Adão ou Somos Todos Filhos da Terra

The history of barbed wire, whose use dates back to the first settlers of the Wild West, always driven by their reckless and ruthless spirit of conquest and selfish ambition to leave their mark on wild lands; of its relationship with politics and mercantilism; of the perversion of the millenary relationship between men and animals; of the evolution of surveillance techniques. Fences and borders: the tragic tale of the enclosure of the world.

Documentary about the everyday routine of the sales assistant Angelika Urban.

Saleswomen in a supermarket discover that they are paid less than their male colleagues who do the same work. They decide to take action. The band Ton Steine Scherben sings along that “Everything changes if you change it / But you can't win as long as you're alone!” With a lay cast, the film fulfils the demand for solidarity that it preaches – “this film was made by saleswomen and housewives. They came up with the story and acted themselves. The film students helped them”

First Comes Love consists of perfectly choreographed scenes of four wedding ceremonies accompanied by a complex medley of popular love songs. All seems to be going as it should until the couples reach the altar, when the celebratory atmosphere is interrupted for a surprising public service announcement. Then song and dance continues until the happy couples depart, leaving behind a dwindling crowd and a few altar boys who carefully sweep up the rice that blankets the pavement like snow. The film doesn't attempt to defend--or discredit--the institution of marriage. Instead, it reveals the many subtle emotions surrounding the event, and raises questions about how the double standard regarding marriage affects gay and straight couples.

In this award-winning documentary, directors Masri and Chamoun focus on the women who played a crucial role in fighting the Israeli invasion of southern Lebanon. Preserving their stories on camera, Wild Flowers: Women of South Lebanon is a poignant documentary about courage, resistance, and hope.

In 1890, one man had the idea to collect every bird ever mentioned in Shakespeare and release them into Central Park. The only bird to survive in the New World was the European starling, which became one of the most common birds in North America. Its introduction is now widely considered a major environmental disaster.

A documentary about making the feature film "Ten Canoes". It is May, 2005 in Central Arnhem Land: 'We are making a movie. The story is their story, those that live on this land, in their language, and set a long time before the coming of the Balanda, as we white people are known. For the people of the Arafura Swamp, this film is an opportunity, maybe a last chance to hold on to the old ways. For all of us, the challenges are unexpected, the task beyond anything imagined. For me, it is the most difficult film I have made, in the most foreign land I've been to...and it is Australia.' - Rolf de Heer

Game Over

Documentary composed of interviews with female partisans who survived the German invasion of Italy in World War II.

When Rehtaeh Parsons was 15 years old, she went to a party that would define her remaining teenage years. She was sexually attacked and had no memory of it, until photographic evidence spread through social media. The resulting humiliation and bullying the Nova Scotia teen received led to her tragic suicide less than two years later. News of her death reverberated worldwide, a stunning demonstration of the power of images and social networks to amplify the extent of rape culture and effects of depression. Now, her parents and those who knew her reassemble the pieces of Parsons’s life in their courageous quest to make accountable the systems that failed to protect her. With the support of Anonymous, an online campaign and public pressure, they forced the Nova Scotian government and RCMP to address the case and bring the perpetrators to justice. Parsons’s story epitomizes the immense capacity of new tools in these nascent years of social networking.

It doesn't matter how fit, enthusiastic or prepared you are, when it comes to trying out a new form of exercise, Wimps come in all shapes and sizes! Join Annika Carlson, an ACE and AFFA-certified Pilates instructor and trainer, as she shows you Pilates made simple for those who want to get in shape without going to the gym. Tone and reshape your body with basic exercises for the stomach, back, legs, and arms and discover amazing results! Improve your posture, increase flexibility, and rejuvenate your spine. Annika guides you through an authentic Pilates workout that everyone and anyone can do, regardless of age, fitness level, motivation, and flexibility (or lack thereof)! So, workout the Wimp way and get the benefits of a great workout that doesn't demand too much from your body!

Two case studies highlighting the work of the National Council of Social Service: the conversion of a barn into a village hall in South Cerney, Gloucestershire, and the building of an occupational centre in the depressed mining village of Pentre in the Rhondda Valley, Wales.

The lives of random children from different parts of the Philippines, facing the same predicament of living life of arduous labor to cope with the harsh realities of poverty.

This documentary weaves three stories – all set in the blind community of Havana, Cuba – into a tale of personal independence. As Lis, Mily, and Margarita each face family problems and heartbreak, their dependence on others turns out to be a double-edged sword. From the music halls of Havana to a cinema club for the blind, their stories reveal both the pain and the joys of fighting for yourself.

LEARNING TO SWALLOW follows Patsy, a charismatic artist who destroys her digestive system during an unmedicated bipolar episode. Over four rocky years she struggles to accept her physical condition, her inability to eat, and her emotional state – only to reinvigorate her artistic voice in the process.

The exhibition 'The Complete Letters' features epistolary works defined by cinematographic creation. This is an experimental communication format used between pairs of film directors. Although each director is situated in a location geographically distant from that of their partner, they are united by their willingness to share ideas and reflections on all that motivates their work. Within this space of freedom, the directors featured in the exhibition examine their affinities and differences, within an environment of mutual respect and simultaneity of interests and with notable formal variants established in each of the correspondences.

An experimental documentary about the street drag racing scene on Chicago’s Near West Side. This is a rambling, textured film about obsession. It is about the mythos of speed for its own sake, and it is about waiting. While waiting, The BLVD exposes community, inner-city landscapes and nomadic experiences of place. The film treats storytelling as a living medium for determining history. And it commands respect for those who transform cars, or anything else, through passion.

Penthesilea, the first of six films made by Laura Mulvey and Peter Wollen, traverses thousands of years to look at the image of the Amazonian woman in myth. It asks, among other questions, is the Amazonian woman a rare strong female image or is she a figure derived from male phantasy? The film explores the complexities of such questions, but does not seek any concrete answers.

In the male dominated society of Iran, Farahnaz Shiri, the first female bus driver in Tehran, has made her own little society in her bus. In Iran there are different sections for men and women on public buses. Women should enter buses from the back door, which is separated from men’s entrance, and should sit or stay in a limited zone at the end of the buses which is separated from men’s zone. But in Mrs. Shiri’s bus everything is vice-versa. She is the governor and the only law maker of her own little society. In her bus, men must enter from the backdoor entrance and must sit or stay in the limited zone at the end of the bus. Mrs. Shiri is struggling to prove herself in this society and resisting a series of injustices that she faces as a woman in the Iranian society.

A glimpse into the world of the women who create and consume romance novels.