If Frankenstein's Monster is to the dark side of science, King Kong is to the Great Depression, Alien Invaders (like The Blob and The Thing) is to the Communist Threat, Godzilla is to the bomb, and The Milpitas Monster and Hedorah the Smog Monster are to pollution. Now, this robotic dinosaur made of various technological devices from Japan is to Japanese consumerism and possibly globalization!
Flying through a tunnel made of kaleidoscopic photographs.
Noah battles to overcome his grief at the death of his mother, a journey that takes him from his flat to beyond the stars. An animation in stop-motion and oil paint.
Animation film about a friendship between young Wolfy and Kapitoshka. Wolfy tries to learn how to be scary and threatening. But then he meets a drop of rain, Kapitoshka, which makes him realize that it is not necessary to be scary.
A wolf cub misses his friend Kapitoshka and wants to see him again and have fun with him. Kapitoshka is an unusual creature that is completely made of the water, which wears a funny beret and loves to sing and play. A letter brought by a crow will help shed light on whether Kapitoshka will be able to return to the wolf.
The ponies are about to perform a magical musical on stage and everyone is practicing but no one is playing together.
Before time, before the world, there were only two—one made of fire, the other of ice. Lost in the void, they were never meant to meet, until the wind, in its fury, brought them together for an instant. In the clash of light and shadow, an impossible love was born—one as burning as it was destructive. But the universe does not forgive those who defy its order, condemning them to spin forever, always close, never together. Yet, in rare moments, when fate falls asleep, Sun and Moon touch—and the sky, in reverence, darkens to watch.
Welcome to Rubika, a planet with a fancy gravity.
This rich, symbolic, intensely personal yet universal film wordlessly follows the path of a woman on a journey of self-discovery.
When a young man opens his window on a hot summer night, an unwanted demonic creature is allowed inside - throwing him into a hot, sweaty fight for his life.
Queen Poppy plans the first annual Trolls Kingdom Secret Holiday Gift Swap, but things don't go quite as expected.
Shinji, Rei, and Asuka in their states at the end of “Evangelion: 3.0.” A post-Impact world.
Based on the fairy tale by Hans Christian Andersen.
In My Gondola
A pioneer of visual music and electronic art, Mary Ellen Bute produced over a dozen short abstract animations between the 1930s and the 1950s. Set to classical music by the likes of Bach, Saint-Saëns, and Shoshtakovich, and replete with rapidly mutating geometries, Bute’s filmmaking is at once formally rigorous and energetically high-spirited, like a marriage of high modernism and Merrie Melodies. In the late 1940s, Lewis Jacobs observed that Bute’s films were “composed upon mathematical formulae depicting in ever-changing lights and shadows, growing lines and forms, deepening colors and tones, the tumbling, racing impressions evoked by the musical accompaniment.” Bute herself wrote that she sought to “bring to the eyes a combination of visual forms unfolding along with the thematic development and rhythmic cadences of music.”
A clip in the Science Please! collection, Slippery Ice! uses archival footage, animated illustrations and amusing narration to explain why we slip on ice.
Thor celebrates Christmas in Asgard, Santa adds Walter PPK to the bad boy list and the creators take a skewed look at The Gift of the Magi. Plus who needs Rudolph when Santa has Comet?
Hermey the Elf sucks at being a dentist.
Pioneering artist Lillian Schwartz demonstrates the human input -- integrity, artistic sensibilities, and aesthetics -- that goes into producing early computer art. In voice-over she explains the intent behind a number of her films and offers insight into the artist's problems and decisions. Produced for AT&T.
A short directed by Gianluigi Toccafondo.