Soghoot (سقوط) A music Video By Amir Tabari
Yahya is a middle-aged man who lives in a small town, a place where he can hide and forget his past, connected to the repression in Iran. One day, his son Nima leaves the house and disappears. Gradually, he distanced himself from Marta, his lover, and sought refuge alone. So, the police department calls and informs that a body that cannot be identified has been found, and Yahya is convinced that his son ran away because he found out his secret. To find him, Yahya will have to face his memories.
A director of a television series on the history of cinema, who has been grappling with the screenplay of his first feature film, receives an assignment to oversee the installation of a television relay station in a remote region of Zahedan province. He has already hired Turkmen tribespeople for his film and selected his filming location. Meanwhile his wife, who is working on her Ph.D. dissertation about the Mongol invasion of Iran, attempts to dissuade him from accepting the assignment. One night, while working on his history of the cinema series, the director fantasizes a diegetic world that consists of clever juxtapositions of his different worlds: the history of cinema, the history of the mongol invasion, his own film idea and his imminent assignment to the desert.
An urban guerrilla, wounded after a bank robbery, seeks refuge with his childhood friend—only to discover that his friend has fallen into addiction. The guerrilla hides in his house and gradually begins to influence him, helping him regain his courage and strength. Eventually, he entrusts the stolen money to him…
Valeh, a member of a leftist organization, is arrested by the SAVAK and sentenced to death. In prison, he reconsiders his relationships with members of his political cell, and begins to doubt the validity of the ideas for which he is condemned. At the same time, his comrades pressure him to make a sacrifice for their cause, and his beloved wife experiences personal problems and economic hardships.
Dash Akol is greatly respected in Shiraz as an honorable man who has lost his family's money through helping his friends. He has an enemy, however, named Kaka Rostam, a mean and spiteful person. Dash Akol, who is in his forties, falls in love with Marjan, daughter of the late Haji Samad, for whose estate he is the executor. But he keeps his love secret. One day a suitor asks for Marjan's hand, and Dash Akol considers it against his code of honor to refuse. On the night of the wedding, Dash Akol hands over responsibility for the family to the bridegroom. As he is leaving the house, however, Kaka Rostam is waiting for him and a fight ensues. Kaka Rostam stabs him in the back, but Dash Akol succeeds in killing him. On his deathbed, Dash Akol sends his parrot to Marjan with the confession of love he has taught it.
Prince Ehtejab, one of the last remaining heirs of the Qajar royal family, is suffering from tuberculosis, which he knows is fatal. He spends his last days alone in the magnificent rooms of his wintry palace, from where he recollects the glory days of his ancestors as well as days of degradation. Among the latter are the gruesome manner in which his cruel grandfather murdered his mother and brother, and the way that he himself caused the death of his wife.
Inspirational true story of Iranian dancer Afshin Ghaffarian, who risked his life for his dream to become a dancer despite a nationwide dancing ban.
A poetic imagining of the circumstances leading to the death of Yazdgerd III, the last of the Sassanid kings of Iran. His death in 651, during the Arab invasions that brought Islam to this Zoroastrian realm, remains mysterious: his corpse is discovered in a mill, but the cause of death—and the whereabouts of his remains—are unknown.
A wedding day becomes a ritual of mourning when the bride's family die in an auto accident. Refusing to accept her daughter's death, and in the midst of guests and mourners, including the drivers that caused the accident, the mother orders the wedding to move forward. But how can the bride marry in the midst of a wake and without the family's traditional mirror, which the sister was bringing to the service?
In a small valley, riders pursue and kill a man. A horse thief, so his assassins claim. But for his ten year old son Issa, the disappearance of his father causes an avalanche of problems. With the family name stigmatized, Issa is bullied by the other children in the village. While his mother fights to clear her husbands name, Issa is left to his own devices. But unexpectedly, his solitude gives birth to his freedom, his real passion, horses.
An Iranian journalist couple wants to move to America to escape the difficulties of their country. The woman receives her visa but her husband doesn't. He stays in Iran and watches his wife find success on television and falls into a state of depression.
A playwright Iran tries to confront a creative crisis while political clashes erupt during her country's 2009 election.
In 1986 Iran, Sahebjam, whose car breaks down in a remote village, enters into a conversation with Zahra, who relays to him the story about her niece, Soraya, whose arranged marriage to an abusive tyrant ended in tragedy.
You're waiting,aren't you?
As Raman prepares to migrate out of Iran, his friends plot the perfect way to celebrate his impending departure. However, their path is plagued with conflict; an unresolved argument over the accidental death of a friend and a conservative elder brother who looks upon their lives with disdain, further resolves to stop the celebration.
Hamid is an Iranian teenage boy whose sexuality brings him into conflict with his family's Muslim beliefs.
A filmmaker named Hadi is sent to Croatia to complete his research for a film. Aziz, Hadi’s friend, gives him a cassette tape, a piece of image, and a half a piece of plaque in order to find a girl named Fatima. Alongside a Farsi-speaking Bosnian woman, Hanifa, Hadi begins his quest for Fatima.
This social Iranian drama, directed by Flora Sam, centers on an old man named Yousef who resides in Kashan. He lives with his daughter, Samira, and his young grandson, Amir Ali. The main conflict arises when Yousef faces the difficult situation of being forced to leave his home. Despite the pressure and the necessity of the move, Yousef is deeply attached to his current house and strongly resists the idea of leaving at all. The film explores the emotional turmoil and challenges faced by the old man and his family as they deal with this impending displacement.
An Iranian Film