In the middle of a riverside park stands a single bench. One evening, a couple of childhood friends who hadn’t seen each other in a while meet up at this bench. Although awkward at times, they sit there exchanging gentle words of affection. And as time goes by more people gather at this little bench: a couple on the verge of a breakup that gets interrupted by an old man, a runaway and her older sister that comes looking for her, and city officers planning on removing the bench. At the Bench is an anthology film showing glimpses of the everyday life of various people that gather by this little bench.
The film is a high-concept project with five stories exploring the themes of motherhood and pregnancy, directed by women filmmakers from five former Yugoslav republics. “Croatian Story” follows an anguished painter who must decide whether or not to keep one of her unborn twins, diagnosed with Down syndrome. “Serbian Story” finds an expectant mother in the same emergency room with a charming killer. “Bosnia-Herzegovina Story” centers on a financially strapped Sarajevo family whose son?s lover is pregnant. “Macedonian Story” unfolds in a clinic where a drug addict struggles to keep her baby, and “Slovenian Story” ends the omnibus on a humorous note with a nun who finds her own way to immaculate conception.
An omnibus film that tells the story of AIs that resemble humans coexisting with humans in the near future of South Korea.
Four different couples have a romantic week over New Year's Eve. Both coming out of failed marriages, Ji-ho and Hyo-young are not open to the possibility of new love, while Jin-ah heads to the other side of globe and encounters Jae-hun.
A four-part anthology set in Liverpool
Covering only the first 22 chapters of the Book of Genesis, vignettes include: Adam and Eve frolicking in the Garden of Eden until their indulgence in the forbidden fruit sees them driven out; Cain murdering his brother Abel; Noah building an ark to preserve the animals of the world from the coming flood; and Abraham making a covenant with God.
A filmmaker talks about his work and love life with an unseen friend behind the camera. We also watch four of his short films.
Includes shorts: Girl on the Run, The Theory & Practice of Teenage Dream, Relay, U and Me and Blue Birds on the Desk.
The lives of six individuals across the city change just as the city is reeling under floods. Will they all make it safely to the other side?
Wasteland is a five-part anthology film that deals with isolation, mental illness, and the subjectivity of reality. Each of the five parts can be watched individually, but when viewed in sequence, each story brings out a more interesting and distinct context to its respective pieces.
Obsession
Chandamama Kathalu is an upcoming Telugu anthology film directed by Praveen Sattaru and produced by Chanakya Bhooneti.The film has eight sub-stories revolving around love.The lives of the central characters in the sub-plots get intertwined with each other.Lakshmi Manchu, Aamani, Naresh, Krishnudu, Chaitanya Krishna, Abhijeet, Naga Shaurya, Vennela Kishore, Amitha Rao and Richa Panai play the lead roles.[4] Mickey J Meyer composed the music.The shooting was wrapped up in December 2013.
Based on four of the six short stories compiled in Murakami Haruki's anthology, After the Quake explores the complex aftermath of Japan’s earthquakes and other global crises. (Movie version of the TV drama).
Commissioned by South Korea's National Human Rights Commission, If You Were Me is an innovative omnibus film project to promote tolerance and human rights and shed light on the hardships disadvantaged people face in Korea. This third installment continues the If You Were Me tradition. Directors Jeong Yun Cheol (Marathon), Kim Hyeon Pil (Wonderful Day), Lee Mi Yeon (L'Abri), Noh Dong Seok (Boys of Tomorrow), Hong Gi Seon (The Road Taken), and Kim Gok and Kim Sun (Capitalist Manifesto: Working Men of All Countries) participated in If You Were Me 3, creating shorts on human rights issues of their choosing, ranging from labor conditions to gay rights to discrimination.
Addakathera, Ahalya, Happy Married Life, Narthanasala and Anaganaga – the five stories in the anthology drama narrate tales of people and their interaction in society drawn from everyday lives. Like the collection of fables in Panchatantra, this film attempts to bring out the essence of moral values through its characters.
A collection of magical tales based upon the actual dreams of director Akira Kurosawa.
Teine Sā - the ancient spirits of the Pacific are stirring. Revered and feared in equal measure, these sacred gods have crept back into the modern world to engage with five different women facing their own demons.. Teine Sā is a series of stories of modern day issues impacting Pacific women who look to the atua of the past for guidance. Teine Sā are the ancient spirit women, with the ability to bless and curse in equal measure. From the notorious goddess Telesa to the Hiama of the Solomon Islands, these tales of the unexpected take age-old stories on many twists and turns.
New York, I Love You delves into the intimate lives of New Yorkers as they grapple with, delight in and search for love. Journey from the Diamond District in the heart of Manhattan, through Chinatown and the Upper East Side, towards the Village, into Tribeca, and Brooklyn as lovers of all ages try to find romance in the Big Apple.
What is “Slovakia”? How to explain the notion of “Slovakia” of the past 20 years to an unknown stranger, a visitor from another planet? What is the genetic makeup or the software for “Slovakia”? How to use it? How does it change? Slovakia 2.0 is a film about twenty years of independent Slovakia as seen from the perspective of ten film directors. It is composed of ten 10-minute films of different genres ranging from drama, through animation and documentaries, to experimental film. The ten recognised film directors who offer an answer to what is Slovakia include a wide range of generations, views and genres, namely Juraj Herz, Martin Šulík, Peter Kerekes, Zuzana Liová, Mišo Suchý, Ondrej Rudavský, Iveta Grófová, Peter Krištúfek, Viera Čákanyová, and Miro Jelok.
A two-part feature directed separately by Shimizu and his colleague Keisuke Toyoshima. Unrelated to each other, both have a common goal: to bring ghosts and aliens together in pure, referential and absurdistic delirium, including neo-Nazi specters, zombie yakuzas and nasty aliens.