Happily Ever After

Pandanggo has three stories with parallel themes converging in one event, the Kasilonawan Festival in Obando: a career woman learning to dance tango who is torn between her dance partner and live-in partner has to choose the man who will satisfy her dream of raising a family; a wife whose wish to conceive a baby boy to make her husband happy brings her feet to the festival, but fate has other plans of bringing the child into her life; and a modern woman who, amidst her medical condition that might render her childless for the rest of her life, finds connection with an ancient lore about fertility.

Decades before the rise of liberalism in Spanish-era colonial Philippines, a young charismatic preacher leads a movement for equality and religious freedom for his fellow native Filipinos. He is hailed as the Christ of the Tagalogs, but is sentenced to death for heresy by both Church and State.

Rekados is a magic-realist tragicomedy of three generations of cooks in the slums that own a karinderia. Josefina, the matriarch whose traditional skill in cooking keeps the family alive; Laura, the daughter who prefers cooking to please her customers and the man she desires; and caught in between the two is Pinay, the granddaughter who mimics Kris Aquino to get a basketball player of her own. In their small world of the kitchen that empowers and imprisons them, they cook dishes that symbolize their affection: adobo; kare-kare; dinuguan; and pansit. Each of them brings different flavors as they mix with each other and the men of their desires.

Written and directed by Sergio Pastore in 1969. Il diario proibito di Fanny is an anthology film starring Giovanna Lenzi as four different women, all named Fanny. The film touches upon all the hot-button issues of 1968: illegal immigrants from the Eastern bloc, the Prague Spring, the Italian star cult and even abortion.

A mysterious and powerful being in the river catches the attention of the people living around it.

What are the rules that determine how attraction and desire are set free? Glances, unexpected smiles, confiding in unknown women. Long cherished fantasies, intimate friendships and unexpected meetings. In Volume 2 of the Sexual Tension diptych, Marco Berger and Marcelo Mónaco take us on a journey through the twists and turns of female seduction: two guests of a hostel become roommates (and more); a keen shop assistant helps a woman uncertain about what dress to buy; the outset of a great passion between two girls during a picnic, even though one of them has a boyfriend. In the film we also find a conversation about Woody Allen between a waitress and a woman, which goes too far; and two high-class escorts who discover that they are attracted to each other, when they are in bed with a client. The film finally shows what could happen, but never did happen, and will probably never happen, to two thirty-year-old women. Maybe it would be better not to have sex with people we love. Sex ...

The film is very, very loosely based on the life of Arturo Porcuna (Jeorge Estregan). Once upon a time, he was known as Boy Anino, notorious leader of the Bahala Na gang. But rival gangster Tony Razon (John Estrada) attacked him in his home, leaving his entire gang and his family dead in the ruins. But Porcuna survived, and now he returns under a new alias, Boy Golden, and he seeks revenge against those that did him wrong. Along the way, he meets Marla D (KC Concepcion), a dancer who also has a bone to pick with Razon. Together, the two carry out a dangerous plan to take on Manila’s toughest gangsters.

Composed of four stories, each part of 10 minutes, namely: "Rainbow and Zebra", "The Goddess of Victory and the Snail", "The Ant and Love Letter", and "His Royal Highness and the Sheep".

Czech comedy fantasy directed by Jiri Krejcik et al.

The Battle of Tirad Pass was fought between Filipino revolutionary forces and Americans of the 33rd Infantry Regiment in Ilocos Sur. Brigadier General Gregorio del Pilar led the Filipinos, while Major Peyton March led the Americans. The battle resulted in the death of Del Pilar, along with 51 Filipino soldiers.

Pinoy movie

As Boys On Film reaches the end of its teenage years, we take a look at those unique boys who go one step further, who excite, invigorate, and always impress, who break boundaries, shape their worlds and are more than what they appear. Volume 19: No Ordinary Boy includes ten complete films: Scott T. Hinson's "Michael Joseph Jason John" also starring Eric Robledo; Abhishek Verma's animated "The Fish Curry"; Ben Allen's "Blood Out Of A Stone" starring Alex Austin and Oisín Stack; David Färdmar's "No More We" starring Jonathan Andersson and Björn Elgerd; Jannik Splidsboel's "Between Here & Now" starring Francesco Martino and Peder Bille; Amrou Al-Kadhi's "Run(a)way Arab" also starring Ahd and Omar Labek; Dean Loxton's "Meatoo" starring Calum Speed and Warren Rusher; Jake Graf's "Dusk" starring Elliott Sailors, Sue Moore, and Duncan James; Leon Lopez's "Jermaine & Elsie" starring Marji Campi and Ashley Campbell; and Marco Alessi's "Four Quartets" with Laurie Kynaston.

Badong, an established painter, comes home and returns to his old studio. He has a piece in mind that requires a specific model to pose nude. He wants Mimosa, his former nude model and ex live-in partner. Years ago, Mimosa left him for another man.

Covering only the first 22 chapters of the Book of Genesis, vignettes include: Adam and Eve frolicking in the Garden of Eden until their indulgence in the forbidden fruit sees them driven out; Cain murdering his brother Abel; Noah building an ark to preserve the animals of the world from the coming flood; and Abraham making a covenant with God.

The story of Skip, a young ex-convict who takes a position as a night janitor at an old-west theme park. His supervisor Archie, teaches him the ropes, but more importantly attempts to convey critical philosophical messages through a series of four stories: a down and out boxer is given the opportunity to become a real golden gloves killer; an assassin kidnaps three people in order to find out who hired him for his latest hit; a new recruit is initiated into a lodge of fez-wearing businessmen where hazing can take a malevolent turn; and a member of a suicide club introduces real fear into a man about to jump to his death.

Four different women discuss life, love and marriage with people from their past and present during the course of one day at a café in Seoul.

Pitch: A student gets absurd while working in a baseball club, and depicts the conflict that takes place in it. Electrical Technician: On the day of the written exam, Hyeon-woo finds Jong-beom cheating and informs the teacher of this fact but it didn't work. Spring: A wood factory in a deep mountain valley. Three young people live there. Chi-woong likes Hye-mi. Hye-mi wants to leave, and Seong-cheol follows Chi-woong like he's the king. Chi-woong tries to get in with Hye-mi by using Seong-cheol, but fails every time. Chi-woong and Seong-cheol's behavior is becoming more excessive, and Hye-mi's flower pot from the rooftop dropped, eventually killing someone. No one left that place after the incident.

At a Babelsberg studio, two German actors try to outdo each other with their Hollywood experiences. At a chic Düsseldorf café, two expatriate French women envy each other’s respective life. At a construction site somewhere in North Rhine-Westphalia, a foreman informs the supervising archaeologist that he as ordered the concrete without her approval. In a trendy Café in Ehrenfeld, Cologne, a recently departed meets a friend of his ex to obtain a box with things he’d left behind. A Dutch business consultant desperately tries to sell his inflated services to a Bulgarian arms contractor at Brussels Airport. On a rooftop in the Belgian Eifel, the owner and the future heir of a family workshop quietly discuss the recent passing of the family’s grandfather.

During a trip to the Philippines, middle-aged Norwegian Lars has met the Filipina he wants to share his life with, but to his surprise she turns him down. Lars now has to face his own prejudices and deal with this uncomfortable situation.

An American woman hopes to have a happy reunion with her long-lost Filipino father and finds instead an aloof and unforgiving stranger who hasn't gotten over the painful past.