Contemporary Photography in America

Czech Photographer Josef Koudelka grew up behind the Iron Curtain and always wanted to know "what was on the other side". Forty years after capturing the iconic images of the Soviet invasion of Prague in 1968, the legendary Magnum photographer arrives in Israel and Palestine. On first seeing the nine-meter-high wall built by Israel in the West Bank, Koudelka is deeply shaken and embarks on a four-year project in the region which will confront him once again with the harsh reality of violence and conflict. Director Gilad Baram, Koudelka's assistant at the time, follows him on his journey through the Holy Land from one enigmatic and visually spectacular location to another.

Out-of-control teens across America were sent to a therapy camp in the harsh Utah desert. The conditions were brutal, but the staff were even worse.

On August 8, 1988, the world’s first and largest Satanic rally took place. Ripped from a video featuring Satanist talking about creating a New World Order and killing off the masses. The 8-8-88 ritual was conducted right at the heart of the Satanic Panic. The goal, further exploit and feed upon the energies produced by the fears of the ignorant general public and media. It was shown to a sold-out crowd of degenerates promising them, “A Bitter Message of Hopeless Grief,” “A Nightmare of TERROR!” and “An Evening of Apocalyptic Delight!”

In 1939, just finished the Spanish Civil War, Spanish republican photographer Francesc Boix escapes from Spain; but is captured by the Nazis in 1940 and imprisoned in the Mauthausen concentration camp, in Austria, a year later. There, he works as a prisoner in the SS Photographic Service, hiding, between 1943 and 1945, around 20,000 negatives that later will be presented as evidence during several trials conducted against Nazi war criminals after World War II.

“There’s a bus stop I want to photograph.” This may sound like a parody of an esoteric festival film, but Canadian Christopher Herwig’s photography project is entirely in earnest, and likely you will be won over by his passion for this unusual subject within the first five minutes. Soviet architecture of the 1960s and 70s was by and large utilitarian, regimented, and mass-produced. Yet the bus stops Herwig discovers on his journeys criss-crossing the vast former Soviet Bloc are something else entirely: whimsical, eccentric, flamboyantly artistic, audacious, colourful. They speak of individualism and locality, concepts anathema to the Communist doctrine. Herwig wants to know how this came to pass and tracks down some of the original unsung designers, but above all he wants to capture these exceptional roadside way stations on film before they disappear.

From Vogue magazine fashion photographer to filmmaker, painter and sculptor, Bailey is the working-class Londoner who befriended the stars, married his muses (Jean Shrimpton, Catherine Deneuve, Marie Helvin) and captures the spirit and elegance of his times with his refreshingly simple approach and razor-sharp eye. He is also the man whose life and work inspired one of the cult movies of the sixties, Michelangelo Antonioni's Blow-Up, and who has constantly travelled the globe either with the most beautiful models or chronicling the contemporary reality of Papua New Guinea, Brazil, Vietnam, Afghanistan and other countries with ground-breaking reportages. Above all, Bailey is a romantic with a delightful sense of humour approaching his 73rd year and showing no sign of slowing up. Director Jérôme de Missolz has created an engaging portrait of this very private man who bared the soul of the swinging sixties and seventies with his photographs and films.

A strippers' convention and a major contest. The movie focuses on a few strippers, each with her own strong motive to win.

Women At Large was a video series by Sharlyne Powell for larger sized women. Music by Entertainment Tonight's very own John Tesh and Michael Hanna of the John Tesh Project.

10 mai 1981, le jour du grand soir

La Garoupe, a beach in Antibes, in 1937. For one summer, the painter and photographer Man Ray films his friends Pablo Picasso, Dora Maar, Paul Eluard and his wife Nusch, as well as Lee Miller. During these few weeks, love, friendship, poetry, photography and painting are still mixed in the carefree and the creativity specific to the artistic movements of the interwar period.

Fourty years ago, in May 1981, with François Mitterrand's election, some people were letting themselves dream about a better life while others were predicting the coming of soviet tanks upon the Champs-Élysées. If we gladly remember the turning point of austerity in 83, there were also the wage rises, the fifth week of paid leave, the abolition of death penalty, the decriminalisation of homosexuality, or the advent of independent radio stations. Rare archives and accounts by those who were at the heart of this story give an overview of it and shed light on lesser-known aspects.

Considerations on collage as a cognitive act in artists’ cinema. A pedagogical film adrift: 35mm photographs and other materials collected over the last fifteen years by artist Stefano Miraglia meet a text written by Baptiste Jopeck and the voice of Margaux Guillemard.

A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.

An in-depth look at the culture of Los Angeles in the ten years leading up to the 1992 uprising that erupted after the verdict of police officers cleared of beating Rodney King.

Director Agnès Varda and photographer/muralist JR journey through rural France and form an unlikely friendship.

Bunny Yeager, 'The world's prettiest photographer', started out as a beauty contest winner and professional photographer's model in the 50's. She became one of America's top ten glamour photographers during the 50's and 60's. This pictorial shows 100 of her most glamorous models, featuring Bettie Page, and includes photographs and original footage of Bunny with the girls behind the scenes.

An experimental film about narrations of two journal photos from Iran's revolution in 1979.

The perfectionist Life magazine photojournalist, famous for his pictures of Elvis, Jackie, and Marilyn, makes an emotional return to France, where he and his Jewish mother almost during World War II.

The adventure of the minitel, a small cubic terminal with a folding keyboard that began in the 1970s in the labs of France Telecom, is closely linked to Alsace. Alsatians had then in hand the future tools of interactive communication. What remains today of all those minitel years? Like a nocturnal and intimate road-movie, this documentary went to meet the last people who are still interested in the minitel, this strange beige box of access to telematic services, corny today, but pioneers at the end of the last century.

A walk through the golden age of Spanish exploitation cinema, from the sixties to the eighties; a low-budget cinema and great popular acceptance that exploited cinematographic fashions: westerns, horror movies, erotic comedies and thrillers about petty criminals.