A young woman's wedding becomes a ritual of mourning when her sister and family die in an auto accident on the way to the wedding. The sisters' mother refuses to accept her daughter's death, and in the midst of wedding guests and mourners, including the drivers of the truck that caused the accident, she orders the wedding to take place. But how can the daughter marry in the midst of a wake and without the family's traditional mirror, which the sister was bringing to the service?
A director of a television series on the history of cinema, who has been grappling with the screenplay of his first feature film, receives an assignment to oversee the installation of a television relay station in a remote region of Zahedan province. He has already hired Turkmen tribespeople for his film and selected his filming location. Meanwhile his wife, who is working on her Ph.D. dissertation about the Mongol invasion of Iran, attempts to dissuade him from accepting the assignment. One night, while working on his history of the cinema series, the director fantasizes a diegetic world that consists of clever juxtapositions of his different worlds: the history of cinema, the history of the mongol invasion, his own film idea and his imminent assignment to the desert.
Bahram Beyzai's poetic imagining of the circumstances that led to the death of Yazdgerd III, the last of the Sassanid kings of Iran. His death in 651, during the Arab invasions that brought Islam to this Zoroastrian realm, was mysterious: his corpse was discovered in a mill, but the cause of his death—and the whereabouts of his remains—are unknown.
A young couple have problems in their marriage.
A woman trapped in an unhappy marriage: Sima, must contend with a husband so insensitive that he makes no effort to hide his various sexual indiscretions. He forces her into an even more uncomfortable situation when he asks his wife to pretend she is related to his current girlfriend in order to avoid trouble from a society that punishes unmarried couples for being together in public.
In 2009, Iranian Canadian journalist Maziar Bahari was covering Iran's volatile elections for Newsweek. One of the few reporters living in the country with access to US media, he made an appearance on The Daily Show with Jon Stewart, in a taped interview with comedian Jason Jones. The interview was intended as satire, but if the Tehran authorities got the joke they didn't like it - and it would quickly came back to haunt Bahari when he was rousted from his family home and thrown into prison.
In the middle of a midlife crisis, Sacha leaves his girlfriend and moves into his grandparents' Airbnb. There he meets Marjan, a married Iranian woman. The involuntary encounter becomes a moment of new possibilities.
'Renjerou' lives in areas around the nuclear plant, "Oleg" The Russian guy is a friend. The world is undergoing and the friendship of the two-stage separate events..
Amal Taheri is the youngest daughter of a broken family. Seven years ago, Amal witnessed a domestic disturbance causing the imprisonment of her brother, Mo, and the abandonment of her father, Borna. Now, after his parole, Amal and her anxious mother, Raniya, attempt to welcome Mo back home. However, during Mo’s homecoming dinner, demons between each of the Taheri’s suddenly resurface. With tensions riding high, Amal must bridge the insurmountable gaps between her family members, all while wrestling with a secret that could shatter her familial bonds, forever.
A welder discovers his wife has disappeared. He sets out to look for her.
A young orphan named Amiro lives alone in an abandoned tanker in the Iranian port city of Abadan. He survives by shining shoes, selling water, and collecting deposit bottles. Although he sometimes finds himself at odds with both adults and competing older kids, he finds solace in dreams about departing cargo ships and airplanes—and by running.
On Jan. 22, 1965, the day before the Iranian prime minister is assassinated, a car drives up to a shipwreck. Inside the wreck, a banished political prisoner has hung himself and the walls are covered in diary entries, literary quotes, and strange symbols. Fifty years later, the evidence, including intelligence tape recordings, is found in a box. The contents attest to the fact that the inspector and his colleagues were arrested, but why?
Experimental short film based on M.C. Escher's paintings.
Maryam (Negar Javaherian) and Reza (Shahab Hosseini) are different from other people, it's not just a simple difference, but a very big difference. They must try to prove to others they have solved the big difference with the miracle of love ...
Sohrab, a young Iranian soldier, finds himself face-to-face with his fellow citizens during a demonstration.
Somaieh, the youngest daughter of an indigent family, is getting married and fear is overwhelming each and every member of the family regarding how to overcome their difficulties after she's gone.
In a small valley, riders pursue and kill a man. A horse thief, so his assassins claim. But for his ten year old son Issa, the disappearance of his father causes an avalanche of problems. With the family name stigmatized, Issa is bullied by the other children in the village. While his mother fights to clear her husbands name, Issa is left to his own devices. But unexpectedly, his solitude gives birth to his freedom, his real passion, horses.
Nasrin; a wild rose, purged of its share of dry branches tries to flourish in Iran.
THE BRIGHT DAY weaves a story that has its roots in the complexity of Iran’s draconian laws governing capital punishment. A kindergarten teacher hopes to aid the father of one of her young students, a man accused of manslaughter, by convincing each of seven reluctant witnesses to come forward. No one lacks a hidden agenda in this drama in which shades of truth collide with self-interest and the specter of payback. (Gene Siskel Film Center)
Breath is about an Iranian family who lives in Iran. It tells the story of Bahar, who is living with her father, Ghafour and Grandmother during the 70s.She is living in her childish and surreal world, filled with their dreams and fantasies.