Du plomb dans l'aile

Mighty Mouse encounters a Time Machine while trying to save pure-hearted Pearl Pureheart from the unwanted advances and clutches of the evil oily-villain, Oil Can Harry. After brief stops in 1620 and 1890, and ancient Egypt, Mighty Mouse finds himself in the prehistoric age of the dinosaurs. He mops up on Harry and the dinosaurs, proving he can take care of anyone, anyplace, anywhere at any time.

A neighborhood bully convinces Porky to take a puff from his cigar, causing Porky to hallucinate a smoke-man named Nick O. Teen, along with a musical number done by cigars, cigarettes and pipes in the likeness of the 3 Stooges, etc.

A live action black-and-white prolog tells the story of how Walt Disney came to Hollywood with $300, was rejected by all the major studios, but went on to tremendous success, many awards, and a thriving studio. Titles then ask what this means to the Standard Oil Salesman, and a parade of Disney characters gives us the answer, featuring Mickey as drum major, Minnie carrying a banner, and the 7 Dwarfs carrying the letters "STANDARD" (Dopey gets stuck with the last two): Apparently the various ads for Standard will be featuring Disney characters in the coming year.

In 1955 in Italy, race car driver Jed Cavalcanti suffers a mishap during the Molte Miglia rally and finds himself in a small town with a few familial surprises.

Alfalfa and the gang build their own "speedboat" powered by ducks, and challenge Waldo to a race for the hand of Darla.

Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.

After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.

The photographer sends miss Ophelia a dozen photographs of her in different poses. Selecting the best one, she presents it to her favorite boarder, Billy, who does not think much of it and who gets very indignant when it is compared with the photo of his sweetheart. Miss Ophelia goes up to her room in tears and tells her faithful maid, Belinda, that her heart is broken. Belinda goes down and forcibly tells Billy what she thinks of him. Miss Ophelia resolves on suicide, because no one seems to love her. Belinda gets back in time to prevent this and, to divert her mistress, she suggests that they go together to a beauty specialist. Arriving there, both receive attention. Miss Ophelia gets a new complexion, while Belinda gets new teeth. Both invest in new gowns and dresses and the transformation is complete. At supper time, the boarders are all astounded.

In this sophisticated romantic comedy, healing waters are the cover for an extramarital affair that “cures” the infertility problems of a childless couple.

A couple’s fight over dinner leads to spiralling domestic abuse that spreads all over town. (MoMA)

In a world where some children are able to fly, one girl is placed in an institution until she learns to keep her feet on the ground. She spends her life trying to be normal, even when a romance prompts her to unleash her special talent

Much of Hunter's fame was built upon her resemblance to Marilyn Monroe; indeed, her Playboy pose was obviously inspired by Monroe's notorious 1949 nude photo session with Tom Kelley from which her own Playboy photo came. The similarity in look between Hunter and Monroe also came into play when a nude Hunter starred in a film short called Apple Knockers and Coke. For many years there have been those who have seen the film and have mistaken Hunter for Monroe.

A husband sneezes inconsiderately all over the place, until his wife has had enough and leaves him.

This short film shows how the war department utilizes a Ph.D., a chimp, and three dogs to help design aptitude tests for men applying for work.

Ballroom dancers Veloz and Yolanda perform the various dance fads of the first half of the twentieth century.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Adam works as a copying clerk. One day, he takes delivery of a copying machine that seems to promise an end to all his problems, but then leads him into a very complex situation.

A high-speed drive through the streets of Paris.

Snooze buttons, sunlight…the inescapable cacophony of alarm alerts: waking up in the morning is a battle between the present and the future state of mind. A dream-like war with yourself and other objects that seem to take a life of its own.

A psychiatrist and his needy patient discuss their relationship in a snow-covered field.