Frontier Days

Musical western short

The emigrants are seen fighting the hordes of redskins. The hero rides to the settlement for help and engages in a thrilling duel with pursuing Indians. The settlers swoop down on the unprotected Indian village and burn it up. The savages seeing the flames, hurry back and fall into an ambush. They are attacked from the rear by the emigrants and from the front by the settlers. In a wild scene of carnage the surprised Indians are mowed down by the hail of bullets, horses and riders falling in tangled masses.

The fastest gun in the West tries to escape his reputation.

Two road weary travelers experience the supernatural and the refreshing taste of Miller Light.

In the tradition of classic westerns, a narrator sets up the story of a lone gunslinger who walks into a saloon. However, the people in this saloon can hear the narrator and the narrator may just be a little bit bloodthirsty.

Two parallel tales of redemption, a century apart. In the New York storyline, Edge hunts for Angela's gold to pay back a debt, and gradually grows closer to her. In the Macedonian story, the brothers end up fighting for opposite sides of a revolution, with the religious Elijah taking up sides with the Ottoman sultan and gunslinger Luke joining "the Teacher" , a Macedonian rebel.

A girl goes on vacation to the mountains where she finds a wild horse named Hacksaw. With a little help, she captures the stud and it doesn't take long until the man who helped her starts wagon racing, since Hacksaw refuses to have any man or woman on his back.

A documentary about the making of the 2006 AMC miniseries Broken Trail.

Undead dark riders invade a wild west saloon, blasting away everyone in sight - now only a bad-ass Native American warrior can save the town.

Three of the original five "young guns" — Billy the Kid, Jose Chavez y Chavez, and Doc Scurlock — return in Young Guns, Part 2, which is the story of Billy the Kid and his race to safety in Old Mexico while being trailed by a group of government agents led by Pat Garrett.

American Matt Quigley answers Australian land baron Elliott Marston's ad for a sharpshooter to kill the dingoes on his property. But when Quigley finds out that Marston's real target is the aborigines, Quigley hits the road. Now, even American expatriate Crazy Cora can't keep Quigley safe in his cat-and-mouse game with the homicidal Marston.

After discovering a new species of dinosaur on private land, Ruth is forced to contend with forces both big and small in her quest to get it out of the ground before anyone notices.

A Mexican bandit is about to be executed in the United States, so his brother takes over a train and holds the passengers as hostages unless his brother is released. Now both the Americans and Mexicans are baffled as to what to do. One of the passengers — who wrote the letter for their captor — has a suggestion: call mercenaries Hank Brackett and Johnny Reech. They do, and as expected they do come up with a plan, but the president of the railroad is not sure if it will work.

A group of young gunmen, led by Billy the Kid, become deputies to avenge the murder of the rancher who became their benefactor. But when Billy takes their authority too far, they become the hunted.

A town—where everyone seems to be named Johnson—stands in the way of the railroad. In order to grab their land, robber baron Hedley Lamarr sends his henchmen to make life in the town unbearable. After the sheriff is killed, the town demands a new sheriff from the Governor, so Hedley convinces him to send the town the first black sheriff in the west.

Bounty hunters seek shelter from a raging blizzard and get caught up in a plot of betrayal and deception.

Years after their "City Slickers" narrative was retired, Westworld hosts Mitch and Phil are still happily driving cattle, however Mitch has started to malfunction and it's up to Stubbs to analyze why he has gone off his loop.

Two friends hired to police a small town that is suffering under the rule of a rancher find their job complicated by the arrival of a young widow.

Beginning just after the bloody Sioux victory over General Custer at Little Big Horn, the story is told through two unique perspectives: Charles Eastman, a young, white-educated Sioux doctor held up as living proof of the alleged success of assimilation, and Sitting Bull the proud Lakota chief whose tribe won the American Indians’ last major victory at Little Big Horn.

A bounty hunter searching for her next mark comes across an injured young man with a bounty on his head.