the Earth to the largest observable structures in the universe, and then back to the subnuclear realm.
Filmed in IMAX, a team of explorers led by Pasquale Scaturro and Gordon Brown face seemingly insurmountable challenges as they make their way along all 3,260 miles of the world's longest and deadliest river to become the first in history to complete a full descent of the Blue Nile from source to sea.
A big-screen look into one of America's most successful entertainment industries, NASCAR racing.
12,000 feet down, life is erupting. Alvin, a deep-sea mechanized probe, makes a voyage some 12,000 feet underwater to explore the Azores, a constantly-erupting volcanic rift between Europe and North America.
A film about the expansion of the Central Line beyond Stratford.
The pursuit of happiness (and the display of happiness on social media!) has become a veritable cult. Happiness has become a social imperative, just like slimness, beauty and success. To better understand this obsessive quest for happiness, journalist Marie-Claude Élie-Morin takes an in-depth and personal look into this seemingly pervasive trend that sometimes leads to painful consequences.
A day in the life of a train station.
Time Stood Still is a 1956 Warner Brothers Scope Gem travelogue, filmed the previous year in Dinkelsbühl, and presented in the wide-screen format of CinemaScope, directed by André de la Varre. It was nominated for an Academy Award for Best Live Action Short Film at the 29th Academy Awards.
Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.
This bicycle-safety film shows children what can happen when bicycles are driven carelessly and recklessly.
This short is one of Paramount's "Popular Science" series (number L6-5, or the fifth one of the 1946-47 production season) and begins by showing moon rockets, weighing 30 tons, a flight in the ionosphere, with mounted color cameras recording pictures hundreds of miles above the earth. Coming back to earth, it discourses on modern bathroom fixtures, and then demonstrates a one-man hay-bailer.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Ballroom dancers Veloz and Yolanda perform the various dance fads of the first half of the twentieth century.