The Above

Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.

Uncover the insidious ways in which our daily lives are being surveilled by the state. In a gripping chase, Ronan Farrow travels across the world following breadcrumbs and finally exposing a dark world of spywares, hacking, and peddling of private information, where activists and journalists are persecuted, and no one is protected from the watchful and vicious eyes of authoritarianism.

A thought provoking documentary feature film providing a comprehensive exploration of the evolution of signals intelligence over the past century. Whether you're intrigued by the secretive world of intelligence agencies or concerned about the implications of digital surveillance, this film will leave you with a deeper understanding of the role signals intelligence plays in society.

In this Pete Smith Specialty short, we see how real-life investigator Jo Goggin used a motion picture surveillance camera to gather evidence and disprove a fraudulent insurance claim.

Journalist Assia Boundaoui sets out to investigate long-brewing rumors that her quiet, predominantly Arab-American neighborhood was being monitored by the FBI.

Host Grant Jeffrey discusses how technology and government activities are changing the way our information is handled. How is this shaping our lives?

Under the pretext of fighting terrorism or crime, the major powers have embarked on a dangerous race for surveillance technologies. Facial recognition cameras, emotion detectors, citizen rating systems, autonomous drones… A security obsession that in some countries is giving rise to a new form of political regime: numerical totalitarianism. Orwell's nightmare.

Some things can be seen more clearly at night.. . A film poem about a continent at night, a culture on which the sun’s going down, though it’s hyper alert at the same time, an “Abendland” that, often somewhat self-obsessively, sees itself as the crown of human civilization, while its service economy is undergoing rapid growth in a thoroughly pragmatic way. Nikolaus Geyrhalter takes a look at a paradise with a quite diverse understanding of protection. Night work juxtaposed with oblivious evening digression, birth and death, questions that await answers in the semi-darkness, a Babel of languages, the routine of the daily news, and political negotiation: All this has been captured in images with a wealth of details that make us look at things in a new way. The longer you consider a word, the more distant is its return gaze: ABENDLAND.

NOTHING TO HIDE is an independent documentary dealing with surveillance and its acceptance by the general public through the "I have nothing to hide" argument. The documentary was produced and directed by a pair of Berlin-based journalists, Mihaela Gladovic and Marc Meillassoux. It was crowdfunded by over 400 backers. NOTHING TO HIDE questions the growing, puzzling and passive public acceptance of massive corporate and governmental incursions into individual and group privacy and rights. After the emotion initially triggered by the Snowden revelations, it seems that the general public has finally accepted to live in a monitored digital world.

Journalist Sandra Harkow produces a promotional film for the RFID industry. Through a time traveler, she learns about the dark future triggered by RFID chips. Her encounter with the time traveler makes her prick up her ears and she researches the radio chips. The so-called docu-fiction style, which coherently combines real interviews with film scenes, gives the viewer the impression of being part of this reality.

A Good American tells the story of the best code-breaker the USA ever had and how he and a small team within NSA created a surveillance tool that could pick up any electronic signal on earth, filter it for targets and render results in real-time while keeping the privacy as demanded by the US constitution.

Undercover: Inside China's Digital Gulag

New York-based tech company Clearview AI is working to identify and compile the faces of every human being on the planet. The firm claims that its database will serve as a force for good, helping to solve crimes and prevent espionage. But what if Clearview AI’s powerful facial recognition software, that could potentially be used for mass surveillance and profiling, fell into the wrong hands? What if it already has?

Based on newly declassified files, the film explores the US government’s surveillance and harassment of Martin Luther King, Jr.

Sonia Kennebeck takes on the controversial tactic of drone warfare, and demands accountability through the personal accounts—recollections, traumas, and responses—of three American military veterans whose lives have been shaken by the roles they played in this controversial method of attack.

Facebook, Amazon and Google provide us with around the clock access to the convenient digital world! Surveillance cameras on the streets take care of our security. But who actually collects our fingerprints, iris scans, online shopping preferences, and social media postings? Don't we care about our privacy anymore? In his unique charming and curious way filmmaker Werner Boote travels around the world to explore the "brave new world" of total control. EVERYTHING UNDER CONTROL by Werner Boote (Plastic Planet, Population Boom) - an evocative film about the self-evidence of surveillance. In cinemas 25th of December 2015.

Under the leadership of Xi Jinping, China is on its way to becoming the leading world power of the 21st century. What goals is the mysterious autocrat, who was deeply influenced by Maoism in his youth, pursuing? What drives him? In terms of domestic policy, Xi is striving for the "perfect dictatorship"; in terms of foreign policy, he wants to rewrite the international rules.

Petra Epperlein and Michael Tucker take a powerfully personal journey through the former East Germany, as Epperlein investigates her father’s 1999 suicide and the possibility that he may have worked as a spy for the dreaded Stasi security service.

In the century when we invented aviation, when we invented cinema, in an age when we can move more and see more than any other point in history why have we become so watchful and so performative? I Am A Spy is a film that observes this watchfulness.

By exploring the relationship between the watched and the watching, our film uncovers the trauma and hope engendered by the Chinese all-surveilling state and lends a voice to those that stand in resilient defiance of such blatant abuse of power.