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The film director, Carol Reed, is the subject of this documentary short. The illegitimate son of the famous stage actor, 'Sir Herbert Beerbohm Tree' , Reed was brilliant with actors, especially child actors, making him the perfect person to bring Oliver! to the screen. Reed is best known for three films he made in the late 1940s, and the documentary offers generous clips from Odd Man Out, The Fallen Idol, and the most famous of all, The Third Man. The film director, John Boorman, the assistant director, Guy Hamilton, the actors, Ron Moody and Bryan Forbes and the cinematographer, Oswald Morris, are among the interviewees.

The Name of this Film is Dogme95 is an irreverent documentary exploring the origins of Dogme95, the most influential movement in world cinema for a generation. The film tells how a 'brotherhood' of four Danish directors armed with a radical Manifesto, has inspired, outraged and provoked filmmakers and filmgoers the world over. The rules of Dogme95 take filmmaking back to its brass-tacks - stories must be set in the here and now; the films must be shot on location, with a handheld camera, using natural light, and direct sound; the rules forbid murders and weapons (staples of the much-loved action-movie genre); and, most amusingly, the director must not be credited (that holds also for the director of The Name of this Film is Dogme95...).

Behind the scenes of shooting in various notoriously difficult locations, including interviews with producers and lead actors.

What was the role of women in Spanish cinema from the 1930s to the present explained through fragments of different films, both fiction and non-fiction. (Followed by “Manda huevos,” 2016.)

The film comprises edited excerpts from 40 Hitchcock films in six chapters, each focusing on a different motif that reveals some of Hitchcock’s dark obsessions and techniques.

Room Full of Spoons is an in depth documentary about the cult film that is widely accepted as the worst film ever made: The Room, and it’s eccentric creator Tommy Wiseau. Referred to as “The Citizen Kane of bad movies” by Entertainment Weekly, The Room grossed only $1800 during it’s initial box office run. Against all odds, Mr. Wiseau’s disastrous film found a new life on the midnight movie circuit and now plays to audiences around the world making it one of the most adored and important films in popular culture. Follow Rick Harper and his team on their journey across the Globe as they experience this midnight movie phenomenon, meet with the entire cast and crew of the The Room and piece together the story behind the mysterious Tommy Wiseau. The film has not yet received a full release due to legal action taken by Wiseau against the filmmakers.

With his naïve air, his rangy and reassuring silhouette, James Stewart symbolizes success, someone who everybody wants to look like. Behind his legendary nonchalance, Robert Mitchum is the figure of the bad boy, the kind-hearted hooligan who anyone would like to have for accomplice. What is the legacy left by these two big myths of the Hollywood cinema and in which way they fed the American dream?

A documentary on the career of famed French clown and filmmaker Pierre Étaix.

A peculiar, meticulous, vocationally archeological account of the professional life of the actor, Spanish by birth, Argentinean by adoption, Narciso Ibañez Menta (1912-2004), spiritual disciple of Lon Chaney, the new man of a thousand faces, master of horror, star of Argentinean theater, cinema and television for decades.

Two instants separated by 99 days conflict with each other.

Leonard Maltin interviews Tony Curtis on his experience filming 'Some Like It Hot'.

A look back at the impact Billy Wilder's comedy classic "Some Like It Hot" has left since it's release in 1959.

A look back at the making of Billy Wilder's 1959 comedy classic "Some Like It Hot."

About the making of 'The Land of The Enlightened' (2016).

The true story behind the Prince of the City.

This 2009 documentary features directors Bob Rafelson, Peter Bogdanovich, and Henry Jaglom, actor-director Jack Nicholson, and actresses Karen Black and Ellen Burstyn, among others, reminiscing about the making of the groundbreaking films of BBS Productions.

They are the first and the last, those who imagine stories and give voice to the characters who live them. However, they never speak. But now, they emerge from the shadows of a poorly lit room and tell their secrets, their tricks, their influences; they tell their own story, that of those who face the blank page, the absolute nothingness; that of those who are the true authors, those who create and destroy entire universes. They are the screenwriters.

A look at the first years of Pixar Animation Studios - from the success of "Toy Story" and Pixar's promotion of talented people, to the building of its East Bay campus, the company's relationship with Disney, and its remarkable initial string of eight hits. The contributions of John Lasseter, Ed Catmull and Steve Jobs are profiled. The decline of two-dimensional animation is chronicled as three-dimensional animation rises. Hard work and creativity seem to share the screen in equal proportions.

In his early days as an actor, Marlon Brando (1924-2004) was a shy young man with theatrical ambitions, like many others; but his charisma and superb acting skills made him truly unique, so that the doors to the starry sky of Hollywood opened for him. However, his peculiar manners, political commitment and complicated love life always overshadowed his artistic success.

Legendary film editor and sound designer Walter Murch talks about his work and philosophy. (Based on over 50 hours of Murch's lectures, interviews, and commentaries.)