Sebastian and Jonas Leaving the Party

La Maison en Petits Cubes tells the story of a grandfather's memories as he adds more blocks to his house to stem the flooding waters.

In 2013, Lei Lei and Thomas Sauvin collected numbers of black-and-white photos from Chinese flea markets and imagined that all of them belonged to one fictional Chinese person. Through rendering, collage, and a cyclical process of hand coloring, scanning, and printing, connections among the photos were created.

You Take Care Now, an early student film, is a perfect exemplar of Ann Marie Fleming's idiosyncratic vision and stands as one of her signature works. Made on 16mm, and incorporating found footage, original material, animation, and processed images (Vancouver's groundbreaking avant-garde cinema of the 1970s is a decided influence here), Fleming's film offers a visually dazzling, emotionally wrenching, oddly humorous account of two profound personal traumas.

Short animation produced in a 3D animation course using the MAYA software.

"as work in progress: treasures found in the streams around me."

Safe places to view from.

Living in fragments, pieced together in varied ways, uncertainly, and yet... Inside there is a familiar chaos, awaiting a key...

Jonas Mekas transforms footage of the Ringling Brothers Circus into a rapid-fire montage set to music, structured in four segments that highlight different acts. Earlier images reappear in later sections as background to new performances, with the accelerated pacing of the clips mirroring the rhythm and energy of the soundtrack.

The absurd logic of the ‘real character’ and the extreme rules of Disneyland become apparent when a real fan of Snow White is banned from entering the theme park dressed as Snow White.

An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories. 

An Eternalism film.

An Eternalism film.

An Eternalism film.

Moonlight reflected in water: the forms and lines are continually rearranged by the currents.

A free transposition of a Kafka novel: the peace of an imaginary insect is disturbed by three little balls.

Piotr Kamler meets Luc Ferrari & Iannis Xenakis. A play of opposites: space, colour, forms, movements

The life and power of a distant, red galaxy, which is invaded by an external force, bringing in its wake shadows and destruction.

An imaginary planet, an abstract universe in continual motion, where minute organisms. half flea half amoeba, the ‘actuphages', live and evolve peacefully.

In the mountains of Córdoba hides a historical scar. In 1575, hundreds of Hênia-Kâmîare women, children and elders jumped off in order to avoid slavery. A free, poetic view at the very place where the largest mass suicide in the history of the territory known today as Argentina took place. The film is a phantasmagoric trip within this geographical extension, taking it as a vast, green cemetery.

A small white box. Everything happens in that little world. A woman's face comes out from the side of the room and roars, birds peck at human flesh, trains run through, and a couple quarrel begins. When the billiard ball penetrates the room, the billiard ball changes into various shapes ... Each room is a world, and what happens there is a microcosm of modern times.